Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Books
  3. Bach's Feet
  • Cited by 4
Publisher:
Cambridge University Press
Online publication date:
March 2012
Print publication year:
2012
Online ISBN:
9781139003681
DOI:
https://doi.org/10.1017/CBO9781139003681
Subjects:
Music, Eighteenth-Century Music, Music Performance
Series:
Musical Performance and Reception
Information

Book description

The organist seated at the king of instruments with thousands of pipes rising all around him, his hands busy at the manuals and his feet patrolling the pedalboard, is a symbol of musical self-sufficiency yielding musical possibilities beyond that of any other mode of solo performance. In this book, David Yearsley presents an interpretation of the significance of the oldest and richest of European instruments, by investigating the German origins of the uniquely independent use of the feet in organ playing. Delving into a range of musical, literary and visual sources, Bach's Feet demonstrates the cultural importance of this physically demanding mode of music-making, from the blind German organists of the fifteenth century, through the central contribution of Bach's music and legacy, to the newly-pedaling organists of the British Empire and the sinister visions of Nazi propagandists.

Reviews

'There is much to enjoy in this compelling study.'

Source: Early Music

'Part of [Yearsley's] intent in writing Bach’s Feet, which is clearly a labor of love, is to reintroduce the organ into general musicological discourse, and perhaps even attract some lay readers. His book certainly deserves to succeed in its mission, and the organ, as he says, is 'ready for a comeback'.'

Source: Notes

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

Contents

Contents
References

Select bibliography

Adlung, Jakob. Anleitung zu der musicalischen Gelahrtheit. Erfurt: Jungnicol, 1758; reprint, Kassel: Bärenreiter, 1953.
Adlung, JakobMusica mechanica organoedi. 2 vols. Berlin: Friedrich Wilhelm Birnstiel, 1768; reprint, Kassel: Bärenreiter, 1931.
Alpenburg, Johann Neopomuk Ritter von. Deutsche Alpensagen. Vienna: Wilhelm Braumüller, 1861.
Altemark, Joachim. “Gedanken bei leisem Orgelspiel.” In Die Orgel in der Gegenwart. Ed. Gotthold Frotscher, pp. 23–26. Wolfenbüttel and Berlin: Georg Kallmeyer, 1939.
Anthes, F. C.Die Tonkunst im evangelischen Cultus. Wiesbaden: Friedrich, 1845.
Apel, Willi. The History of Keyboard Music to 1700. Trans. and rev. Hans Tischler. Bloomington: Indiana University Press, 1972.
Archbold, Lawrence and William J. Peterson, eds. French Organ Music: From the Revolution to Franck and Widor. New York: University of Rochester Press, 1995.
Atkinson, Catherine. Inventing Inventors in Renaissance Europe: Polydore Vergil’s “De inventoribus rerum” (1499 and 1521). Tübingen: Mohr Siebeck, 2007.
Bach, Carl Philipp Emanuel. “Auszug eines Schreibens aus – – – vom 27sten Febr. 1788.” Allgemeine deutsche Bibliothek, 81 (1788), Pt. 1, 295–303.
Bach, Carl Philipp EmanuelOrgan Works. Series I/9. Ed. Annette Richards and David Yearsley (Los Altos Hills, California: Packard Humanities Institute, 2008.
Bach, Johann Sebastian. Clavierübung Dritter Theil. Leipzig: the author, 1739; reprint, Paris: Fuzeau, 1989.
Bach, Johann SebastianMusicalisches Opfer / Musical Offering, BWV 1079. Book 1: Ricercari. Ed. Christoph Wolff. Leipzig: Deutscher Verlag für Musik,1981.
Bach, Johann SebastianNeue-Bach-Ausgabe: Orgelwerke. 11 vols. Kassel: Bärenreiter, 1957–2007.
Bach, Johann SebastianSechs Choräle von verschiedener Art. Zella: Schübler, 1746; reprint, Innsbruck: Helbling, 1985.
Baclawski, Karen. The Guide to Historic Costume. London: Batsford, 1995.
Barger, Judith. Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-century England. Aldershot, UK; Burlington, USA: Ashgate, 2007.
Beckmann, Klaus. Repertorium Orgelmusik: Komponisten, Werke, Editionen, 1150–2000. 3rd edn. Mainz: Schott, 2001.
Bédos de Celles, Francois. L’art du facteur d’orgues. 3 vols. Paris: L. F. Delatour, 1766–1778; reprint, Kassel: Bärenreiter, 1963–1966.
Bédos de Celles, FrancoisKurzgefaßte Geschichte der Orgel aus dem französischen des Dom Bédos de Celles nebst Herons Beschreibung der Wasserorgel. Trans. and ed. J. C. Vollbeding. Berlin: Ernst Felisch, 1793.
Beißwenger, Kirsten. “Zur Chronologie der Notenhandschriften Johann Gottfried Walthers.” In Acht kleine Präludien und Studien über BACH: Georg von Dadelsen zum 70. Geburstag. Ed. Collegium of the Bach Institute, Göttingen, pp. 11–39. Wiesbaden: Breitkopf & Härtel, 1992.
Belotti, Michael. “Buxtehude und die norddeutsche Doppelpedaltradition.” In Dietrich Buxtehude und die europäische Musik seiner Zeit. Ed. Arnfried Edler, and Friedhelm Krummacher, pp. 235–244. Kassel: Bärenreiter, 1990.
Bendeler, Johann Philipp. Organopoeia. Frankfurt and Leipzig: Calvisius, 1690; reprint, Amsterdam: Knuf, 1972.
