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Shakespeare’s Talking Animals

Published online by Cambridge University Press:  28 March 2007

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Summary

There is a tense moment at the end of certain modern dramatic productions (it is a feature which has recently shown itself at Stratford) when the actors suddenly turn on the audience and, in the name of communication, begin menacingly to advance on them with ferocious and implacable bonhomie. But let me put you out of fear. As this conference draws to an end, it is not my intention to come smilingly amongst you in any physical sense. I know my place. Nor does the title of my paper make mocking reference to any here present in their professional capacities. Dog does not eat dog.

But my subject does involve our communication with each other in a different, more general, but no less 'contemporary' way. For when Ben Jonson nominated language as' the only benefit man hath to expresse his excellencie of mind above other creatures' (Timber, or Discoveries), he was articulating an idea that has had modernity thrust upon it. In fact the concept of man as the Talking Animal, with language his distinctive feature, marking him off from the other animals, is one of those currently fashionable notions redeemed, we might now profitably allow, by its antiquity.

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Shakespeare Survey , pp. 47 - 54
Publisher: Cambridge University Press
Print publication year: 1971

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