Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- Modern Painters, Vol. IV. (CONTAINING THE TEXT OF ALL THE EDITIONS)
- PREFACE
- PART V “OF MOUNTAIN BEAUTY”
- CHAP. I OF THE TURNERIAN PICTURESQUE
- CHAP. II OF TURNERIAN TOPOGRAPHY
- CHAP. III OF TURNERIAN LIGHT
- CHAP. IV OF TURNERIAN MYSTERY:—FIRST, AS ESSENTIAL
- CHAP. V OF TURNERIAN MYSTERY:—SECONDLY, WILFUL
- CHAP. VI THE FIRMAMENT
- CHAP. VII THE DRY LAND
- CHAP. VIII OF THE MATERIALS OF MOUNTAINS:—FIRST, COMPACT CRYSTALLINES
- CHAP. IX OF THE MATERIALS OF MOUNTAINS:—SECONDLY, SLATY CRYSTALLINES
- CHAP. X OF THE MATERIALS OF MOUNTAINS:—THIRDLY, SLATY COHERENTS
- CHAP. XI OF THE MATERIALS OF MOUNTAINS:—FOURTHLY, COMPACT COHERENTS
- CHAP. XII OF THE SCULPTURE OF MOUNTAINS:—FIRST, THE LATERAL RANGES
- CHAP. XIII OF THE SCULPTURE OF MOUNTAINS:—SECONDLY, THE CENTRAL PEAKS
- CHAP. XIV RESULTING FORMS:—FIRST, AIGUILLES
- CHAP. XV RESULTING FORMS:—SECONDLY, CRESTS
- CHAP. XVI RESULTING FORMS:—THIRDLY, PRECIPICES
- CHAP. XVII RESULTING FORMS:—FOURTHLY, BANKS
- CHAP. XVIII RESULTING FORMS:—FIFTHLY, STONES
- CHAP. XIX THE MOUNTAIN GLOOM
- CHAP. XX THE MOUNTAIN GLORY
- APPENDIX
- Plate section
CHAP. VII - THE DRY LAND
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- Modern Painters, Vol. IV. (CONTAINING THE TEXT OF ALL THE EDITIONS)
- PREFACE
- PART V “OF MOUNTAIN BEAUTY”
- CHAP. I OF THE TURNERIAN PICTURESQUE
- CHAP. II OF TURNERIAN TOPOGRAPHY
- CHAP. III OF TURNERIAN LIGHT
- CHAP. IV OF TURNERIAN MYSTERY:—FIRST, AS ESSENTIAL
- CHAP. V OF TURNERIAN MYSTERY:—SECONDLY, WILFUL
- CHAP. VI THE FIRMAMENT
- CHAP. VII THE DRY LAND
- CHAP. VIII OF THE MATERIALS OF MOUNTAINS:—FIRST, COMPACT CRYSTALLINES
- CHAP. IX OF THE MATERIALS OF MOUNTAINS:—SECONDLY, SLATY CRYSTALLINES
- CHAP. X OF THE MATERIALS OF MOUNTAINS:—THIRDLY, SLATY COHERENTS
- CHAP. XI OF THE MATERIALS OF MOUNTAINS:—FOURTHLY, COMPACT COHERENTS
- CHAP. XII OF THE SCULPTURE OF MOUNTAINS:—FIRST, THE LATERAL RANGES
- CHAP. XIII OF THE SCULPTURE OF MOUNTAINS:—SECONDLY, THE CENTRAL PEAKS
- CHAP. XIV RESULTING FORMS:—FIRST, AIGUILLES
- CHAP. XV RESULTING FORMS:—SECONDLY, CRESTS
- CHAP. XVI RESULTING FORMS:—THIRDLY, PRECIPICES
- CHAP. XVII RESULTING FORMS:—FOURTHLY, BANKS
- CHAP. XVIII RESULTING FORMS:—FIFTHLY, STONES
- CHAP. XIX THE MOUNTAIN GLOOM
- CHAP. XX THE MOUNTAIN GLORY
- APPENDIX
- Plate section
Summary
§ 1. Having thus arrived at some apprehension of the true meaning and noble offices of the clouds, we leave farther inquiry into their aspects to another time, and follow the fixed arrangement of our subject; first, to the crests of the mountains. Of these also, having seen in our review of ancient and modern landscape various strange differences in the way men looked upon them, it will be well in the outset to ascertain, as far as may be, the true meaning and office.
The words which marked for us the purpose of the clouds are followed immediately by those notable ones:—
“And God said, Let the waters which are under the heaven be gathered together unto one place, and let the dry land appear.”
We do not, perhaps, often enough consider the deep significance of this sentence. We are too apt to receive it as the description of an event vaster only in its extent, not in its nature, than the compelling the Red Sea to draw back, that Israel might pass by. We imagine the Deity in like manner rolling the waves of the greater ocean together on an heap, and setting bars and doors to them eternally.
But there is a far deeper meaning than this in the solemn words of Genesis, and in the correspondent verse of the Psalm, “His hands prepared the dry land.”
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- The Works of John Ruskin , pp. 115 - 127Publisher: Cambridge University PressPrint publication year: 2010First published in: 1904