Book contents
- Frontmatter
- Contents
- Preface
- References to Tippett's scores and essays
- 1 ‘Only half rebelling’: tonal strategies, folksong and ‘Englishness’ in Tippett's Concerto for Double String Orchestra
- 2 From pastiche to free composition: R. O. Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli
- 3 ‘Is there a choice at all?’ King Priam and motives for analysis
- 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical framework
- 5 Tippett, sequence and metaphor
- 6 Tonal elements and their significance in Tippett's Sonata No. 3 for Piano
- 7 ‘Significant gestures to the past’: formal processes and visionary moments in Tippett's Triple Concerto
- 8 Tippett's King Priam and ‘the tragic vision’
- 9 Tippett at the millennium: a personal memoir
- 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective
- Appendix: glossary of terms used in pitch-class set theory
- Index
Index
Published online by Cambridge University Press: 22 September 2009
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Book contents
- Frontmatter
- Contents
- Preface
- References to Tippett's scores and essays
- 1 ‘Only half rebelling’: tonal strategies, folksong and ‘Englishness’ in Tippett's Concerto for Double String Orchestra
- 2 From pastiche to free composition: R. O. Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli
- 3 ‘Is there a choice at all?’ King Priam and motives for analysis
- 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical framework
- 5 Tippett, sequence and metaphor
- 6 Tonal elements and their significance in Tippett's Sonata No. 3 for Piano
- 7 ‘Significant gestures to the past’: formal processes and visionary moments in Tippett's Triple Concerto
- 8 Tippett's King Priam and ‘the tragic vision’
- 9 Tippett at the millennium: a personal memoir
- 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective
- Appendix: glossary of terms used in pitch-class set theory
- Index
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- Tippett Studies , pp. 225 - 232Publisher: Cambridge University PressPrint publication year: 1999