Book contents
- Frontmatter
- Contents
- Notes on contributors
- Foreword: A letter from Kingston
- Preface
- Acknowledgements
- 1 Introduction
- 2 ‘The Revolution as Muse’: drama as surreptitious insurrection in a post-colonial, military state
- 3 Making theatre for a change: two plays of the Eritrean liberation struggle
- 4 Race matters in South African theatre
- 5 Dreams of violence: moving beyond colonialism in Canadian and Caribbean drama
- 6 The French-speaking Caribbean: journeying from the native land
- 7 ‘Binglishing’ the stage: a generation of Asian theatre in England
- 8 Popular theatre for the building of social awareness: the Indian experience
- 9 The promise of performance: True Love/Real Love
- 10 Making America or making revolution: the theatre of Ricardo Halac in Argentina
- Index
Notes on contributors
Published online by Cambridge University Press: 25 October 2009
- Frontmatter
- Contents
- Notes on contributors
- Foreword: A letter from Kingston
- Preface
- Acknowledgements
- 1 Introduction
- 2 ‘The Revolution as Muse’: drama as surreptitious insurrection in a post-colonial, military state
- 3 Making theatre for a change: two plays of the Eritrean liberation struggle
- 4 Race matters in South African theatre
- 5 Dreams of violence: moving beyond colonialism in Canadian and Caribbean drama
- 6 The French-speaking Caribbean: journeying from the native land
- 7 ‘Binglishing’ the stage: a generation of Asian theatre in England
- 8 Popular theatre for the building of social awareness: the Indian experience
- 9 The promise of performance: True Love/Real Love
- 10 Making America or making revolution: the theatre of Ricardo Halac in Argentina
- Index
Summary
- Type
- Chapter
- Information
- Theatre MattersPerformance and Culture on the World Stage, pp. ix - xPublisher: Cambridge University PressPrint publication year: 1998