Book contents
- War and Literary Studies
- Cambridge Critical Concepts
- War and Literary Studies
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction: War, Literature, and the History of Knowledge
- Part I Origins and Theories
- Chapter 1 War and Ancient Athens
- Chapter 2 War and Chinese Culture
- Chapter 3 War and Romantic Thought
- Chapter 4 War and Critical Theory
- Chapter 5 War and French Theory
- Chapter 6 War and Media Studies
- Chapter 7 War and Postcolonial Studies
- Part II Foundational Concepts
- Part III Emerging Concepts
- Index
Chapter 1 - War and Ancient Athens
from Part I - Origins and Theories
Published online by Cambridge University Press: 15 January 2023
- War and Literary Studies
- Cambridge Critical Concepts
- War and Literary Studies
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction: War, Literature, and the History of Knowledge
- Part I Origins and Theories
- Chapter 1 War and Ancient Athens
- Chapter 2 War and Chinese Culture
- Chapter 3 War and Romantic Thought
- Chapter 4 War and Critical Theory
- Chapter 5 War and French Theory
- Chapter 6 War and Media Studies
- Chapter 7 War and Postcolonial Studies
- Part II Foundational Concepts
- Part III Emerging Concepts
- Index
Summary
Like other literary genres in fifth-century Athens, such as tragedy and oratory, ancient historiography responded to the continuous wars of the Greek city-states with an intense literary effort, producing the first prose descriptions of warfare in the western hemisphere. This chapter examines the representation of warfare in fifth-century Athenian literature against an historical background, taking account of Homeric epic as well as of political and normative contexts, in order to clarify textual priorities and narrative strategies. It begins by analyzing representations of extreme conditions: death in battle, often cast as the ultimate test of manhood, and military defeat. It then backs up to look at representations of the course of warfare, analyzing the role of victorious leadership, intelligence, and courage together with the accompanying descriptions of bodily suffering and human error. Finally, the chapter examines representations of the human causes of war: greed, retaliation for insult, and the desire for power, profit, and rule over others. As a short coda, it reflects on the popularity of war as a literary theme, noting the emergence of war fiction with Xenophon’s Cyropaedia.
- Type
- Chapter
- Information
- War and Literary Studies , pp. 21 - 35Publisher: Cambridge University PressPrint publication year: 2023