Best, William T.Studies for the Pedal. London: Novello, 1914.
Bicknell, Stephen. The History of the English Organ. Cambridge University Press, 1996.
Böhm, Georg. Sämtliche Orgelwerke. Ed. Klaus Beckmann. Wiesbaden: Breitkopf & Härtel, 1986.
Boyvin, Jacques. Premier Livre d’Orgue. Paris: Christophe Ballard, 1689–90. 2 vols. Ed. Jean Bonfils. Paris: Les Éditions Ouvrères, 1969.
Brahms, Johannes. Briefwechsel mit Philipp Spitta. Ed. Carl Krebs. Berlin: Verlag der Deutschen Brahms-Gesellschaft, 1920.
Bruhns, Nicolaus. Sämtliche Orgelwerke. Ed. Harald Vogel. Wiesbaden: Breitkopf & Härtel, 2008.
Buchner, Hans. Sämtliche Orgelwerke. Ed. Jost Harro Schmit. 2 vols. Frankfurt: H. Litolff, 1974.
Bünting, Heinrich. Itinerarium Sacrae Scripturae. Magdeburg: Ambrosius Kirchner, 1589.
Burg, Josef. “Quelques remarques sur les séjours d’Adolf Friedrich Hesse à Paris.” L’Orgue Francophone, 13 (1992), 42–58.
Burkholder, J. Peter. “The Organist in Ives.” Journal of the American Musicological Society, 55 (2002), 255–310.
Burney, Charles. An Account of the Musical Performances in Westminster-Abbey, and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1785. Dublin: Moncrieffe, Jenkin, White, H. Whitestone, Burton, and Byrne, 1785.
Burney, CharlesA General History of Music. 4 vols. London: Becket, Robson, and Robinson, 1776–1789.
Burney, CharlesThe Present State of Music in France and Italy. London: T. Becket and Co., 1771; reprint, New York: Elibron Classic, 2005.
Burney, CharlesThe Present State of Music in Germany, the Netherlands, and United Provinces. 2 vols. 2nd edn. London: Becket, Robson, and Robinson, 1775.
Bush, Douglas E. “Musicus Consummatissimus: the Biography and Organ Music of Arnolt Schlick.” Organ Yearbook, 16 (1985), 26–46.
Buxtehude, Dieterich. Dieterich Buxtehude: Collected Works. Vol. xv, Pt. 1. Ed. Michael Belotti. New York: Broude Trust, 1998.
Byrd, Penelope. Male Image: Men’s Fashions in England, 1300–1970. London: Batsford Academic, 1979.
Cave, William. Scriptorum ecclesiasticorum historia literaria. London: Chiswell, 1688–1698.
Chase, Mary Ellen. Life and Language in the Old Testament. New York: Norton, 1955.
Chorley, Henry Fothergill. Modern German Music. 2 vols. London: Smith, Elder, and Co., 1854.
Chorley, Henry FothergillMusic and Manners in France and Germany. 3 vols. London: Longman, Brown, Green, and Longmans, 1844.
Coppy, Joseph and Jean Willy Kunts. Helmut Walcha: Nuit de lumière. Paris: Broché, 2007.
Dähnert, Ulrich. Der Orgel- und Instrumentenbauer Zacharias Hildebrandt. Leipzig: Breitkopf & Härtel, 1960.
David, Hans T. and Arthur Mendel, eds., rev. Christoph Wolff. The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents. New York: Norton, 1998.
Dohr, Christoph, ed. Johann Christian Heinrich Rinck: Dokumente zu Leben und Werk. Cologne: Verlag Dohr, 2003.
Douglass, Fenner. Cavaillé-Coll and the Musicians. 2 vols. Raleigh: Sunbury, 1980.
Dürer, Albrecht. Hierinn sind begriffen vier Bücher von menschlicher Proportion. Nuremberg: Albrecht Dürer’s Widow, 1528.
Edler, Arnfried. “Arnolt Schlick – Musicus consummatissimus ac organista probatissimus.” In Von Isaac bis Bach: Festschrift Martin Just zum 60. Geburstag, ed. Frank Heidlberger, Wolfgang Osthoff and Reinhard Wiesend, pp. 115–126. Kassel: Bärenreiter, 1991.
Edwards, Lynn. “The Thuringian Organ 1702–1720: ein wohlgerathenes gravitätisches Werk.” Organ Yearbook, 22 (1991), 119–150.
Eggebrecht, Hans Heinrich. “Zwei Nürnberger Orgel-Allegorien des 17. Jahrhunderts.” Musik und Kirche, 27 (1957), 170–181.
Ehrenhofer, Walter Edmund. Taschenbuch des Orgelbau-Revisors. Graz: Universitäts-Buchdruckerei, 1908; reprint, Buren, The Netherlands: Fritz Knuf, 1980.
Eichler, Anja. Albrecht Dürer, 1471–1528, trans. Fiona Hulse. Cologne: Könemann, 1999.
Faulkner, Quentin. J. S. Bach Keyboard Technique: a Historical Introduction. St. Louis: Concordia, 1984.
Faulkner, Quentin “Musica Mechanica Organoedi and the ‘Bach Organ.’” BACH: Journal of the Riemenschneider Bach Institute, 21 (1991), 42–59.
Fétis, François-Joseph. Biographie universelle des musiciens et bibliographie générale de la musique. 8 vols. Brussels: Melines, Cans et Compagnie, 1837–1844.
Fétis, François-JosephBiographie universelle des musiciens, 2nd edn. 8 vols. Paris: Firmin-Didot, 1860–1865.
