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Chapter 4 - Othello retold

Orson Welles's Filming Othello

Published online by Cambridge University Press:  05 July 2015

Sarah Hatchuel
Affiliation:
University of Le Havre
Nathalie Vienne-Guerrin
Affiliation:
Université Paul Valéry, Montpellier
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Publisher: Cambridge University Press
Print publication year: 2015

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References

Works cited

Anderegg, M. Orson Welles, Shakespeare, and Popular Culture (New York: Columbia University Press, 1999).Google Scholar
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DeneryII, D. G., Seeing and Being Seen in the Later Medieval World: Optics, Theology, and Religious Life (Cambridge University Press, 2005).CrossRefGoogle Scholar
Escolme, B., Talking to the Audience: Shakespeare, Performance, Self (Abingdon and New York: Routledge, 2005).Google Scholar
Estrin, M. W. (ed.), Orson Welles: Interviews (Jackson, MS: University Press of Mississippi, 2002).Google Scholar
French, L., A Complete Transcription of Welles's Last Finished Film: Filming Othello and an Interview with Cinematographer Gary Graver by Lawrence French. Online. Available at: www.wellesnet.com/filming_othello.htm. Accessed 9 May 2014.Google Scholar
Ishaghpour, Y., Orson Welles cinéaste, une caméra visible, vol. 3 (Les films de la période nomade) (Paris: Éditions de la Différence, 2001).Google Scholar
Klimek, M. P., ‘Imagining the Sounds of Shakespeare’ in Altman, R. (ed.), Sound Theory, Sound Practice (New York: Routledge, 1992), 204–16.Google Scholar
Manzanas Calvo, A. M. and Benito, J., ‘Othello and the Textual Construction of the Self’ in García-Bermejo Giner, M. F., Garcia, P. S. et. al. (eds.), Multidisciplinary Studies in Language and Literature: English, American and Canadian: in Memoriam Gudelia Rodríguez Sánchez (Salamanca: Ediciones Universidad de Salamanca, 2008), 197208.Google Scholar
Metz, C., The Imaginary Signifier: Psychoanalysis and the Cinema. Trans. Celia Britton (Bloomington, IN: Indiana University Press, 1982).CrossRefGoogle Scholar

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