Book contents
- Frontmatter
- Hearing Shakespeare: Sound and Meaning in ‘Antony and Cleopatra’
- ‘More Pregnantly Than Words’: Some Uses and Limitations of Visual Symbolism
- Shakespeare and the Limits of Language
- Revenge, Retribution, and Reconciliation
- Shakespeare the Professional
- Shakespeare’s Talking Animals
- The Morality of ‘Love’s Labour’s Lost’
- Shakespeare’s ‘Earth-treading Stars’: the Image of the Masque in ‘Romeo and Juliet’
- ‘Hamlet’ and the ‘Sparing Discoverie’
- ‘Hamlet’ in France 200 Years Ago
- The Hamlet in Henry Adams
- ‘Pericles’ and the Dream of Immortality
- A Necessary Theatre: The Royal Shakespeare Season 1970 Reviewed
- Free Shakespeare
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- Index
- Plate section
The Hamlet in Henry Adams
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Hearing Shakespeare: Sound and Meaning in ‘Antony and Cleopatra’
- ‘More Pregnantly Than Words’: Some Uses and Limitations of Visual Symbolism
- Shakespeare and the Limits of Language
- Revenge, Retribution, and Reconciliation
- Shakespeare the Professional
- Shakespeare’s Talking Animals
- The Morality of ‘Love’s Labour’s Lost’
- Shakespeare’s ‘Earth-treading Stars’: the Image of the Masque in ‘Romeo and Juliet’
- ‘Hamlet’ and the ‘Sparing Discoverie’
- ‘Hamlet’ in France 200 Years Ago
- The Hamlet in Henry Adams
- ‘Pericles’ and the Dream of Immortality
- A Necessary Theatre: The Royal Shakespeare Season 1970 Reviewed
- Free Shakespeare
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- Index
- Plate section
Summary
The world is a fit theatre to-day in which any part may be acted. There is this moment proposed to me every kind of life that men lead anywhere, or that imagination can paint. By another spring I may be a mail-carrier in Peru, or a South African planter, or a Siberian exile, or a Greenland whaler, or a settler on the Columbia River, or a Canton merchant, or a soldier in Florida, or a mackerel fisher off Cape Sable, or a Robinson Crusoe in the Pacific, or a silent navigator of any sea. So wide is the choice of parts, what a pity if the part of Hamlet be left out!
HENRY DAVID THOREAU, diary entry for 21 March 1840; first published in the Atlantic Monthly, January 1905.
The aim of the artist is psychologic, not historic truth.
JAMES RUSSELL LOWELL, 'Shakespeare Once More' (1868).
As Thoreau recognized in 1840, America was not a land likely to produce Hamlets. The mood of the country was expansionist and brash, the summons of the West being responded to with fervor and the needed technology for a bustling nation rapidly developing. 'Puritan fanatics like Goodyear brought to the vulcanization of rubber the same intense passion that Thoreau brought to Nature', Lewis Mumford has observed (The Golden Day), and it hardly needs adding that the national passion which was to gain the ascendancy was decisively that for rubber.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 87 - 104Publisher: Cambridge University PressPrint publication year: 1971