Fischer, Carl August. “Ein Beitrag zur Geschichte des Orgelwesens in unserem Nachbarlande Böhmen.” Euterpe, 14 (1854), 43–45.
Flade, Ernst. “Literarische Zeugnisse zur Empfindung der ‘Farbe’ und ‘Fabrigkeit’ bei der Orgel.” Acta musicologica, 22 (1950), 97–127.
Fock, Gustav. Arp Schnitger und seine Schule. Kassel: Bärenreiter, 1974.
Forkel, Johann Nikolaus. Allgemeine Geschichte der Musik. Leipzig: Schwickert, 1788–1801; reprint, Graz: Akademische Druck- u. Verlagsanstalt, 1967.
Forkel, Johann NikolausMusikalischer Almanach für Deutschland auf das Jahr 1782. Leipzig: Schwickert, 1782; reprint, Hildesheim: Olms Verlag, 1974.
Forkel, Johann NikolausUeber Johann Sebastian Bachs Leben, Kunst und Kunstwerke. Leipzig: Hoffmeister & Kühnel, 1802; reprint, Kassel: Bärenreiter, 1999.
Freylinghausen, Johann Anastasius. Geistreiches Gesang-Buch. Halle: Verlegung des Waysenhauses, 1741.
Friedel, Robert and Paul Israel. Edison’s Electric Light: Biography of an Invention. New Brunswick, New Jersey: Rutgers University Press, 1987.
Frotscher, Gottfried. Geschichte des Orgelspiels und der Orgelkomposition. 2 vols. Berlin: Max Hesse, 1935.
Frotscher, Gottfried “Orgelideale aus vier Jahrhunderten.” In Die Orgel in der Gegenwart. Ed. Frotscher, pp. 17–23. Wolfenbüttel and Berlin: Georg Kallmeyer, 1939.
Frotscher, Gottfried Ed. Die Orgel in der Gegenwart. Wolfenbüttel and Berlin: Georg Kallmeyer, 1939.
Gailíte, Zane. “Johann Gottfried Müthel, die Bach-Familie und die ‘Wahre Art, das Clavier zu Spielen’ in Riga.” In Die Verbreitung der Werke Carl Philipp Emanuel Bachs in Ostmitteleuropa im 18. und 19. Jahrhundert, ed. Ulrich Leisinger und Hans-Günter Ottenberg, pp. 480–514. Frankfurt an der Oder: Mess- und Veranstaltungs GmbH, 2002.
Gauntlett, John Henry. “Mendelssohn as Organist.” Musical World, 7 (1837), 8–10.
Geck, Martin. Johann Sebastian Bach: Life and Work. Trans. John Hargraves. Boston: Houghton Mifflin Harcourt, 2006.
Gerber, Ernst Ludwig. Historisch-biographisches Lexicon der Tonkünstler. 2 vols. Leipzig: Breitkopf, 1790–1792.
Goethe, Johann Wolfgang von. Goethe’s Letters to Zelter: with Extracts from those of Zelter to Goethe. Ed. A. D. Coleridge. London: George Bell and Sons, 1892.
Grieshofer, Franz. “Die Tracht der Kleidung: Bermerkungen zur Darstellung der europäischen Nationen auf der ‘Völkertafel.’” In Europäischer Völkerspiegel: Imagologisch-ethnographische Studien zu den Völkertafeln des frühen 18. Jahrhunderts. Ed. Franz K. Stanzel, pp. 45–66. Heidelberg: Universitätsverlag C. Winter, 1999.
Gurgel, Anne Marlene, ed. Dresdner Orgelmusik. Vol. 1: Orgelmusik des 19. Jahrhunderts. St. Augustin: Butz, 2002.
Gwynn, Dominic. “Lost Worlds: The English Organ Before 1700.” In Music and its Problems: Essays in Honor of Peter Williams, ed. Thomas Donahue, pp. 23–47. Richmond, Virginia: OHS Press, 2007.
Handel, George Frideric. Organ Concertos, Op. 4. Arranged by W. T. Best. London: Novello [1858]; reprint, New York: Dover, 2001.
Handel, George FridericOrgelkonzerte I. Hallische Händel Ausgabe. Ser IV/2. Ed. Terence Best and William D. Gudger. Kassel: Bärenreiter, 2001.
Handel, George FridericOrgelkonzerte II. Hallische Händel Ausgabe. Ser IV/8. Ed. Eva Gerlach and Ingeborg Schneider. Kassel: Bärenreiter, 1989.
Harrassowitz, Hermann. “Geschichte der Kirchenmusik an St. Lorenz in Nürnberg.” Mitteilung des Vereins der Stadt Nürnberg, 60 (1973), 1–15.
Häuser, Johann Ernst. Geschichte der christlichen, insbesondere des evangelischen Kirchengesanges und der Kirchenmusik. Quedlinburg and Leipzig: Basse, 1834.
Heller, Morton A., ed. Touch, Representation, and Blindness. Oxford University Press, 2000.
Hess, Joachim. Dispositien der merkwaardigste kerk-Orgelen. Gouda: Johannes Vander Klos, 1774.
Hesse, Adolf Friedrich. “Aus dem Schreiben von Adolph Hesse.” Euterpe, 4 (1844), 140–142.
Hesse, Adolf Friedrich “Orgelspiel in London.” Euterpe, 11 (1851), 99–100.
Hesse, Adolf FriedrichOrgelwerke. Vol. I, ed. Otto Depenheuer. St. Augustin: Butz, 1989.
