Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- Modern Painters, VOL. III. (CONTAINING THE TEXT OF ALL THE EDITIONS)
- PREFACE
- PART IV “OF MANY THINGS”
- CHAP. I OF THE RECEIVED OPINIONS TOUCHING THE “GRAND STYLE”
- CHAP. II OF REALIZATION
- CHAP. III OF THE REAL NATURE OF GREATNESS OF STYLE
- CHAP. IV OF THE FALSE IDEAL:—FIRST, RELIGIOUS
- CHAP. V OF THE FALSE IDEAL:—SECONDLY, PROFANE
- CHAP. VI OF THE TRUE IDEAL:—FIRST, PURIST
- CHAP. VII OF THE TRUE IDEAL:—SECONDLY, NATURALIST
- CHAP. VIII OF THE TRUE IDEAL:—THIRDLY, GROTESQUE
- CHAP. IX OF FINISH
- CHAP. X OF THE USE OF PICTURES
- CHAP. XI OF THE NOVELTY OF LANDSCAPE
- CHAP. XII OF THE PATHETIC FALLACY
- CHAP. XIII OF CLASSICAL LANDSCAPE
- CHAP. XIV OF MEDIÆVAL LANDSCAPE:—FIRST, THE FIELDS
- CHAP. XV OF MEDIÆVAL LANDSCAPE:—SECONDLY, THE ROCKS
- CHAP. XVI OF MODERN LANDSCAPE
- CHAP. XVII THE MORAL OF LANDSCAPE
- CHAP. XVIII OF THE TEACHERS OF TURNER
- APPENDIX
- Plate section
CHAP. XII - OF THE PATHETIC FALLACY
Published online by Cambridge University Press: 05 November 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- Modern Painters, VOL. III. (CONTAINING THE TEXT OF ALL THE EDITIONS)
- PREFACE
- PART IV “OF MANY THINGS”
- CHAP. I OF THE RECEIVED OPINIONS TOUCHING THE “GRAND STYLE”
- CHAP. II OF REALIZATION
- CHAP. III OF THE REAL NATURE OF GREATNESS OF STYLE
- CHAP. IV OF THE FALSE IDEAL:—FIRST, RELIGIOUS
- CHAP. V OF THE FALSE IDEAL:—SECONDLY, PROFANE
- CHAP. VI OF THE TRUE IDEAL:—FIRST, PURIST
- CHAP. VII OF THE TRUE IDEAL:—SECONDLY, NATURALIST
- CHAP. VIII OF THE TRUE IDEAL:—THIRDLY, GROTESQUE
- CHAP. IX OF FINISH
- CHAP. X OF THE USE OF PICTURES
- CHAP. XI OF THE NOVELTY OF LANDSCAPE
- CHAP. XII OF THE PATHETIC FALLACY
- CHAP. XIII OF CLASSICAL LANDSCAPE
- CHAP. XIV OF MEDIÆVAL LANDSCAPE:—FIRST, THE FIELDS
- CHAP. XV OF MEDIÆVAL LANDSCAPE:—SECONDLY, THE ROCKS
- CHAP. XVI OF MODERN LANDSCAPE
- CHAP. XVII THE MORAL OF LANDSCAPE
- CHAP. XVIII OF THE TEACHERS OF TURNER
- APPENDIX
- Plate section
Summary
§ 1. German dulness, and English affectation, have of late much multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, “Objective,” and “Subjective.”
No words can be more exquisitely, and in all points, useless; and I merely speak of them that I may, at once and for ever, get them out of my way, and out of my reader's. But to get that done, they must be explained.
The word “Blue,” say certain philosophers, means the sensation of colour which the human eye receives in looking at the open sky, or at a bell gentian.
Now, say they farther, as this sensation can only be felt when the eye is turned to the object, and as, therefore, no such sensation is produced by the object when nobody looks at it, therefore the thing, when it is not looked at, is not blue; and thus (say they) there are many qualities of things which depend as much on something else as on themselves. To be sweet, a thing must have a taster; it is only sweet while it is being tasted, and if the tongue had not the capacity of taste, then the sugar would not have the quality of sweetness.
- Type
- Chapter
- Information
- The Works of John Ruskin , pp. 201 - 220Publisher: Cambridge University PressPrint publication year: 2010First published in: 1904