Originally dismissed as curiosities, J. S. Bach's Cello Suites are now understood as the pinnacle of composition for unaccompanied cello. This handbook examines how and why Bach composed these highly innovative works. It explains the characteristics of each of the dance types used in the suites and reveals the compositional methods that achieve cohesion within each suite. The author discusses the four manuscript copies of Bach's lost original and the valuable evidence they contain on how the Suites might be performed. He explores how, after around 1860, the Cello Suites gradually entered the concert hall, where they initially received a mixed critical and audience reception. The Catalan cellist Pablo Casals extensively popularized them through his concerts and recordings, setting the paradigm for several generations to follow. The Cello Suites now have a global resonance, influencing music from Benjamin Britten's Cello Suites to J-pop, and media from K-drama to Ingmar Bergman's films.

‘An excellent book! Full of interesting information, concisely and readably presented. A fine guide to the six miracles known as the Bach Cello Suites.’

Steven Isserlis - Cellist and Author

‘This book is essential reading for anyone interested in the Bach Cello Suites. The scholarship is up-to-date, conclusions are always interesting, myths are dispelled, and the writing is always clear.’

George Kennaway - Author, Playing the Cello, 1780–1930

‘An engrossing exploration of the myriad ways to play, study, and think about the cello suites. Klorman's thoughtful research makes the music feel more alive than ever. It changed my understanding of the suites and made me eager to practice them again. This book will be a tremendous resource for anyone looking to enrich their perspective on Bach.’

Zlatomir Fung - The Juilliard School. First Prize Winner, 2019 International Tchaikovsky Competition

‘A well-written and important guide. This book is essential for any music lover who wishes to gain a deeper understanding of Bach’s Cello Suites.’

Keiran Campbell - Tafelmusik Baroque Orchestra