British Musical Criticism and Intellectual Thought, 1850–1950

doi:10.1017/9781787442801

- Get access
  
  Check if you have access via personal or institutional login
  
  Log in Register
Cited by 2
Cited by
- 2
Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Dingle, Christopher 2019. The Cambridge History of Music Criticism.

CrossRef

Google Scholar

Ross, Shawna Bratton, Francesca Krzakowski, Caroline Corser, Sophie Keese, Andrew Phillips, Joshua West, Mark Cooper, Samuel D’Monte, Rebecca Martín, Gustavo A Rodríguez Saunders, Graham Masud, Noreen Creasy, Matthew Alonso, Alex and O’Hanlon, Karl 2020. XIV Modern Literature. The Year's Work in English Studies, Vol. 99, Issue. 1, p. 865.

CrossRef

Google Scholar

Volume 19
Edited by Jeremy Dibble, Julian Horton

Publisher:: Boydell & Brewer
Online publication date:: July 2019
Print publication year:: 2018
Online ISBN:: 9781787442801
DOI:: https://doi.org/10.1017/9781787442801

Subjects:: Music, Music: General Interest
Series:: Music in Britain, 1600-1900

Export citation

Information

Contents

Metrics

This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Metrics

Altmetric attention score

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

British Musical Criticism and Intellectual Thought, 1850–1950

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Book description

Refine List

Actions for selected content:

Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

List of Illustrations
pp ix-x

List of Contributors
pp xi-xiv

Acknowledgements
pp xv-xvi

Introduction: Trends in British Musical Thought, 1850–1950
pp 1-8

1 - Avoiding ‘Coarse Invective’ and ‘Unseemly Vehemence’: English Music Criticism, 1850–1870
pp 9-37

2 - Spencer, Sympathy and the Oxford School of Music Criticism
pp 38-63

3 - Free Thought and the Musician: Ernest Walker, the ‘English Hanslick’
pp 64-83

4 - Ernest Newman and the Promise of Method in Biography, Criticism and History
pp 84-101

5 - ‘Making Symphony Articulate’: Bernard Shaw's Sense of Music History
pp 102-122

6 - Analysis and Value Judgement: Schumann, Bruckner and Tovey's Essays in Musical Analysis
pp 123-153

7 - The Scholar as Critic: Edward J. Dent
pp 154-173

8 - Russia and Eastern Europe
pp 174-198

9 - Anti-Intellectualism and the Rhetoric of ‘National Character’ in Music: The Vulgarity of Over-Refinement
pp 199-234

10 - Chosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray
pp 235-254

11 - ‘Es klang so alt und war doch so neu’: Vaughan Williams, Aesthetics and History
pp 255-277

12 - Constant Lambert: A Critic for Today? A Commentary on Music Ho!
pp 278-303

13 - The Challenge to Goodwill: Herbert Howells, Alban Berg and ‘The Modern Problem’
pp 304-327

14 - Hans Keller: The Making of an ‘Anti-Critic’
pp 328-344

Select Bibliography
pp 345-364

Index
pp 365-372

Titles listed here were originally published
pp 373-374

Metrics

Altmetric attention score

Full text views

Book summary page views

British Musical Criticism and Intellectual Thought, 1850–1950

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Altmetric attention score

Full text views

Book summary page views