Hesse, Adolf Friedrich “Musikdirector A. Hesse in London und Paris.” Euterpe, 21 (1862), 108–111.
Hill, Robert. Keyboard Music from the Andreas Bach Book and the Möller Manuscript. Cambridge, Massachusetts: Harvard University Press, 1991.
Holmes, Edward. “The Actual Organists of Germany.” The Atlas, 10 (1835), 775–776, 792.
Holmes, EdwardA Ramble among the Musicians of Germany. London: Hunt and Clarke, 1828.
Horton, Peter. Samuel Sebastian Wesley: A Life. Oxford University Press, 2004.
Hutchison, Jane Campbell. Albrecht Dürer: a Biography. Princeton University Press, 1990.
Joeres, Ruth-Ellen Boetcher. “The German Enlightenment (1720–1790).” In The Cambridge History of German Literature, ed. Helen Watanabe-O’Kelly, pp. 147–201. Cambridge University Press, 1997.
John, Hans. Der Dresdner Kreuzkantor und Bach-Schüler Gottfried August Homilius. Tutzing: Hans Schneider, 1980.
Johnson, Cleveland, ed. Orphei organi antiqui: Essays in Honor of Harald Vogel. Orcas, Washington: Westfield Center, 2006.
Jones, Peter Ward. The Mendelssohns on Honeymoon: the 1837 Diary of Felix and Cécile Mendelssohn Bartholdy Together with Letters to Their Families. Oxford: Clarendon Press, 1997.
Kassler, Michael, ed. The English Bach Awakening. Aldershot, UK; Burlington, USA: Ashgate, 2004.
Keyl, Stephen. Arnolt Schlick and Instrumental Music circa 1500. Ph.D. diss., Duke University, 1989.
Keyßler, Johann Georg. Neueste Reisen durch Deutschland, Böhmen, Ungarn, die Schweiz, Italien und Lothringen. 2nd rev. edn. 2 vols. Hannover: Heirs of Nicolai Förster and Son, 1751.
Kindermann, Johann Erasmus. Harmonia organica. Nuremberg: the author, 1645; Stuttgart: Cornetto, 2007.
Kindermann, Johann ErasmusHarmonia organica: 14 Præambulum in den Kirchentonarten, 5 Choralbearbeitungen, 4 Fugen, Magnificat im 4. und 8. Ton (Nürnberg, 1645). Ed. Rudolf Walter. Altütting: Coppenrath, c. 1960.
Kircher, Athanasius. Germaniae redonatus: sive artis magnae de consono et dissono ars minor. Trans. Andreas Hirsch. Schwäbisch Hall: Hans Reinhold Laidigen and Johann Christoph Gräter, 1662.
Krebber, SabineMusurgia universalis. Rome: Corbelletto, 1650; reprint, Kassel: Bärenreiter, 1988.
Kittel, Johann Christian. Der angehende praktische Organist. 3 vols. Erfurt: Beyer and Maring, 1801–1808; reprint, Buren: Knuf, 1981.
Kittel, Johann ChristianVierstimmige Choräle mit Vorspielen . . . für die Schleswig-Hollsteinischen Kirchen. 2 vols. Altona: J. F. Hammerich, 1803.
Knecht, Justin Heinrich. Vollständige Orgelschule für Anfänger und Geübtere. Leipzig: Breitkopf, 1795; reprint, Wiesbaden: Breitkopf & Härtel, 1989.
Kollmann, August Frederic Christopher. An Essay on Practical Musical Composition. London: the author, 1799; reprint, New York: Da Capo Press, 1973.
Kollmann, August Frederic ChristopherA. F. C. Kollmann’s Quarterly Musical Register (1812); an Annotated Edition with an Introduction to his Life and Works. Ed. Michael Kassler. Aldershot, UK; Burlington, USA: Ashgate, 2008.
Komlos, John and Francesco Cinnirella. “European Heights in the Early 18th Century.” Discussion Paper, April 2005, Department of Economics, University of Munich. See http://ideas.repec.org/p/lmu/muenec/572.html
Komlós, Katalin. “Mozart and the Organ: Piping Time.” Musical Times, 143 (2002), 59–61.
Krebber, Sabine. Der Spaziergang in der Kunst. Frankfurt: Peter Lang, 2002.
Lahee, Henry Charles. The Organ and Its Masters. Boston: L. C. Page, 1903.
Langley, Robin, ed. The English Organ: An Anthology from Four Centuries in Ten Volumes. Vol. viii: 1740–1815. London: Novello, 1988.
Langley, RobinThe English Organ: An Anthology from Four Centuries in Ten Volumes. Vol. ix: Thomas Attwood to Thomas Attwood Walmisley. London: Novello, 1988.
Laukvik, Jon. Orgelschule zur historischen Aufführungspraxis, trans. Brigitte and Michael Harris. Stuttgart: Carus, 1996.
Leaver, Robin A. “Bach’s ‘Clavierübung III’: Some Historical and Theological Considerations.” Organ Yearbook, 6 (1975), 17–32.
Leaver, Robin A.Bach’s Theological Library. Neuhausen-Stuttgart: Hänssler-Verlag, 1983.
Lendon-Bennett, Mark. The Organist’s Pedal Callisthenics or Gymnastic Exercises – for the Development of the Muscles Brought into Action in Organ Pedal Playing. London: Guild of Church Musicians, 1899.
Leyding, Georg. Sämtliche Orgelwerke, ed. Klaus Beckmann. Wiesbaden: Breitkopf & Härtel, 1984.
Little, Wm. A.Mendelssohn and the Organ. Oxford University Press, 2010.
