Book contents
- Frontmatter
- Table of Contents
- List of Figures
- Introduction
- Chapter 1 The Impact of Ossian: Johann Gottfried Herder's Literary Legacy
- Chapter 2 On Robert Burns: Enlightenment, Mythology and the Folkloric
- Chapter 3 The Classical Form of the Nation: The Convergence of Greek and Folk Forms in Czech and Russian Literature in the 1810s
- Chapter 4 Literary Metamorphoses and the Reframing of Enchantment: The Scottish Song and Folktale Collections of R. H. Cromek, Allan Cunningham and Robert Chambers
- Chapter 5 Thomas Moore, Daniel Maclise and the New Mythology: The Origin of the Harp
- Chapter 6 The Oral Ballad and the Printed Poem in the Portuguese Romantic Movement: The Case of J. M. da Costa e Silva's Isabel ou a Heroina de Aragom
- Chapter 7 Class, Nation and the German Folk Revival: Heinrich Heine, Georg Büchner and Georg Weerth
- Chapter 8 The Estonian National Epic, Kalevipoeg: Its Sources and Inception
- Chapter 9 The Latvian Era of Folk Awakening: From Johann Gottfried Herder's Volkslieder to the Voice of an Emergent Nation
- Chapter 10 From Folklore to Folk Law: William Morris and the Popular Sources of Legal Authority
- Chapter 11 Pioneers, Friends, Rivals: Social Networks and the English Folk-Song Revival, 1889–1904
- Chapter 12 The Bosnian Vila: Folklore and Orientalism in the Fiction of Robert Michel
- Epilogue: The Persistence of Revival
- Bibliography
- Index
- List of Contributors
Chapter 1 - The Impact of Ossian: Johann Gottfried Herder's Literary Legacy
Published online by Cambridge University Press: 05 July 2012
- Frontmatter
- Table of Contents
- List of Figures
- Introduction
- Chapter 1 The Impact of Ossian: Johann Gottfried Herder's Literary Legacy
- Chapter 2 On Robert Burns: Enlightenment, Mythology and the Folkloric
- Chapter 3 The Classical Form of the Nation: The Convergence of Greek and Folk Forms in Czech and Russian Literature in the 1810s
- Chapter 4 Literary Metamorphoses and the Reframing of Enchantment: The Scottish Song and Folktale Collections of R. H. Cromek, Allan Cunningham and Robert Chambers
- Chapter 5 Thomas Moore, Daniel Maclise and the New Mythology: The Origin of the Harp
- Chapter 6 The Oral Ballad and the Printed Poem in the Portuguese Romantic Movement: The Case of J. M. da Costa e Silva's Isabel ou a Heroina de Aragom
- Chapter 7 Class, Nation and the German Folk Revival: Heinrich Heine, Georg Büchner and Georg Weerth
- Chapter 8 The Estonian National Epic, Kalevipoeg: Its Sources and Inception
- Chapter 9 The Latvian Era of Folk Awakening: From Johann Gottfried Herder's Volkslieder to the Voice of an Emergent Nation
- Chapter 10 From Folklore to Folk Law: William Morris and the Popular Sources of Legal Authority
- Chapter 11 Pioneers, Friends, Rivals: Social Networks and the English Folk-Song Revival, 1889–1904
- Chapter 12 The Bosnian Vila: Folklore and Orientalism in the Fiction of Robert Michel
- Epilogue: The Persistence of Revival
- Bibliography
- Index
- List of Contributors
Summary
Johann Gottfried Herder's contribution to the revival of folklore in Germany has been duly acknowledged in a body of scholarly literature. His intention to preserve and define the characteristics of a distinct cultural heritage was wide-ranging and influential, and, despite various attempts at misrepresentation, was eventually recognised as an effort impossible to limit to one national interest alone. Herder's trademark stance was to assert not only the notion but also the authority of folk identity, a concept he believed had both cultural and intellectual merit, and which he therefore championed as a cause worthy of proper intellectual investigation. His interest in folk matters exceeded the orderly parameters endorsed by convention by giving consideration to the vitality of the folk and by paying attention to the force of its presence – traits Herder believed could not be qualified or communicated in restrictive literary terms. In his interpretation of folk culture, Herder relentlessly insisted upon authenticity, demanding that folk topics be presented with a dignity and consistency that corresponded to the nature of the subject matter itself. He was especially weary of the mannered way in which folk material was customarily dealt with in conventional literature and doubtful of the latter's capacity to do such material justice. Though Herder's dissatisfaction with the literature of his time was a theme that would permeate much of his critical writing, it is a particularly prominent feature of his early readings of Ossian.
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- The Voice of the PeopleWriting the European Folk Revival, 1760–1914, pp. 9 - 20Publisher: Anthem PressPrint publication year: 2012
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