Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INDEX TO THE ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- THE STONES OF VENICE
- AUTHOR'S PREFACE TO THE FIRST EDITION (1851)
- AUTHOR'S PREFACE TO THE THIRD EDITION (1874)
- AUTHOR'S PREFACE TO THE TRAVELLERS' EDITION (1879)
- CHAP. I THE QUARRY
- CHAP. II THE VIRTUES OF ARCHITECTURE
- CHAP. III THE SIX DIVISIONS OF ARCHITECTURE
- CHAP. IV THE WALL BASE
- CHAP. V THE WALL VEIL
- CHAP. VI THE WALL CORNICE
- CHAP. VII THE PIER BASE
- CHAP. VIII THE SHAFT
- CHAP. IX THE CAPITAL
- CHAP. X THE ARCH LINE
- CHAP. XI THE ARCH MASONRY
- CHAP. XII THE ARCH LOAD
- CHAP. XIII THE ROOF
- CHAP. XIV THE ROOF CORNICE
- CHAP. XV THE BUTTRESS
- CHAP. XVI FORM OF APERTURE
- CHAP. XVII FILLING OF APERTURE
- CHAP. XVIII PROTECTION OF APERTURE
- CHAP. XIX SUPERIMPOSITION
- CHAP. XX THE MATERIAL OF ORNAMENT
- CHAP. XXI TREATMENT OF ORNAMENT
- CHAP. XXII THE ANGLE
- CHAP. XXIII THE EDGE AND FILLET
- CHAP. XXIV THE ROLL AND RECESS
- CHAP. XXV THE BASE
- CHAP. XXVI THE WALL VEIL AND SHAFT
- CHAP. XXVII THE CORNICE AND CAPITAL
- CHAP. XXVIII THE ARCHIVOLT AND APERTURE
- CHAP. XXIX THE ROOF
- CHAP. XXX THE VESTIBULE
- AUTHOR'S APPENDIX
- Plate section
CHAP. IX - THE CAPITAL
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INDEX TO THE ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- THE STONES OF VENICE
- AUTHOR'S PREFACE TO THE FIRST EDITION (1851)
- AUTHOR'S PREFACE TO THE THIRD EDITION (1874)
- AUTHOR'S PREFACE TO THE TRAVELLERS' EDITION (1879)
- CHAP. I THE QUARRY
- CHAP. II THE VIRTUES OF ARCHITECTURE
- CHAP. III THE SIX DIVISIONS OF ARCHITECTURE
- CHAP. IV THE WALL BASE
- CHAP. V THE WALL VEIL
- CHAP. VI THE WALL CORNICE
- CHAP. VII THE PIER BASE
- CHAP. VIII THE SHAFT
- CHAP. IX THE CAPITAL
- CHAP. X THE ARCH LINE
- CHAP. XI THE ARCH MASONRY
- CHAP. XII THE ARCH LOAD
- CHAP. XIII THE ROOF
- CHAP. XIV THE ROOF CORNICE
- CHAP. XV THE BUTTRESS
- CHAP. XVI FORM OF APERTURE
- CHAP. XVII FILLING OF APERTURE
- CHAP. XVIII PROTECTION OF APERTURE
- CHAP. XIX SUPERIMPOSITION
- CHAP. XX THE MATERIAL OF ORNAMENT
- CHAP. XXI TREATMENT OF ORNAMENT
- CHAP. XXII THE ANGLE
- CHAP. XXIII THE EDGE AND FILLET
- CHAP. XXIV THE ROLL AND RECESS
- CHAP. XXV THE BASE
- CHAP. XXVI THE WALL VEIL AND SHAFT
- CHAP. XXVII THE CORNICE AND CAPITAL
- CHAP. XXVIII THE ARCHIVOLT AND APERTURE
- CHAP. XXIX THE ROOF
- CHAP. XXX THE VESTIBULE
- AUTHOR'S APPENDIX
- Plate section
Summary
§ 1. The reader will remember that in Chap. VII. § 5 it was said that the cornice of the wall, being cut to pieces and gathered together, formed the capital of the column. We have now to follow it in its transformation.
We must, of course, take our simplest form or root of cornices (a, in Fig. 5, above). We will take X and Y there, and we must necessarily gather them together as we did X b and Y b in Chap. VII. Look back to the tenth paragraph of Chap. VII., read or glance it over again, substitute X and Y for X b and Y b, read capital for base, and, as we said that the capital was the hand of the pillar, while the base was its foot, read also fingers for toes; and as you look to the plate, Fig. 12, turn it upside down. Then h, in Fig. 12, becomes now your best general form of block capital, as before of block base.
§ 2. You will thus have a perfect idea of the analogies between base and capital; our farther inquiry is into their differences. You cannot but have noticed that when Fig. 12 is turned upside down, the square stone (Y) looks too heavy for the supporting stone (X); and that in the profile of cornice (a of Fig. 5) the proportions are altogether different.
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- The Works of John Ruskin , pp. 135 - 152Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903