Book contents
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Part V Politics
- Chapter 19 Ideology
- Chapter 20 Communism
- Chapter 21 The Cold War
- Chapter 22 Human Rights and Censorship
- Chapter 23 Empire, Colonialism, and Post-Colonialism
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Chapter 20 - Communism
from Part V - Politics
Published online by Cambridge University Press: 09 June 2021
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Part V Politics
- Chapter 19 Ideology
- Chapter 20 Communism
- Chapter 21 The Cold War
- Chapter 22 Human Rights and Censorship
- Chapter 23 Empire, Colonialism, and Post-Colonialism
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Summary
To think about the role of Communism in Stoppard’s writing more broadly offers up two possible tasks: to situate how both Stoppard’s personal history and political activism since the 1970s respond to the specific events and realities of Cold War history; or, to locate how Stoppard’s drama of ideas provides a sustained engagement with Communism’s underlying theory of history and social agency.
- Type
- Chapter
- Information
- Tom Stoppard in Context , pp. 165 - 172Publisher: Cambridge University PressPrint publication year: 2021