Lunelli, Renato. “Contributi trentini alle relazioni musicali fra l’Italia e la Germania nel Rinascimento.” Acta Musicologica, 21 (1949), 41–70.
Lunelli, Renatoet al. I “bellissimi organi” della Basilica di S. Maria Maggiore in Trento. Trent: Comitato per le Manifestazioni Inaugurali, 1945.
Lunelli, RenatoDer Orgelbau in Italien in seinen Meisterwerken. Trans. Carl Elis and Paul Smets. Mainz: Rheingold, 1956.
Lunelli, RenatoStudi e Documenti di Storia Organaria Veneta. Florence: San Giorgio Maggiore, 1973.
Marchand, Louis. Livre d’orgue. Ed. Alexandre Guilmant and André Pirro. Paris: Durand, 1901–1904; reprint, New York: Schott, 1908.
Marpurg, Friedrich Wilhelm. Abhandlung von der Fuge. 2 vols. Berlin: Haube & Spener, 1753–1754; reprint, Hildesheim: Olms Verlag, 1970.
Marpurg, Friedrich WilhelmCritischer Musikus an der Spree. Berlin: Haube & Spener, 1749–1750; reprint, New York: Olms Verlag, 1970.
Marpurg, Friedrich WilhelmHistorisch-Kritische Beyträge zur Aufnahme der Musik. 5 vols. Berlin: G. A. Lange, 1754–1758.
Marshall, Kimberly, ed. Historical Organ Techniques and Repertoire, vol.iii: Late-Medieval Before 1460. Gen. Ed. Wayne Leupold. Colfax, North Carolina: Wayne Leupold Editions, 2000.
Martin, Dieter. “Vom ‘unsterblichen Leipziger’ zum ‘vortreflicher Berliner’: Ein unbekanntes Dokument: J. S. Bach und C. Ph. E. Bach als Exempla in einer Kritik F. Nicolais an J. J. Bodmer.” Bach-Jahrbuch, 77 (1991), 193–198.
Martini, Johann Paul Aegidius. École d’orgue. Paris: Imbault, 1805; reprint Geneva: Minkoff, 1974.
Mason, Lowell. A Yankee Musician in Europe: the 1837 Journals of Lowell Mason. Ed. Michael Broyles. Ann Arbor, Michigan: UMI Research Press, 1990.
Mattheson, Johann. Grosse General-Bass Schule. Hamburg: J. C. Kißner, 1731; reprint, Hildesheim: Olms Verlag, 1968.
Mattheson, JohannGrundlage einer Ehren-Pforte. Hamburg: the author, 1740. Modern edition, ed. Max Schneider. Berlin: Liepmannssohn, 1910; reprint, Kassel: Bärenreiter, 1969.
Mattheson, JohannDer Musicalische Patriot. Hamburg: the author, 1728.
Mattheson, JohannPhilologisches Tresespiel. Hamburg: Johann Adolph Martin, 1752.
Mattheson, JohannDer vollkommene Capellmeister. Hamburg: Christian Herold, 1739; reprint, Kassel: Bärenreiter, 1954. English trans. Ernest C. Harriss. Johann Mattheson’s “Der vollkommene Capellmeister”: a revised translation with critical commentary. Ann Arbor, Michigan: UMI Research Press, 1981.
Maul, Michael and Peter Wollny, eds. Weimarer Orgeltabulatur: Die frühesten Notenhandschriften Johann Sebastian Bachs sowie Abschriften seines Schülers Johann Martin Schubart. Kassel: Bärenreiter, 2007.
McCrea, Andrew. “British Organ Music after 1800.” In The Cambridge Companion to the Organ, ed. Nicholas Thistlethwaite and Geoffrey Webber, pp. 279–298. Cambridge University Press, 1999.
McCrea, Andrew “A Note on Thomas Adams and his Showroom Demonstrations.” Journal of the British Institute of Organ Studies, 25 (2001), 78–95.
Mendelssohn Bartholdy, Felix. Felix Mendelssohn: A Life in Letters. Ed. Rudolf Elvers. Trans. Craig Tomlinson. New York: Fromm, 1986.
Mendelssohn Bartholdy, FelixFelix Mendelssohn Bartholdy: Glückliche Jugend (Briefe des jungen Komponisten). Ed. Günter Schulz. Bremen: Jacobi Verlag, 1971.
Mendelssohn Bartholdy, FelixLetters of Felix Mendelssohn Bartholdy from 1833 to 1847. Ed. Paul Mendelssohn Bartholdy and Carl Mendelssohn Bartholdy. Trans. Lady Wallace. London: Longman, Green, Longman, Roberts, & Green, 1863.
Mendelssohn Bartholdy, FelixNeue Ausgabe sämtlicher Orgelwerke. Ed. Christoph Albrecht. 2 vols. Kassel: Bärenreiter, 1993–1994.
Mendelssohn Bartholdy, FelixSämtliche Briefe. Vol. i. Ed. Juliette Appold and Regina Back. Kassel: Bärenreiter, 2008.
Mendelssohn Bartholdy, FelixSämtliche Briefe. Vol. ii. Ed. Anja Morgenstern and Uta Wald. Kassel: Bärenreiter, 2009.
Mersenne, Marin. Harmonie Universelle. 3 vols. Paris: Sebastien Cramoisy, 1636–1637; reprint, Paris: Éditions du Centre National de la Recherche Scientifique, 1963. English trans. Robert E. Chapman. Harmonie Universelle: The Books on Instruments. The Hague: Martinus Nijhoff, 1957.
