Buckler, William E., Walter Pater: The Critic as Artist of Ideas (New York 1987)Google Scholar

Cheeke, Stephen, Transfiguration: The Religion of Art in Nineteenth-Century Literature before Aestheticism (Oxford 2016), especially chapter 7, ‘Walter Pater’s Indifference’, 186–215CrossRefGoogle Scholar

Coates, John, The Rhetorical Use of Provocation as a Means of Persuasion in the Writings of Walter Pater (1839–1894), English Essayist and Cultural Critic: Pater as Controversialist (New York 2011) – on Pater’s engagement with leading writers and thinkers of the day, including Ruskin, Arnold, Swinburne, and NewmanGoogle Scholar

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Dean, Paul, ‘Pater in Arcadia’, The New Criterion 37 (2018), 18–22 – review of Pater the Classicist: Classical Scholarship, Reception, and Aestheticism, ed. Charles Martindale, Stefano Evangelista, and Elizabeth Prettejohn (Oxford 2017)Google Scholar

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Inman, Billie Andrew, Walter Pater and His Reading: 1874–1877: With a Bibliography of His Library Borrowings, 1878–1894 (New York and London 1990)Google Scholar

Kermode, Frank, Romantic Image (New York 1957) – Pater is a significant presence throughoutGoogle Scholar

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Small, Ian, Conditions for Criticism: Authority, Knowledge, and Literature in the Late Nineteenth Century (Oxford 1991), especially ‘Walter Pater’, 91–111 – on the response of Pater and Wilde to the increasing professionalisation of literary studyCrossRefGoogle Scholar

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Stefano, Evangelista, ‘Things Said by the Way: Walter Pater and the Essay’, in On Essays: Montaigne to the Present, ed. Karshan, Thomas and Murphy, Kathryn (Oxford 2020), 241–57Google Scholar

Himmelfarb, Gertrude, ed., The Spirit of the Age: Victorian Essays (New Haven 2007) – useful introduction on the essay genre in the period (especially 18–27 on the essay as genre), though the selection does not include PaterGoogle Scholar

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Russell, David, Tact: Aesthetic Liberalism and the Essay Form in Nineteenth-Century Britain (Princeton, NJ 2017), especially chapter 5, ‘Relief-Work: Walter Pater’s Tact’, 111–41CrossRefGoogle Scholar

Daley, Kenneth, ‘Pater’s Misrepresentations: The Case of “Sir Thomas Browne”’, Studies in Walter Pater and Aestheticism 4 (2019), 19–34Google Scholar

Ishikawa, Daichi, ‘A Great Chain of Curiosity: Pater’s “Sir Thomas Browne” and Its Nineteenth-Century British Context’, in Testing New Opinions and Courting New Impressions: New Perspectives on Walter Pater, ed. Gillard-Estrada, Anne-Florence, Lambert-Charbonnier, Martine, and Ribeyrol, Charlotte (New York 2018), 109–24Google Scholar

Andrews, Kit, ‘Walter Pater’s Lives of Philosophers: Inversions of the Aesthetic Life in “Coleridge’s Writings” and “Sebastian van Storck”’, in Testing New Opinions and Courting New Impressions: New Perspectives on Walter Pater, ed. Gillard-Estrada, Anne-Florence, Lambert-Charbonnier, Martine, and Ribeyrol, Charlotte (New York 2018), 200–17Google Scholar

DeLaura, David J., Hebrew and Hellene in Victorian England: Newman, Arnold, and Pater (Austin, TX 1969), chapter 13, ‘“Coleridge” and the Higher Morality’Google Scholar

Wendling, Ronald C., ‘Pater, Coleridge, and the Return of the Platonic’, The Wordsworth Circle 30 (1999), 94–9CrossRefGoogle Scholar

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McGann, Jerome, ‘The Poetry of Dante Gabriel Rossetti (1828–1882)’, in The Cambridge Companion to the Pre-Raphaelites, ed. Prettejohn, Elizabeth (Cambridge 2012), 89–102 – reads Rossetti very much through Pater’s essayGoogle Scholar

Bate, Jonathan, ‘Shakespeare in the Twilight of Romanticism: Wagner, Swinburne, Pater’, Shakespeare Jahrbuch 146 (2010), 11–25Google Scholar

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Poole, Adrian, Shakespeare and the Victorians (2004) – use indexGoogle Scholar

Bassett, Sharon, ‘Wordsworth, Pater, and the “Anima Mundi”: Towards a Critique of Romanticism’, Criticism 17 (1975), 262–75Google Scholar

Becker-Lekrone, Megan, ‘Wilde and Pater’s Strange Appreciations’, Victoriographies 1 (2011), 93–126Google Scholar

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Jackson, Noel B., ‘Rethinking the Cultural Divide: Walter Pater, Wilkie Collins, and the Legacies of Wordsworthian Aesthetics, Modern Philology 102 (2004), 207–34CrossRefGoogle Scholar

