Contents

pp v-vii

Figures and frames

pp viii-xii

Acknowledgements

pp xiii-xiv

Abbreviations

pp xv-xvi

Preface: a Deleuzian cineosis

pp xvii-xxxvi

PART ONE - UNFOLDING THE CINEOSIS

pp 1-2

Section I - First Introduction – Two Regimes of Images

pp 3-4

1 - Movement-images and time-images: Bergson, image and duration

pp 5-15

2 - Movement-images: Peirce, semiosis

pp 16-40

3 - Time-images: Deleuze, syntheses

pp 41-69

4 - Time-images and movement-images: Bergson, duration and image

pp 70-74

Section II - Second Introduction – A Series of Images and Signs

pp 75-76

1 - Perception-images

pp 77-81

2 - Affection-images

pp 82-86

3 - Impulse-images (the nascent action-image)

pp 87-91

4 - Action-images (small form, action → situation)

pp 92-96

5 - Action-images (large form, situation → action)

pp 97-104

6 - Attraction-images (first reflection-image; sixth mental-image)

pp 105-109

7 - Inversion-images (second reflection-image; fifth mental-image)

pp 110-114

8 - Discourse-images (third reflection-image; fourth mental-image)

pp 115-121

9 - Dream-images (third mental-image)

pp 122-126

10 - Recollection-images (second mental-image)

pp 127-131

11 - Relation-images (first mental-image)

pp 132-137

12 - Opsigns and sonsigns

pp 138-144

13 - Hyalosigns

pp 145-150

14 - Chronosigns

pp 151-156

15 - Noosigns

pp 157-161

16 - Lectosigns

pp 162-171

Afterword to Part One: the unfolded cineosis

pp 172-174