Misson, Francois Maximilien. Nouveau voyage d’Italie. The Hague: Bulderen, 1691.
Morgan, Michael J.Molyneux’s Question: Vision, Touch, and the Philosophy of Perception. Cambridge University Press, 1977.
Moser, Hans Joachim. Die Musik der deutschen Stämme. Vienna and Stuttgart: Wancura, 1957.
Moser, Hans Joachim “Die Niederlande in der Musikgeographie Europas.” In International Society for Musical Research, Fifth Congress, Utrecht, 3–7 July 1952: Report. Amsterdam: Alsbach, 1953.
Moser, Hans JoachimPaul Hofhaimer. Stuttgart and Berlin: Cotta, 1929.
Moser, Hans Joachim “Eine Trienter Orgeltabulatur aus Hofhaimers Zeit.” In Studien zur Musikgeschichte: Festschrift für Guido Adler, zum 75. Geburtstag, pp. 84–86. Vienna: Universal Edition, 1930.
Mozart, Wolfgang Amadeuset al. The Letters of Mozart and His Family. 3rd edn. Ed. and trans. Emily Anderson. London: Macmillan, 1985.
Müthel, Johann Gottfried. Orgelwerke. Ed. Rüdiger Wilhelm. 2 vols. Innsbruck: Helbling, 1985.
Müthel, Johann GottfriedTechnische Übungen. Manuscript in Staatsbibliothek zu Berlin, Mus. ms. 15762/i–ii.
Natorp, Bernhard Christoph Ludwig. Ueber Rinck’s Präludien. Essen: Bädeker, 1834.
Nemeitz, Joachim Christoph. Nachlese besonderer Nachrichten von Italien, als ein Supplement von Misson, Burnet, Addisson, und andern. Leipzig: Johann Friedrich Gleditsch, 1726.
Neubacher, Jürgen. “Johann Ernst Bernhard Pfeiffer und die Organistenproben.” In Critica musica: Studien zum 17. und 18. Jahrhundert: Festschrift Hans Joachim Marx zum 65. Geburtstag, ed. Nicole Ristow, Wolfgang Sandberger and Dorothea Schröder, pp. 221–232. Stuttgart: Metzler, 2001.
Neukomm, Sigismund. 25 Grandes Études pour Orgues. Ed. Francois Sabatier and Nanon Bertrand-Tourneur. Paris: Editions Publimuses, 1999.
Ochse, Orpha. Organists and Organ Playing in Nineteenth-Century France and Belgium. Bloomington: Indiana University Press, 1994.
Ornithoparchus, Andreas. Musicae activae micrologus. Leipzig: Schumann, 1517; reprint, New York: Dover, 1973.
Ottenberg, Hans-Günter, ed. Carl Philipp Emanuel Bach Spurensuche: Leben und Werk in Selbstzeugnissen und Dokumenten seiner Zeitgenossen. Leipzig: E. A. Seemann, 1994.
Owens, Jessie Ann. Composers at Work: the Craft of Musical Composition, 1450–1600. Oxford University Press, 1997.
Pearce, Charles W.The Evolution of the Pedal Organ and Matters Connected Therewith. London: Musical Opinion, 1927.
Pearce, Charles W.Notes on English Organs of the Period 1800–1810. London: Vincent Music Co.; and Boston: T. J. Donland, 1912.
Petri, Johann Samuel. Anleitung zur praktischen Musik. Leipzig: Breitkopf, 1782.
Polko, Elise. Reminiscences of Felix Mendelssohn-Bartholdy: a Social and Artistic Biography. Trans. Lady Grace Wallace. London: Longmans, Green, and Co., 1869.
Praetorius, Michael. Syntagma musicum III: De organographia. Wolfenbüttel: Elias Holwein, 1619; reprint, Kassel: Bärenreiter, 1985.
Printz, Wolffgang Caspar. Historische Beschreibung der edelen Sing- und Kling-Kunst. Dresden: Johann Georg, 1690; reprint, Graz: Akademische Druck-und Verlagsanstalt, 1964.
Praetorius, MichaelPhrynis Mitylenaeus, oder Satyrischer Componist. Dresden and Leipzig: Johann Christoph Mieth and Johann Christoph Zimmermann, 1696.
Quantz, Johann Joachim. Versuch einer Anweisung, die Flöte traversiere zu spielen. Berlin: Voss, 1752; reprint, Leipzig: Deutscher Verlag für Musik, 1983. Trans. as On Playing the Flute. 2nd edn. Trans. Edward R. Reilly. New York: Schirmer, 1985.
Rampe, Siegbert, ed. Orgel- und Claviermusik der kaiserlichen Hofkapelle, Wien, 1500–1700. Kassel: Bärenreiter, 2006.
Ribeiro, Aileen. Dress in Eighteenth-Century Europe, 1715–1719. New York: Holmes & Meier, 1985.
Ribeiro, AileenA Visual History of Costume: The Eighteenth Century. London: Batsford, 1983.
Richter, Tobias. Keyboard Works. In Denkmäler der Tonkunst in Österreich. Vol. xxvii. Ed. Hugo Botsbiber. Graz: Akademische Druck- und Verlagsanstalt, 1959.
Riello, Giorgio. A Foot in the Past: Producers and Footwear in the Long Eighteenth Century. Oxford University Press, 2006.
Riethmüller, Albrecht. “Die Bestimmung der Orgel im Dritten Reich.” In Orgel und Ideologie: Bericht über das fünfte Colloquium der Walcker-Stiftung für orgelwissenschaftliche Forschung 5.–7. Mai 1983 in Göttweig. Ed. Hans Heinrich Eggebrecht, pp. 28–61. Musikwissenschaftliche Verlags-Gesellschaft: Murrhardt, 1984.
