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Chapter 1 - Voices of Others Embedded Speech in Pindar and Aeschylus

Published online by Cambridge University Press:  07 July 2019

Anna Uhlig
Anna Uhlig
Affiliation:
University of California, Davis
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Summary

This chapter demonstrates how Pindar’s and Aeschylus’ unusual, yet shared, approach to embedded speech (oratio recta) reflects a common interest in performance as reenactment. It is argued that their distinctive mode of duplicating voices through the “meta-language” of embedded speech stands as an emblem of choral mimesis more broadly.

Keywords

direct speechquotationvoicespeakergenreperformancePindarAeschylusHomeric Hymn
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Chapter
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Theatrical Reenactment in Pindar and Aeschylus , pp. 20 - 62
Publisher: Cambridge University Press
Print publication year: 2019

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