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5 - Making Miracles

from Part II - Soundings: Divine Presence, Place, and the Power of Things

Published online by Cambridge University Press:  05 September 2016

William B. Taylor
Affiliation:
University of California, Berkeley
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Summary

The hold of miracles on the imagination and devotional practices of Catholic Christians is at the heart of the history of shrines, “prodigious” images, and divine presence in the early modern period. But miracles are an elusive subject, perhaps especially for New Spain. Colonial-era writings confidently regarded them as acts of God that defy natural laws, but obviously historians can know with any certainty only that people have believed such events happened and might happen again. Even for belief the record usually is terse, and miracles are a moving target: accepted knowledge of the laws of nature, standards of verification, and mainstream thought about diabolism changed, rendering some events once considered miracles curiosities of nature or demonic deceptions. Nevertheless, there are some constants in official and popular expectations for miracles, especially that many of the colonial accounts echoed miracles worked by Christ and treated in the Gospels as parables of salvation: sight for the blind, hearing and voice for the deaf and mute, healthy limbs for the lame, sudden healing of the mortally ill, resuscitations of the recently deceased, escapes from mortal danger on land and sea, and exorcisms. The healings, exorcisms, calming of waters, multiplication of loaves and fishes, and the rest relieved pain, suffering, and want in this world, but they also stood for something more glorious – spiritual purification and enlightenment, a good death, and the prospect of a soul's salvation. As Jesus said when he healed the blind man in John 9, “I am the light of the world.” Often the depiction of miraculous images of Christ and the Blessed Mary conveyed this transcendent meaning. Take the radiance surrounding the image of the Virgin of Guadalupe or, on the cover of this book, José de Páez's painted “portrait” of the miraculous Christ of Ixmiquilpan (ca. 1770), bathed from above in a heavenly light that focuses the viewer's attention squarely on the figure and sacrifice.

Within this shared understanding, there were bound to be disagreements and reservations. Priests knew to teach the salvific promise of Christ's miracles, while parishioners were more likely to think first of pressing problems in the here and now.

Type
Chapter
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Theater of a Thousand Wonders
A History of Miraculous Images and Shrines in New Spain
, pp. 309 - 360
Publisher: Cambridge University Press
Print publication year: 2016

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  • Making Miracles
  • William B. Taylor, University of California, Berkeley
  • Book: Theater of a Thousand Wonders
  • Online publication: 05 September 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316212615.007
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  • Making Miracles
  • William B. Taylor, University of California, Berkeley
  • Book: Theater of a Thousand Wonders
  • Online publication: 05 September 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316212615.007
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Making Miracles
  • William B. Taylor, University of California, Berkeley
  • Book: Theater of a Thousand Wonders
  • Online publication: 05 September 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316212615.007
Available formats
×