Book contents
- Frontmatter
- Contents
- Acknowledgements
- Chapter 1 Introduction
- Chapter 2 Conceptual foundations of substance-free phonology
- Chapter 3 Representational assumptions
- Chapter 4 Computational assumptions
- Chapter 5 Complexity and markedness in substance-free phonology
- Chapter 6 The Breton language
- Chapter 7 Segments and representations
- Chapter 8 Suprasegmental phonology
- Chapter 9 The phonology of vowels
- Chapter 10 The phonology of consonants: palatalisation and gliding
- Chapter 11 Laryngeal phonology
- Chapter 12 Conclusion
- References
- Index
Chapter 11 - Laryngeal phonology
Published online by Cambridge University Press: 20 December 2017
- Frontmatter
- Contents
- Acknowledgements
- Chapter 1 Introduction
- Chapter 2 Conceptual foundations of substance-free phonology
- Chapter 3 Representational assumptions
- Chapter 4 Computational assumptions
- Chapter 5 Complexity and markedness in substance-free phonology
- Chapter 6 The Breton language
- Chapter 7 Segments and representations
- Chapter 8 Suprasegmental phonology
- Chapter 9 The phonology of vowels
- Chapter 10 The phonology of consonants: palatalisation and gliding
- Chapter 11 Laryngeal phonology
- Chapter 12 Conclusion
- References
- Index
Summary
In this chapter I consider a range of phenomena involving the laryngeal contrast between obstruents in Bothoa Breton. These phenomena provide the strongest support for a substance-free model of the relationship between phonological representations and their phonetic realisation. In section 7.2.1, we saw that the phonetic realisation of the contrast between [p t k] and [b d ɡ] in Bothoa Breton agrees with languages such as French or Russian, in that the ‘fortis’ series of stops is realised with short-lag VOT (as ‘voiceless unaspirated’ stops), while the ‘lenis’ series is realised with full voicing. It has been proposed in the literature (e.g. Honeybone 2005a; Petrova et al. 2006; Beckman et al. 2013) that in such languages the ‘lenis’ series always shows the hallmarks of greater markedness, since it is these segments that bear a laryngeal feature whilst the ‘fortis’ ones remain unspecified. In this chapter I argue that this precisely not the case in Bothoa Breton, and that instead it is the ‘fortis’, short-lag VOT stops (and fricatives) that are the more marked series, on the basis of their phonological behaviour. I examine three areas of Bothoa Breton phonology to provide this evidence:
• final laryngeal neutralisation (‘final devoicing’)
• ‘provection’, i.e. adjacency-driven devoicing
• initial consonant mutations and laryngeal sandhi.
Final laryngeal neutralisation
As discussed in section 7.3.2, the laryngeal contrast in Bothoa Breton is suspended word-finally, with both fortis and lenis stops being realised in ways that largely depend on the context. Several types of realisations were identified:
• voiceless realisations (phrase-final and adjacent to voiceless consonants)
• voiced realisations (before voiced consonants)
• unreleased (after a nasal and before consonants, especially homorganic ones).
I analyse this neutralisation as complete suspension of laryngeal contrast in non-onset position. I formalise it as deletion of the C-laryngeal node with preservation of other features. In other words, there are three possible types of laryngeal specification available in surface representations. Bothoa Breton is therefore a counterexample to Lombardi's (1995a: 28) dictum: ‘There is no phonological contrast between a representation with a bare Laryngeal node and no Laryngeal node at all.’
- Type
- Chapter
- Information
- A Substance-free Framework for PhonologyAn Analysis of the Breton Dialect of Bothoa, pp. 163 - 233Publisher: Edinburgh University PressPrint publication year: 2017