Bernhard Heisig and the Fight for Modern Art in East Germany

April A. Eisman

doi:10.1017/9781787443495

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Smolianskaia, Aleksandra A. Andreev, Ivan I. Sirro, Sergey V. Aseev, Vladimir A. Tereschenko, Elena Y. and Smolyanskaya, Olga A. 2023. In Situ Study of the Painting “Hiroshima I” (1958) by Werner Tübke (1929–2004). Heritage, Vol. 6, Issue. 6, p. 4802.

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Volume 194
April A. Eisman

Publisher:: Boydell & Brewer
Online publication date:: June 2019
Print publication year:: 2018
Online ISBN:: 9781787443495
DOI:: https://doi.org/10.1017/9781787443495

Subjects:: Area Studies, European History: General Interest, History, European Studies
Series:: Studies in German Literature Linguistics and Culture

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One of the first books to extend the currently burgeoning scholarship on East Germany to the visual arts, revealing that painting, like literature and film, was a space of contestation.

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Bernhard Heisig and the Fight for Modern Art in East Germany

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

List of Illustrations
pp vii-x

Acknowledgments
pp xi-xiv

List of Abbreviations
pp xv-xvi

Introduction: Why Heisig Matters
pp 1-17

1 - From the Nazi Past to the Cold War Present
pp 18-48

2 - Art for an Educated Nation
pp 49-80

3 - Against the Wall: Murals, Modern Art, and Controversy
pp 81-105

4 - The Contentious Emergence of the “Leipzig School”
pp 106-131

5 - Portraying Workers and Revolutionaries
pp 132-160

Conclusion: The Quintessential German Artist
pp 161-186

Notes
pp 187-240

Bibliography
pp 241-254

Index
pp 255-264

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Bernhard Heisig and the Fight for Modern Art in East Germany

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