Book contents
- Technologies of the Novel
- Technologies of the Novel
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Acknowledgments
- Introduction
- Part I
- Part II
- 3 Novel v. Romance I
- 4 Novel v. Romance II
- 5 Novel v. Romance III
- 6 Documenticity I
- 7 Documenticity II
- 8 A “New” Third-person Novel
- 9 The Novel System in England, 1701–1810
- Part III
- Annex Premises and Protocols
- A Glossary of Novel Types
- Notes
- Bibliography
- Index
9 - The Novel System in England, 1701–1810
from Part II
Published online by Cambridge University Press: 06 November 2020
- Technologies of the Novel
- Technologies of the Novel
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Acknowledgments
- Introduction
- Part I
- Part II
- 3 Novel v. Romance I
- 4 Novel v. Romance II
- 5 Novel v. Romance III
- 6 Documenticity I
- 7 Documenticity II
- 8 A “New” Third-person Novel
- 9 The Novel System in England, 1701–1810
- Part III
- Annex Premises and Protocols
- A Glossary of Novel Types
- Notes
- Bibliography
- Index
Summary
This chapter presents data on the English novel from 1701 to 1810. Many of the trends in the French novel are shown to be repeated in England, although sometimes on a different timetable. Among the starker differences are a much more rapid decline of pseudofactuality and a more sudden and stronger uptake of the polyphonic epistolary novel. Data also suggest that these differences may be plausibly explained by the fact that the small production of English novels prior to 1750 made for an extremely unstable—and thus more easily modified—novel system.
- Type
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- Information
- Technologies of the NovelQuantitative Data and the Evolution of Literary Systems, pp. 158 - 174Publisher: Cambridge University PressPrint publication year: 2020