Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces Reception, Enthusiasm, Cult
Book contents
- Frontmatter
- Contents
- List of Illustrations
- List of Tables
- Acknowledgments
- Notes to the Reader
- Prelude
- 1 Richard Wagner, the Wandering Musician
- 2 Wagner as an Orchestral and Drawing Room Composer
- 3 The First Steps in the Cultural Struggle
- 4 Entr’acte: Wagner’s Promotional Tour in Russia (1863)
- 5 Cries and Whispers: Early Swedish Encounters with Wagner
- 6 Institutionalizing a Composer
- 7 Pilgrimage to Wagner
- 8 The Campaigners for Bayreuth
- Conclusion: The Final Chord
- Notes
- Geographical Glossary
- List of Sources
- Index
- Eastman Studies in Music
Book contents
- Frontmatter
- Contents
- List of Illustrations
- List of Tables
- Acknowledgments
- Notes to the Reader
- Prelude
- 1 Richard Wagner, the Wandering Musician
- 2 Wagner as an Orchestral and Drawing Room Composer
- 3 The First Steps in the Cultural Struggle
- 4 Entr’acte: Wagner’s Promotional Tour in Russia (1863)
- 5 Cries and Whispers: Early Swedish Encounters with Wagner
- 6 Institutionalizing a Composer
- 7 Pilgrimage to Wagner
- 8 The Campaigners for Bayreuth
- Conclusion: The Final Chord
- Notes
- Geographical Glossary
- List of Sources
- Index
- Eastman Studies in Music
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic ProvincesReception, Enthusiasm, Cult, pp. 299 - 310Publisher: Boydell & BrewerPrint publication year: 2005