
- Cited by 8
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Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Christian, Bryan 2014. AUTOMATIC WRITING AND GRAMMELOT IN CLAUDE VIVIER'SLANGUE INVENTÉE. Tempo, Vol. 68, Issue. 270, p. 15.
Christian, Bryan 2014. Combination-Tone Class Sets and Redefining the Role ofles Couleursin Claude Vivier’sBouchara. Music Theory Online, Vol. 20, Issue. 2,
2015. Publications Received. Journal of the American Musicological Society, Vol. 68, Issue. 1, p. 247.
Novak, Jelena 2015. Vivier reenacted: Singing beyond masculine. New Sound, p. 139.
Wales, Joshua 2019. Terminal Delirium in the OperaKopernikus. JAMA, Vol. 322, Issue. 21, p. 2058.
Kingston, Andrew 2020. Death and Fairy Tale. differences, Vol. 31, Issue. 2, p. 30.
Donaldson, James 2021. Melody on the Threshold in Spectral Music. Music Theory Online, Vol. 27, Issue. 2,
Rhéaume, Martine 2021. « Je ne m’apitoie plus sur le fait1 » : homosexualité et engagement identitaire dans les écrits et prises de parole de Claude Vivier. Circuit, Vol. 31, Issue. 1, p. 27.
- Publisher:
- Boydell & Brewer
- Online publication date:
- February 2023
- Print publication year:
- 2014
- Online ISBN:
- 9781580468411
- Series:
- Eastman Studies in Music
- Subjects:
- Music, Music: General Interest