Dedication

pp v-v

Contents

pp vi-vii

Music examples

pp viii-ix

Figures

pp ix-x

Foreword, by Sir Andrew Davis

pp xi-xi

Acknowledgements

pp xii-xiv

Introduction

pp 1-8

Part One - Fundamental principles of technique

pp 9-10

Fundamental principles of technique

pp 11-12

The music stand

pp 13-13

Stance

pp 14-14

Eye-contact

pp 15-16

Beating time units

pp 17-18

Beating gestures

pp 19-21

Irregular pulses

pp 22-43

Independence of hands

pp 44-51

Aleatoric scores

pp 52-66

Extended instrumental techniques

pp 67-80

Electronics with orchestra/ensemble

pp 81-81

Orchestra/ensemble with tape or multi-channel computer-processed sound

pp 82-87

Click-track involvement

pp 88-94

Orchestra/ensemble with live electronics

pp 95-102

Works involving voices

pp 103-110

Part Two - Other voices

pp 111-112

Other voices

pp 113-113

Technique

pp 114-119

Metronome marks

pp 120-121

Preparation of scores for premières and rehearsals

pp 122-127

Vocal issues

pp 128-133