Book contents
- The Year that Made the Musical
- Reviews
- The Year that Made the Musical
- Copyright page
- Dedication
- Contents
- Plates
- Figures
- Acknowledgements
- Chronology
- Abbreviations
- Part I From One Year to the Next
- Part II From Winter to Spring
- Part III From Summer to Autumn
- 9 Summertime Frolics
- 10 September Sensibilities
- 11 An Abundant Autumn
- 12 November Pairings
- Part IV From December Onwards
- Select Discography and Videography
- Permissions
- Select Bibliography
- Index
- Plate Section (PDF Only)
11 - An Abundant Autumn
from Part III - From Summer to Autumn
Published online by Cambridge University Press: 26 September 2024
Book contents
- The Year that Made the Musical
- Reviews
- The Year that Made the Musical
- Copyright page
- Dedication
- Contents
- Plates
- Figures
- Acknowledgements
- Chronology
- Abbreviations
- Part I From One Year to the Next
- Part II From Winter to Spring
- Part III From Summer to Autumn
- 9 Summertime Frolics
- 10 September Sensibilities
- 11 An Abundant Autumn
- 12 November Pairings
- Part IV From December Onwards
- Select Discography and Videography
- Permissions
- Select Bibliography
- Index
- Plate Section (PDF Only)
Summary
Several revues of different sorts opened in autumn, including the latest edition of Charlot’s Revue in London, and Earl Carroll’s Vanities (with Sophie Tucker), The Grab Bag (with Ed Wynn) and Dixie to Broadway (with Florence Mills) in New York. Productions of Countess Maritza opened in Europe, including in Budapest, and a new musical starring Dorothy Dickson, Patricia, debuted in London.
- Type
- Chapter
- Information
- The Year that Made the Musical1924 and the Glamour of Musical Theatre, pp. 157 - 173Publisher: Cambridge University PressPrint publication year: 2024