Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-25T16:30:50.975Z Has data issue: false hasContentIssue false

3 - Becoming the Machine: Günter Grass's and Erich Loest's Virtual History, René Pollesch's Postdramatic Imaginings, and “Real” Cyber-Relationships according to Christine Eichel and Daniel Glattauer

Published online by Cambridge University Press:  05 February 2013

Paul A. Youngman
Affiliation:
University of North Carolina, Charlotte
Get access

Summary

The danger that computers will become like humans is not as great as the danger that humans will become like computers.

— Konrad Zuse

Contemporary Unease

ADEEPER ANALYSIS of new media theorist Stephan Porombka's notion of “one reality,” as touched on throughout this study, is necessary for any discussion of IT in the twenty-first century. Early in Hypertext, he writes:

I make the assumption that there is one reality and that all medial spaces that are opened belong to this one reality, although — paradoxically — from the distance provided by these spaces, one can observe reality. And I therefore make the assumption that one cannot really flee reality even when one tries, with all one's might, to derealize (entwirklichen) the world and oneself. (20)

Because he is, in part, responding to the hyperbole of the 1990s, his hypothesis implies that “medial spaces” must be actively opened up and entered, similar to the manner in which Boris Reeper accessed cyberspace first through virtual reality gear and then by downloading the contents of his brain and soul into that world. In this way, Reeper fled the real world for the confines/expanse of cyberspace. The presupposition is that humans enter the “medial spaces” and not the other way around. This is a specific way of understanding the spatial relationship between human and machine — and by extension between human and information — that has a certain nineteenth-century air to it.

Type
Chapter
Information
We Are the Machine
The Computer, the Internet, and Information in Contemporary German Literature
, pp. 94 - 152
Publisher: Boydell & Brewer
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×