Book contents
- Shakespeare at War
- Shakespeare at War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Note on the Text
- Introduction
- Chapter 1 ‘The Truth for Which We Are Fighting’
- Chapter 2 The Seven Years’ War (1756–1763) and Garrick’s Shakespearean Nationalism
- Chapter 3 Revolutionary Shakespeare
- Chapter 4 Hamlet Mobilized
- Chapter 5 Shakespeare, the North-West Passage, and the Russian War
- Chapter 6 ‘Now for Our Irish Wars’
- Chapter 7 Shakespeare and the Survival of Middle England
- Chapter 8 Ellen Terry Stars at the Shakespeare Hut
- Chapter 9 The 1916 Shakespeare Tercentenary at № 1 Camp in Calais
- Chapter 10 Shakespeare Does His Bit for the War Effort
- Chapter 11 Germanizing Shakespeare during the First World War
- Chapter 12 Readers and Rebels
- Chapter 13 Forgotten Histories
- Chapter 14 ‘Now Good or Bad, ’tis but the Chance of War’
- Chapter 15 ‘Precurse of Feared Events’
- Chapter 16 But What Are We Fighting For?
- Chapter 17 Henry V and the Battle of Powerscourt
- Chapter 18 Unser Shakespeare in Nazi Germany
- Chapter 19 Framing the Jew
- Chapter 20 G. Wilson Knight’s ‘Royal Propaganda’ in ‘This Sceptred Isle’ (1941)
- Chapter 21 Shakespeare’s Desert Camouflage
- Chapter 22 ‘May I with Right and Conscience Make This Claim?’
- Chapter 23 Henry V and the Invasion of Iraq
- Chapter 24 Who Pays the Price?
- Chapter 25 ‘Mere Prattle, without Practice, Is All His Soldiership’
- Chapter 26 ‘Thou Hast Set Me on the Rack’
- Afterword
- Notes
- Index
Chapter 22 - ‘May I with Right and Conscience Make This Claim?’
Testing the ‘Just War’ Tradition in Nicholas Hytner’s Henry V (National Theatre, 2003)
Published online by Cambridge University Press: 17 August 2023
- Shakespeare at War
- Shakespeare at War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Note on the Text
- Introduction
- Chapter 1 ‘The Truth for Which We Are Fighting’
- Chapter 2 The Seven Years’ War (1756–1763) and Garrick’s Shakespearean Nationalism
- Chapter 3 Revolutionary Shakespeare
- Chapter 4 Hamlet Mobilized
- Chapter 5 Shakespeare, the North-West Passage, and the Russian War
- Chapter 6 ‘Now for Our Irish Wars’
- Chapter 7 Shakespeare and the Survival of Middle England
- Chapter 8 Ellen Terry Stars at the Shakespeare Hut
- Chapter 9 The 1916 Shakespeare Tercentenary at № 1 Camp in Calais
- Chapter 10 Shakespeare Does His Bit for the War Effort
- Chapter 11 Germanizing Shakespeare during the First World War
- Chapter 12 Readers and Rebels
- Chapter 13 Forgotten Histories
- Chapter 14 ‘Now Good or Bad, ’tis but the Chance of War’
- Chapter 15 ‘Precurse of Feared Events’
- Chapter 16 But What Are We Fighting For?
- Chapter 17 Henry V and the Battle of Powerscourt
- Chapter 18 Unser Shakespeare in Nazi Germany
- Chapter 19 Framing the Jew
- Chapter 20 G. Wilson Knight’s ‘Royal Propaganda’ in ‘This Sceptred Isle’ (1941)
- Chapter 21 Shakespeare’s Desert Camouflage
- Chapter 22 ‘May I with Right and Conscience Make This Claim?’
- Chapter 23 Henry V and the Invasion of Iraq
- Chapter 24 Who Pays the Price?
- Chapter 25 ‘Mere Prattle, without Practice, Is All His Soldiership’
- Chapter 26 ‘Thou Hast Set Me on the Rack’
- Afterword
- Notes
- Index
Summary
This interview with Nicholas Hytner concentrates on his 2003 production of Henry V at the National Theatre, which opened a few months after the US–UK coalition invasion of Iraq in March 2003. Hytner reflects on the production decisions that responded to the immediacy of the conflict and the strong public opposition to it witnessed in the historic 15 February protests. The interview considers whether theatre can influence public opinion during wartime and how our use and understanding of Shakespeare’s plays has changed over time and through different conflicts.
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- Information
- Shakespeare at WarA Material History, pp. 213 - 220Publisher: Cambridge University PressPrint publication year: 2023