Lee, Adam, The Platonism of Walter Pater: Embodied Equity (Oxford 2020), chapter 2, ‘The Ethics of Contemplation in Wordsworth’, 56–86CrossRefGoogle Scholar

Østermark-Johansen, Lene, Walter Pater and the Language of Sculpture (Farnham and Burlington, VT 2011), 280–90 and use indexGoogle Scholar

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Daley, Kenneth, ‘Pater’s Misrepresentations: The Case of “Sir Thomas Browne”’, Studies in Walter Pater and Aestheticism 4 (2019), 19–34Google Scholar

Ishikawa, Daichi, ‘A Great Chain of Curiosity: Pater’s “Sir Thomas Browne” and Its Nineteenth-Century British Context’, in Testing New Opinions and Courting New Impressions: New Perspectives on Walter Pater, ed. Gillard-Estrada, Anne-Florence, Lambert-Charbonnier, Martine, and Ribeyrol, Charlotte (New York 2018), 109–24Google Scholar

Andrews, Kit, ‘Walter Pater’s Lives of Philosophers: Inversions of the Aesthetic Life in “Coleridge’s Writings” and “Sebastian van Storck”’, in Testing New Opinions and Courting New Impressions: New Perspectives on Walter Pater, ed. Gillard-Estrada, Anne-Florence, Lambert-Charbonnier, Martine, and Ribeyrol, Charlotte (New York 2018), 200–17Google Scholar

DeLaura, David J., Hebrew and Hellene in Victorian England: Newman, Arnold, and Pater (Austin, TX 1969), chapter 13, ‘“Coleridge” and the Higher Morality’Google Scholar

Wendling, Ronald C., ‘Pater, Coleridge, and the Return of the Platonic’, The Wordsworth Circle 30 (1999), 94–9CrossRefGoogle Scholar

Coates, John, ‘In Defence of Appreciation: Pater’s “Charles Lamb”’, The Charles Lamb Bulletin 137 (2007) 1–15Google Scholar

McGann, Jerome, ‘The Poetry of Dante Gabriel Rossetti (1828–1882)’, in The Cambridge Companion to the Pre-Raphaelites, ed. Prettejohn, Elizabeth (Cambridge 2012), 89–102 – reads Rossetti very much through Pater’s essayGoogle Scholar

Bate, Jonathan, ‘Shakespeare in the Twilight of Romanticism: Wagner, Swinburne, Pater’, Shakespeare Jahrbuch 146 (2010), 11–25Google Scholar

Martindale, Charles, ‘Shakespeare Philosophus’, in Thinking with Shakespeare: Comparative and Interdisciplinary Essays, ed. Poole, William and Scholar, Richard (2007), 33–50CrossRefGoogle Scholar

Poole, Adrian, Shakespeare and the Victorians (2004) – use indexGoogle Scholar

Bassett, Sharon, ‘Wordsworth, Pater, and the “Anima Mundi”: Towards a Critique of Romanticism’, Criticism 17 (1975), 262–75Google Scholar

Becker-Lekrone, Megan, ‘Wilde and Pater’s Strange Appreciations’, Victoriographies 1 (2011), 93–126Google Scholar

DeLaura, David J., ‘The “Wordsworth” of Pater and Arnold: “The Supreme, Artistic View of Life”’, Studies in English Literature 1500–1900 6 (1966), 651–67CrossRefGoogle Scholar

Gill, Stephen, Wordsworth and the Victorians (Oxford 1998) – use indexCrossRefGoogle Scholar

Jackson, Noel B., ‘Rethinking the Cultural Divide: Walter Pater, Wilkie Collins, and the Legacies of Wordsworthian Aesthetics, Modern Philology 102 (2004), 207–34CrossRefGoogle Scholar

Lee, Adam, The Platonism of Walter Pater: Embodied Equity (Oxford 2020), chapter 2, ‘The Ethics of Contemplation in Wordsworth’, 56–86CrossRefGoogle Scholar

Østermark-Johansen, Lene, Walter Pater and the Language of Sculpture (Farnham and Burlington, VT 2011), 280–90 and use indexGoogle Scholar

Ward, J. P., ‘An Anxiety of No Influence: Walter Pater on William Wordsworth’, in Pater in the 1990s, ed. Brake, Laurel and Small, Ian (Greensboro, NC 1991), 63–76Google Scholar

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Coates, John, ‘Pater as Polemicist in “Prosper Mérimée”’, Modern Language Review 99 (2004), 1–16Google Scholar

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Hurley, Michael D., and Waithe, Marcus, eds, Thinking Through Style: Non-Fiction Prose of the Long Nineteenth Century (Oxford 2012), chapter 13 on Pater: Leighton, Angela, ‘Walter Pater’s Dream Rhythms’, 217–31Google Scholar

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