Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-03T02:34:36.354Z Has data issue: false hasContentIssue false

1 - Attention and Play

Published online by Cambridge University Press:  20 November 2020

Eric Falci
Affiliation:
University of California, Berkeley
Get access

Summary

This chapter begins from the premise that poetry affords specific modes of attention and linguistic play, and that both are central to poetry’s value. It is a truism that poems tend to require a slower, more deliberate pace of reading in order for their intricacies and meanings to become fully apparent. Our contemporary culture is deeply inattentive, with distraction, multitasking, and disengagement all symptoms of social and cultural life. Many contemporary poems push against these conditions, whether implicitly or explicitly, by offering a space for noncoercive attention. The compaction or density of poetry isn’t simply a sign of its difficulty or unapproachability, it is more centrally an index of readerly possibilities. Poems condense, arrange, and splay language. On top of language’s system of syntax and grammar, poetry places a rhythmic and sonic grid – whether based on a conventional metrical scheme or not. In part, this chapter exfoliates Roman Jakobson’s “poetic function” in order to suggest the various ways that contemporary poetry mobilizes an assortment of grids, patterns, and schemes as part of its compositional unfolding. It includes readings of poems by Paul Muldoon, Maggie O’Sullivan, Seamus Heaney, Jen Hadfield, and Harryette Mullen.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Attention and Play
  • Eric Falci, University of California, Berkeley
  • Book: The Value of Poetry
  • Online publication: 20 November 2020
  • Chapter DOI: https://doi.org/10.1017/9781108676915.002
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Attention and Play
  • Eric Falci, University of California, Berkeley
  • Book: The Value of Poetry
  • Online publication: 20 November 2020
  • Chapter DOI: https://doi.org/10.1017/9781108676915.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Attention and Play
  • Eric Falci, University of California, Berkeley
  • Book: The Value of Poetry
  • Online publication: 20 November 2020
  • Chapter DOI: https://doi.org/10.1017/9781108676915.002
Available formats
×