Rinck, Johann Christian Heinrich. Selbstbiographie. Breslau: G. P. Aderholz, 1833.
Ritter, A. G.Zur Geschichte des Orgelspiels. Leipzig: Hesse, 1884.
Sabellicus, Antonius Coccius. Enneade X. In Operibus omnibus. 4 vols. Basel: Johannes Hervagius, 1560.
Salmen, Walter. Calcanten and Orgelzieherinnen: Geschichte eines “niederen Dienstes.”Hildesheim: Olms Verlag, 2007.
Scheibe, Johann Adolf. Der critische Musicus. 2nd edn. Leipzig: Breitkopf, 1745; reprint, Hildesheim: Olms Verlag, 1970.
Scheidt, Samuel. Tabulatura nova (1624). Ed. Harald Vogel. 3 vols. Wiesbaden: Breitkopf & Härtel, 1994–2002.
Schlick, Arnolt. Gaude dei genitrix, Ascendo ad patrem meum. Manuscript. Archivio Principato Vescovile, Sezione tedesca Miscellanea 105, Archivio di Stato Trento.
Schlick, ArnoltHommage à L’Empereur Charles-Quint. Ed. M. S. Kastner. Barcelona: Boileau, 1954.
Schlick, ArnoltOrgelkompositionen. Ed. Rudolf Walter. Mainz: B. Schott’s Söhne, 1969.
Schlick, ArnoltSpiegel der Orgel-macher und Organisten. Mainz: Peter Schöffer, 1511. Parallel trans. Elizabeth Berry Barber. Buren: Knuf, 1980.
Schlick, ArnoltTabulaturen Etlicher lobgesang und lidlein uff die orgeln und lauten. Mainz: Peter Schöffer, 1512; reprint, Leipzig: Zentralantiquariat, 1979.
Schneider, Friedrich. Handbuch des Organisten. 4 vols. Halberstadt: Brüggeman, 1830–1832. English edn., Frederick Schneider’s Complete Theoretical and Practical Instruction for Playing the Organ, with Numerous Exercises for Acquiring the Use of the Pedals. Trans. Charles Flaxman. London: Novello, 1832.
Schubart, Christian Friedrich Daniel. Vermischte Schriften. 2 vols. Ed. Ludwig Schubart. Zürich: Gessner, 1812.
Seyfried, Hans Jürgen. Adolph Friedrich Hesse als Orgelvirtuose und Orgelkomponist. Regensburg: Gustav Bosse, 1965.
Sieling, Andreas. “Der Dresdner Hoforganist Johann Gottlob Schneider.” In Zur deutschen Orgelmusik des 19. Jahrhunderts, ed. Hermann J. Busch and Michael Heinemann, pp. 185–192. Sinzig: Schewe, 1998.
Smart, George Thomas. Leaves from the Journals of Sir George Smart, ed. H. Bertram Cox and C. L. E. Cox. London: Longmans, Green & Co., 1907; reprint, New York: Da Capo, 1971.
Smith, Rollin. “Pipe Organs of the Rich and Famous: Queen Victoria and Prince Albert”. The American Organist, 41 (May, 2007), 96.
Snyder, Kerala. “Arnstadt to Lübeck.” Musical Times, 127 (1986), 672–677.
Snyder, Kerala “Buxtehude’s Organs: Helsingør, Helsingborg, Lübeck. 2: The Lübeck Organs.” Musical Times, 126 (1985), 427–434.
Snyder, KeralaDieterich Buxtehude: Organist in Lübeck. 2nd edn. New York: University of Rochester Press, 2007.
Spitta, Philipp. J. S. Bach. Trans. Clara Bell and J. A. Fuller-Maitland. 3 vols. London: Novello, 1889; reprint, New York: Dover, 1951.
Sponsel, Johann Ulrich. Orgelhistorie. Nuremberg: G. P.Monath, 1771; reprint, Hilversum: Knuf, 1968.
Stainer, John. The Organ. London: Novello, 1877.
Stauffer, George. “Boyvin, Grigny, D’Anglebert, and Bach’s Assimilation of French Classical Organ Music.” Early Music, 21 (1993), 83–96.
Stauffer, George and Ernest May, eds. J. S. Bach as Organist: His Instruments, Music, and Performance Practices. London: B. T. Batsford, 1986.
Steigleder, Johann Ulrich. Compositions for Keyboard I. Corpus of Early Keyboard Music, vol. xiii. Ed. Willi Apelet al. American Institute of Musicology, 1968.
Steigleder, Johann UlrichTabulatur Buch, darinnen dass Vatter Unser auf 2, 3, und 4, Stimmen Componiert, und Viertzig mal Varirt würdt. Strasbourg: Marx von der Heiden, 1627.
Stinson, Russell. Bach: The Orgelbüchlein. Oxford University Press, 1999.
Stinson, RussellThe Reception of Bach’s Organ Works. Oxford University Press, 2006.
Stinson, Russell “Some Thoughts on Bach’s Neumeister Chorales.” Journal of Musicology, 11 (1993), 455–477.
Stirling, Elizabeth. Romantic Pieces for Organ. Ed. Barbara Harbach. Pullman, Washington: Vivace, 1995.
Suchalla, Ernst, ed. Carl Philipp Emanuel Bach: Briefe und Dokumente, Kritische Gesamtausgabe. Göttingen: Vandenhoeck & Ruprecht, 1994.
