Book contents
- Stravinsky in Context
- Composers in Context
- Stravinsky in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Abbreviations
- Frontispiece
- Epigraph
- Part I Russia and Identity
- Chapter 1 Memory and Truth: Stravinsky’s Childhood (1882–1901)
- Chapter 2 Religion, Life and Death in St Petersburg
- Chapter 3 Leokadiya Kashperova and Stravinsky: The Making of a Concert Pianist
- Chapter 4 Reminiscences of Rimsky-Korsakov, His Family and Artistic Circle
- Chapter 5 Orthodoxies and Unorthodoxies: Stravinsky’s Spiritual Journey
- Chapter 6 The Russian Soul
- Part II Stravinsky and Europe
- Part III Partnerships and Authorship
- Part IV Performance and Performers
- Part V Aesthetics and Politics
- Part VI Reception and Legacy
- Recommendations for Further Reading and Research
- Index
- Endmatter
Chapter 4 - Reminiscences of Rimsky-Korsakov, His Family and Artistic Circle
from Part I - Russia and Identity
Published online by Cambridge University Press: 03 December 2020
- Stravinsky in Context
- Composers in Context
- Stravinsky in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Abbreviations
- Frontispiece
- Epigraph
- Part I Russia and Identity
- Chapter 1 Memory and Truth: Stravinsky’s Childhood (1882–1901)
- Chapter 2 Religion, Life and Death in St Petersburg
- Chapter 3 Leokadiya Kashperova and Stravinsky: The Making of a Concert Pianist
- Chapter 4 Reminiscences of Rimsky-Korsakov, His Family and Artistic Circle
- Chapter 5 Orthodoxies and Unorthodoxies: Stravinsky’s Spiritual Journey
- Chapter 6 The Russian Soul
- Part II Stravinsky and Europe
- Part III Partnerships and Authorship
- Part IV Performance and Performers
- Part V Aesthetics and Politics
- Part VI Reception and Legacy
- Recommendations for Further Reading and Research
- Index
- Endmatter
Summary
Nikolai Rimsky-Korsakov’s apartment in St Petersburg, at 28 Zagorodny Prospekt, was famous for its hospitality. Twice a month, at fortnightly intervals, the composer’s family hosted musical evenings known as ‘Korsakov’s Wednesdays’. Here would gather friends and colleagues representing every aspect of the city’s vibrant artistic community: music, theatre, literature and art. Regular visitors included the composer Alexander Glazunov, the concert pianist and conductor Felix Blumenfeld, Vasily Yastrebtsev (Rimsky-Korsakov’s first biographer)1 and the art and music critic Vladimir Stasov (who first applied the term Moguchaya kuchka to ‘The Mighty Handful’), the painter Mikhail Vrubel’ and his wife, coloratura soprano Nadezhda Zabela-Vrubel’ as well as the legendary bass Fyodor Chaliapin; both of these singers regularly performed at the Maryinsky Theatre in productions of Rimsky-Korsakov’s operas.
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- Stravinsky in Context , pp. 34 - 41Publisher: Cambridge University PressPrint publication year: 2020