Book contents
- Technology and the Diva
- Cambridge Studies in Opera
- Technology and the Diva
- Copyright page
- Dedication
- Contents
- Illustrations
- Musical Examples
- Contributors
- Book part
- A Chronology
- Introduction: Of Modern Operatic Mythologies and Technologies
- 1 Mythologies of the Diva in Nineteenth-Century French Theater
- 2 Coloratura and Technology in the Mid Nineteenth-Century Mad Scene
- 3 Photographic Diva: Massenet's Relationship with the Soprano Sibyl Sanderson
- 4 “Pretending to Be Wicked”: Divas, Technology, and the Consumption of Bizet's Carmen
- 5 The Silent Diva: Farrar's Carmen
- 6 The Domestic Diva: Toward an Operatic History of the Telephone
- 7 The Absent Diva: Notes Toward a Life of Cathy Berberian
- 8 The Televisual Apotheosis of the Diva in István Szabó's Meeting Venus
- 9 Diva Poses by Anna Netrebko: On the Perception of the Extraordinary in the Twenty-First Century
- Afterword: Opera, Media, Technicity
- Notes
- Bibliography
- Index
- References
Cambridge Studies in Opera
Published online by Cambridge University Press: 05 September 2016
Edited by
Book contents
- Technology and the Diva
- Cambridge Studies in Opera
- Technology and the Diva
- Copyright page
- Dedication
- Contents
- Illustrations
- Musical Examples
- Contributors
- Book part
- A Chronology
- Introduction: Of Modern Operatic Mythologies and Technologies
- 1 Mythologies of the Diva in Nineteenth-Century French Theater
- 2 Coloratura and Technology in the Mid Nineteenth-Century Mad Scene
- 3 Photographic Diva: Massenet's Relationship with the Soprano Sibyl Sanderson
- 4 “Pretending to Be Wicked”: Divas, Technology, and the Consumption of Bizet's Carmen
- 5 The Silent Diva: Farrar's Carmen
- 6 The Domestic Diva: Toward an Operatic History of the Telephone
- 7 The Absent Diva: Notes Toward a Life of Cathy Berberian
- 8 The Televisual Apotheosis of the Diva in István Szabó's Meeting Venus
- 9 Diva Poses by Anna Netrebko: On the Perception of the Extraordinary in the Twenty-First Century
- Afterword: Opera, Media, Technicity
- Notes
- Bibliography
- Index
- References
- Type
- Chapter
- Information
- Technology and the DivaSopranos, Opera, and Media from Romanticism to the Digital Age, pp. ii - ivPublisher: Cambridge University PressPrint publication year: 2016
References
Published titles
Johann Strauss and Vienna: Operatta and the Politics of Popular Culture Crittenden, CamilleGoogle Scholar
Opera and Drama in Eighteenth-Century London: The King's Theatre, Garrick and the Business of Performance Woodfield, IanCrossRefGoogle Scholar
Opera Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's La Juive Hallman, Diana R.Google Scholar
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Opera and Modern Spectatorship in Late Nineteenth-Century Italy Campana, AlessandraCrossRefGoogle Scholar
Opera Acts: Singers and Performance in the Late Nineteenth Century Henson, KarenCrossRefGoogle Scholar
Foreign Opera at the London Playhouses: From Mozart to Bellini Fuhrmann, ChristinaCrossRefGoogle Scholar
Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age Henson, KarenCrossRefGoogle Scholar