Sykes, Ingrid. Women, Science and Sound in Nineteenth-Century France. Frankfurt: Peter Lang, 2007.
Tattershall, Susan and James Wyly. The Brebos Organs of El Escorial. Wilmington, Ohio: OHS Press, 2006.
Thalben-Ball, George. Variations on a Theme by Paganini for Pedals. London: Novello, 1962.
Thistlethwaite, Nicholas. The Making of the Victorian Organ. Cambridge University Press, 1990.
Thistlethwaite, Nicholas “Organs and Arminians in Early Seventeenth-Century Cambridge.” In Litterae organi: Essays in Honor of Barbara Owen, ed. John Ogasapian, Scot L. Huntington, Len Levasseur and N. Lee Orr, pp. 27–50. Richmond, Virgina: OHS Press, 2005.
Todd, R. Larry. Mendelssohn: a Life in Music. Oxford University Press, 2003.
Tunder, Franz. Sämtliche Orgelwerk. Ed. Klaus Beckmann. 4th edn. Wiesbaden: Breitkopf & Härtel, 1985.
Türk, Daniel Gottlob. Von den wichtigsten Pflichten eines Organisten. Halle: Schwickert, 1787.
van der Straeten, Edmond. La Musique aux Pays-Bas avant le XIXe Siècle. Brussels: Van Trigt, 1878.
Vergil, Polydore. De inventoribus rerum. Venice: De Pensis, 1499.
Vignoles, Olinthus J.Memoir of Sir Robert P. Stewart. London: Simpkin, Marshall, Hamilton, Kent, & Co., 1899.
Vignoles, Olinthus J.Eigentlicher Bericht, der Erfinder aller Ding. Trans. Marcus Tatius Alpinus. Frankfurt: Weygand Han, c. 1550.
Vignoles, Olinthus J.On Discovery. Ed. and trans. Brian P. Copenhaver. Cambridge, Massachusetts: Harvard University Press, 2002.
Walther, J. G.Musicalisches Lexicon. Leipzig: Wolffgang Deer, 1732; reprint, Kassel: Bärenreiter, 1953.
Walther, J. G.Sämtliche Orgelwerke. Ed. Klaus Beckmann. 4 vols. Wiesbaden: Breitkopf & Härtel, 1998.
Weckman, Matthias. Choral-Bearbeitungen für Orgel. Ed. Werner Breig. Kassel: Bärenreiter, 1977.
Werckmeister, Andreas. Organum Gruningense redivivum. Quedlinburg and Aschersleben: Struntz, 1705.
Wesley, Samuel Sebastian. Original Compositions for the Organ. Ed. G. M. Garrett. London and New York: Novello, Ewer and Co., c. 1900.
West, John E.Cathedral Organists Past and Present. London: Novello, 1899.
Williams, Peter. “BWV 565: A Toccata in D Minor for Organ by J. S. Bach?” Early Music, 9 (1981), 330–337.
Williams, Peter “Early References to the Organ in Presentday Southern Germany.” In Musicus Doctus: Festschrift für Hans Musch zum 65. Geburtstag. Ed. Kay Johannsen, Georg Koch and Stephan Rommelspacher. Freiburg: Verlag Freiburger Musik, 2000.
Williams, PeterThe European Organ. Bloomington and London: Indiana University Press, 1966.
Williams, PeterJ. S. Bach: A Life in Music. Cambridge University Press, 2007.
Williams, PeterThe Organ Music of J. S. Bach. Cambridge University Press, 2nd edn., 2002.
Williams, Peterand Barbara Owen, The New Grove Organ. London: Macmillan, 1988.
Wolff, Christoph. Johann Sebastian Bach: The Learned Musician. New York: Norton, 2000.
Wolff, Christoph Ed. The Neumeister Collection of Chorale Preludes from the Bach Circle (Yale University Manuscript LM 4708). New Haven: Yale University Press, 1986.
Wolff, ChristophAnd Markus Zepf. Die Orgeln Johann Sebastian Bachs: Ein Handbuch. Leipzig: Evangelische Verlagsanstalt, 2006.
Yearsley, David. Bach and the Meanings of Counterpoint. Cambridge University Press, 2002.
Yearsley, David “In Buxtehude’s Footsteps.” Early Music, 35 (2007), 339–353.
Yearsley, David “An Ideal Organ and Its Experts across the Seventeenth Century.” In The Organ as a Mirror of Its Time, ed. Kerala Snyder, pp. 93–112. Oxford University Press, 2002.
Yearsley, David“Stylus Phantasticus and the New Musical Imagination.” In GOArt Research Reports, vol. ii, ed. Sverker Jullander, pp. 91–105. University of Gothenburg Press, 2000.
Zavarsky, Ernest. “Zum Pedalspiel des jungen Johann Sebastian Bach.” Musikforschung, 18 (1965), 370–378.
Zedler, Johann Heinrich. Grosses vollständiges Universal-Lexicon. 64 vols. Leipzig: Zedler, 1732–1754; reprint, Graz: Akademische Druk- und Verlagsanstalt, 1961–1964.
Zehmen, Emanuel Leberecht von. Reise des Erb-Prinzen Leopold zu Anhalt-Cöthen nach Holland vom Jahre 1710. Köthen, Historisches Museum, Register 1734, Inventar-Nr. VS 462.
Zingerle, Ignaz Vincenz. Sagen, Märchen und Gebräuche aus Tirol. Innsbruck: Wagner, 1859.
Zöllner, Stefan. Orgelmusik im nationalsozialistischen Deutschland. Frankfurt: Peter Lang, 1999.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.