Book contents
- Frontmatter
- Contents
- Illustrations
- Contributors
- Preface
- Chronology
- Abbreviations
- Part I Life and works
- Part II Critical fortunes
- Part III Contexts
- Chapter 10 America
- Chapter 11 Anglicanism
- Chapter 12 Anthropology
- Chapter 13 Authorship
- Chapter 14 Biography
- Chapter 15 Book trade
- Chapter 16 Clubs
- Chapter 17 Conversation
- Chapter 18 Dictionaries
- Chapter 19 Domestic life
- Chapter 20 Education
- Chapter 21 Empire
- Chapter 22 Essays
- Chapter 23 Fiction
- Chapter 24 History
- Chapter 25 Journalism
- Chapter 26 Law
- Chapter 27 Literary criticism
- Chapter 28 London
- Chapter 29 Medicine
- Chapter 30 Mental health
- Chapter 31 Money
- Chapter 32 Nationalism
- Chapter 33 Philosophy
- Chapter 34 Poetry
- Chapter 35 Politics
- Chapter 36 Scholarship
- Chapter 37 Science and technology
- Chapter 38 Scotland
- Chapter 39 Sermons
- Chapter 40 Shakespeare
- Chapter 41 Slavery and abolition
- Chapter 42 Social hierarchy
- Chapter 43 Theatre
- Chapter 44 Travel
- Chapter 45 Visual arts
- Chapter 46 War
- Chapter 47 Women writers
- Further reading
- Index
- References
Chapter 40 - Shakespeare
from Part III - Contexts
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- Illustrations
- Contributors
- Preface
- Chronology
- Abbreviations
- Part I Life and works
- Part II Critical fortunes
- Part III Contexts
- Chapter 10 America
- Chapter 11 Anglicanism
- Chapter 12 Anthropology
- Chapter 13 Authorship
- Chapter 14 Biography
- Chapter 15 Book trade
- Chapter 16 Clubs
- Chapter 17 Conversation
- Chapter 18 Dictionaries
- Chapter 19 Domestic life
- Chapter 20 Education
- Chapter 21 Empire
- Chapter 22 Essays
- Chapter 23 Fiction
- Chapter 24 History
- Chapter 25 Journalism
- Chapter 26 Law
- Chapter 27 Literary criticism
- Chapter 28 London
- Chapter 29 Medicine
- Chapter 30 Mental health
- Chapter 31 Money
- Chapter 32 Nationalism
- Chapter 33 Philosophy
- Chapter 34 Poetry
- Chapter 35 Politics
- Chapter 36 Scholarship
- Chapter 37 Science and technology
- Chapter 38 Scotland
- Chapter 39 Sermons
- Chapter 40 Shakespeare
- Chapter 41 Slavery and abolition
- Chapter 42 Social hierarchy
- Chapter 43 Theatre
- Chapter 44 Travel
- Chapter 45 Visual arts
- Chapter 46 War
- Chapter 47 Women writers
- Further reading
- Index
- References
Summary
DRA′MA. n.s. [δρᾶμα.] A poem accommodated to action; a poem in which the action is not related, but represented; and in which therefore such rules are to be observed as make the representation probable.
Many rules of imitating nature Aristotle drew from Homer, which he fitted to the drama; furnishing himself also with observations from the theatre, when it flourished under Eschylus, Euripides, and Sophocles. Dryden’sÆn. Dedicat.
The year of Johnson’s birth saw the publication of the first modern edition of Shakespeare’s works. The plays had been collected into an imposing folio volume in 1623, seven years after Shakespeare’s death, and this had been reprinted in 1632, 1663, and 1685. But not until Nicholas Rowe’s six-volume edition of 1709 did what could be considered an edited version of Shakespeare appear.
Rowe, a popular dramatist of the period, concentrated on the theatrical presentation of the plays: he introduced act and scene divisions, noted the location of the action, regularized entrances and exits, and included the dramatis personae for each play – all features included in virtually all modern editions of Shakespeare, and unavailable before Rowe. His editorial labor also included modernizing some of the spelling and punctuation of Shakespeare’s text and producing an account of Shakespeare’s life which was to become the standard biography of the playwright for much of the eighteenth century.
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- Information
- Samuel Johnson in Context , pp. 343 - 351Publisher: Cambridge University PressPrint publication year: 2011