This essay explores the insights into female authorship offered by Julian of Norwichߣs Revelations of Divine Love. While we know very little of this figure, external evidence clearly identifies her as an anchoress celebrated for her holiness and spiritual guidance, and she is the first woman writer to use English who can be identified. Windeatt explores the distinctive witnesses to medieval womenߣs literary culture offered by the two extant texts of the Revelations. The shorter version, almost certainly earlier, is explicit about its female authorship, but reflects no particularly female approach. The longer version, by contrast, suppresses reference to female authorship but develops a uniquely woman-centred exposition of deep theological sophistication that suggests extensive learning. The afterlife of Julianߣs Revelations sustains the process of editing, as the short text finds its way into an anthology while excerpts of the Long Text are woven into a florilegium probably for nuns, whilst post-medieval communities of nuns ensure the survival of Julianߣs book.