Book contents
- Worlds of Byzantium
- Worlds of Byzantium
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Preface
- One Worlds of Byzantium
- I Patterns, Paradigms, Scholarship
- II Images, Objects, Archaeology
- Six Movement and Creation
- Seven Letters from the Edge
- Eight Antioch after Dark
- Nine Ars Sacra in the East and after Byzantium
- Ten The Church of the Virgin in Dayr al-Suryān (Wadi al-Natrun)
- Eleven Three Questions Concerning Armenian and Byzantine Art
- Twelve Makurian Visual Culture
- III Languages, Confessions, Empire
- Index
- References
Eleven - Three Questions Concerning Armenian and Byzantine Art
from II - Images, Objects, Archaeology
Published online by Cambridge University Press: 18 October 2024
Book contents
- Worlds of Byzantium
- Worlds of Byzantium
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Preface
- One Worlds of Byzantium
- I Patterns, Paradigms, Scholarship
- II Images, Objects, Archaeology
- Six Movement and Creation
- Seven Letters from the Edge
- Eight Antioch after Dark
- Nine Ars Sacra in the East and after Byzantium
- Ten The Church of the Virgin in Dayr al-Suryān (Wadi al-Natrun)
- Eleven Three Questions Concerning Armenian and Byzantine Art
- Twelve Makurian Visual Culture
- III Languages, Confessions, Empire
- Index
- References
Summary
If the Armenological scholarship of the past five decades is any indication, close and deep examination has tended to reveal shared concerns, broader cultural horizons, and a strong sense of Armenia’s connectedness to other traditions and places. This could be shown for virtually all periods of Armenian history, but this essay focuses on the seventh to tenth centuries. Exploring some points of convergence between Armenian and Byzantine artistic traditions, I ask three very specific questions: 1) Is there such a thing as an Armenian imperial image? 2) What if an Armenian church were constructed in the imperial palace at Constantinople? and 3) What if an early medieval Armenian icon panel was shown to have survived? These are all hypothetical scenarios, but they are not entirely fantastical; each finds at least some support in historical evidence. Moreover, all of them urge a broader, more complex, and more dynamic conceptualization of visual culture than most studies of Byzantine and Armenian art have allowed.
- Type
- Chapter
- Information
- Worlds of ByzantiumReligion, Culture, and Empire in the Medieval Near East, pp. 324 - 351Publisher: Cambridge University PressPrint publication year: 2024
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