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Chapter 14 - Susan Glaspell: Modernist Playwright

from Part II - The Bohemian Context: Greenwich Village, Provincetown, and the Rise of American Modernism

Published online by Cambridge University Press:  13 July 2023

J. Ellen Gainor
Affiliation:
Cornell University, New York
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Summary

Susan Glaspell in Context provides new, accessible, and informative essays by leading international scholars and artists on Pulitzer Prize winner Susan Glaspell’s life, career development, writing, and ongoing global creative impact. The collection features wide-ranging discussions of Glaspell’s fiction, plays, and nonfiction in both historical and contemporary critical contexts and demonstrates the significance of Glaspell’s writing and other professional activities to a range of academic disciplines and artistic engagements. The volume also includes the first analyses of six previously unknown Glaspell short stories as well as discussions with contemporary stage and film artists who have produced Glaspell’s works or adapted them for audiences worldwide. Organized around key locations, influences, and phases in Glaspell’s career, as well as core methodological and pedagogical approaches to her work, the collection’s thirty-one essays place Glaspell in historical, geographical, political, cultural, and creative contexts of value to students, scholars, teachers, and artists alike.

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Publisher: Cambridge University Press
Print publication year: 2023

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References

Suggestions for Further Reading

Ben-Zvi, Linda. “Silent Partners: The ‘Trifling’ Nature of Language in the Theater of Susan Glaspell and Samuel Beckett.” On Susan Glaspell’s Trifles and “A Jury of her Peers.” Eds. Carpentier, Martha C. and Jouve, Emeline. Jefferson, NC: McFarland & Company, Inc., Pub., 2015, pp. 4561.Google Scholar
Ben-Zvi, Linda. “‘Murder She Wrote’: The Genesis of Susan Glaspell’s Trifles.” Theatre Journal, Volume 44, Number 2 (May 1992), pp. 141162.Google Scholar
Ben-Zvi, Linda. “‘A Different Kind of the Same Thing’: The Early One-Act Plays of Susan Glaspell and J. M. Synge.” Eugene O’Neill Review, Volume 39, Number 1, (2018), pp. 3347.Google Scholar
Biers, Katherine. “Stages of Thought: Emerson, Maeterlinck, Glaspell,” Modern Drama, Volume 56, Number 4, (Winter 2013), pp. 457477.Google Scholar

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