Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Chapter 1 You Are About To Participate in a Great Adventure
- Chapter 2 From Stoney Burke and One Step Beyond to The Outer Limits: Cue Reuses
- Chapter 3 From a Soft Blur to Crystal Clarity: Orchestration and Sound Design
- Chapter 4 The Scores of Dominic Frontiere and Robert Van Eps
- Chapter 5 The Scores of Harry Lubin
- Appendix 1 Episode Information
- Appendix 2 Recording Session Informatio
- Appendix 3 Internal Flowchart For The First Season of The Outer Limits
- Works Cited
- Index
Appendix 2 - Recording Session Informatio
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Chapter 1 You Are About To Participate in a Great Adventure
- Chapter 2 From Stoney Burke and One Step Beyond to The Outer Limits: Cue Reuses
- Chapter 3 From a Soft Blur to Crystal Clarity: Orchestration and Sound Design
- Chapter 4 The Scores of Dominic Frontiere and Robert Van Eps
- Chapter 5 The Scores of Harry Lubin
- Appendix 1 Episode Information
- Appendix 2 Recording Session Informatio
- Appendix 3 Internal Flowchart For The First Season of The Outer Limits
- Works Cited
- Index
Summary
From American Federation of Musicians Contracts, Provided by Professional Musicians Union Local 47 and David J. Schow, The Outer Limits Companion. Some information, such as exact instruments played, and the scores recorded may be missing. Except for the leader, contractor, librarian, copyist, and orchestrator, all musician names are listed in alphabetical order. All musician numbers include the leader but not the librarian, contractor, copyist(s), orchestrator, or arranger. If Roger Farris's recording logs for a specific session were available to me, I have indicated the cues recorded at that session.
1963:
August 23, 9:00AM-12:30PM and 1:30PM-7:30PM. Recording call, 46 musicians. United Recorders. Cues from “The Architects of Fear,” “The Human Factor,” “Tourist Attraction,” “The Hundred Days of The Dragon,” “Controlled Experiment,” “The Borderland.” Dominic Frontiere, Composer, Arranger, and Leader; Urban Thielman, Contractor; Victor Arno, Violin; Frank Beach, Trumpet; Myer Bello, Viola; Joachim Chassman, Violin; Russell Cheever, Clarinet; Donald Christlieb, Bassoon; John Clyman, Trumpet; Ralph Collier, Drums; Joe Coppin, Cello; Richard Cornell, Drums; Karl De Karske, Trombone; Vincent De Rosa, Trumpet; Kurt Dieterle, Violin; Adolph Di Tullio, Violin; Joseph Ditullio, Cello; J. Bob Gibbons, Guitar; Ossip Giskin, Cello; Luella Howard, Flute; Clarence Karella, Tuba; Louis Kaufman, Violin; Raymond W. Klein, Trombone; Marvin Limonick, Violin; Paul Lowenkron, Violin; Oliver Mitchell, Trumpet; Abe Most, Clarinet; Richard Nash, Trombone; Irma Neuman, Violin; Jack Priesner, Accordion; Harold Rees, Drums; Sven Reher, Viola; Howard Roberts, Guitar; Paul Robyn, Viola; Meyer Rubin, Bass; Harry Schmidt, Horn; Paul Shure, Violin; Henry Sigismonte, Horn; Marshall Sosson, Violin; Joseph Stepansky, Violin; Ann Stockton, Harp; Leon Trebacz, Violin; William Ulyate, Bass Clarinet; Robert Van Eps, Piano; Kenneth Winstead, Bass; Roger E. Farris, Copyist; Robert Van Eps, Arranger.
Cues recorded at this session: “Main Title” (Please Stand By), “Main Title”—last bar Wild cue (Please Stand By), “End Title” (Please Stand By), “Wild Cue – Loop” (Please Stand By), “Wild Cue – Loop—Strings” (Please Stand By), “Wait For Me,” “Everybody Go Home,” “Allan Carries Carol,” “Main Title No. 1,” “Main Title No. 2,” “Main Title No. 3,” “Main Title No. 4,” “Main Title No. 5,” “Teaser Curtain,” “Let's Go No. 1,”
- Type
- Chapter
- Information
- We Will Control All That You HearThe Outer Limits and the Aural Imagination, pp. 203 - 210Publisher: Boydell & BrewerPrint publication year: 2016