Chapter II reconstructs the complex frame narrative underlying The Lord of the Rings, according to which Tolkien came into possession of an old book, which allegedly included stories from an ancient past of the world and was written by three authors of Hobbit race; the book was soon supplemented by a large bulk of miscellaneous material, and was later heavily edited, through a process whose last stage was Tolkien’s own compilation and translation. The second part investigates the theoretical implications of this meta-textual frame. Some of these are related to Tolkien’s mythopoetic ambition and urgency for narrative ‘realism’; others reflect important aspects of the literary fabric of the novel, including its Hobbito-centrism, as regards both focalisation and themes. More deeply, the meta-textual frame allows Tolkien to express and self-reflect on his own experience as a writer, who perceived his stories as something ‘other’ from him, ‘given’ or ‘discovered’, and free from the control of his rational mind.