Book contents
- Susan Glaspell in Context
- Susan Glaspell in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- A Chronology of Glaspell’s Life and Works
- Part I Susan Glaspell’s Early Writing and Her Midwestern Contexts
- Part II The Bohemian Context: Greenwich Village, Provincetown, and the Rise of American Modernism
- Part III Susan Glaspell and American Culture and Politics
- Part IV Susan Glaspell, Women Artists, and Feminist History and Criticism
- Part V Susan Glaspell in Broader Geographical Contexts
- Part VI Susan Glaspell on Stage and Screen
- Bibliography
- Index
- References
Part V - Susan Glaspell in Broader Geographical Contexts
Published online by Cambridge University Press: 13 July 2023
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Book contents
- Susan Glaspell in Context
- Susan Glaspell in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- A Chronology of Glaspell’s Life and Works
- Part I Susan Glaspell’s Early Writing and Her Midwestern Contexts
- Part II The Bohemian Context: Greenwich Village, Provincetown, and the Rise of American Modernism
- Part III Susan Glaspell and American Culture and Politics
- Part IV Susan Glaspell, Women Artists, and Feminist History and Criticism
- Part V Susan Glaspell in Broader Geographical Contexts
- Part VI Susan Glaspell on Stage and Screen
- Bibliography
- Index
- References
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- Susan Glaspell in Context , pp. 209 - 236Publisher: Cambridge University PressPrint publication year: 2023
References
Suggestions for Further Reading
Cook, George Cram. Greek Coins with Memorabilia by Floyd Dell, Edna Kenton, and Susan Glaspell. New York: George H. Doran Company, 1925.Google Scholar
Glaspell, Susan. “Stones that once were [ a ] temple.” in Americans and the Delphi Experience. Eds. Lorenz, Paul and Roessel, David. Boston: Somerset Hall Press, 2013. p. xv.Google Scholar
Ozieblo, Barbara. “The Value of Home: Susan Glaspell’s Fugitive’s Return as a Response to F. Scott Fitzgerald’s The Great Gatsby.” Americans and the Delphi Experience. Eds. Lorenz, Paul and Roessel, David. Boston: Somerset Hall Press, 2013. pp. 119–144.Google Scholar
Sarlós, Robert Karóly. Jig Cook and the Provincetown Players: Theatre in Ferment. Amherst: University of Massachusetts Press, 1982.Google Scholar
Suggestions for Further Reading
Aston, Elaine. “‘Meeting the Outside’: The Theatre of Susan Glaspell.” Difference in View: Women and Modernism. Ed. Griffin, Gabriele. London: Taylor & Francis, 1994, pp. 155–67.Google Scholar
Crosby, Kevin. Restricting the Juror Franchise in 1920s England and Wales. Law and History Review, 37(1) (2019), pp. 163–207.Google Scholar
Holledge, Julie. Innocent Flowers: Women in the Edwardian Theatre. London: Virago 1981.Google Scholar
Logan, Anne. “Building a New and Better Order’? Women and Jury Service in England and Wales, c.1920–70.” Women’s History Review 22.5 (2013), pp. 701–716.Google Scholar
McDermott, Norman. Everymania: The Everyman Theatre Hampstead. London: Society for Theatre Research, 1975.Google Scholar
Merkin, Ros, ed. Liverpool Playhouse: A Theatre and Its City. Liverpool: Liverpool University Press, 2011.Google Scholar