The chapter focuses on two key aspects of Friedrich Kittler’s analysis of Richard Wagner’s Ring of the Nibelung. First, drawing on Kittler’s account of changing ‘discourse networks’, the cycle is seen (and heard) as a highly media-conscious total work of art that rises from noise into meaning and ultimately returns back to noise. Music and words are able to create and transmit messages by analysing their own technical properties. The second aspect is the modernisation of war. With the help of his Valkyrie daughters, Wagner’s Wotan turns into a modern warlord who no longer bullies unwilling conscripts or mercenaries but instead mobilises the affect of modern soldier-subjects  Wagner’s Siegfried, in turn, embodies military reforms that go by the name of mission tactics. He is the human equivalent of a fully autonomous drone: the new and independently operating soldier or partisan programmed from above to think on his own.