In place of a conclusion, I provide a Coda on John Ruskin, the last major British writer to devote so much attention to the Swiss myth. The myth’s belated iteration in many of his works is the culmination of a long cultural movement that idealized and ideologized the Alps. But Ruskin’s writings on Switzerland are also a reaction to modern transformations brought upon by organized tourism, industrialized capitalism, and liberalism, which made it Europe’s only modern democratic republic in 1848. Focusing on Ruskin’s earlier texts, I suggest that his reactionary vision of Switzerland marks the end of a century-and-half republican tradition in which the various, sometimes conflicting figurations of the Swiss myth contributed to a modern liberal discourse and helped imagine a republic for the moderns. Yet by showing how Europe’s elites romanticized the country as a simulacrum of happiness and freedom while at the same time ruining its proverbial virtue through tourism, Ruskin also brings to the fore the contradictions between liberalism and free-market capitalism, providing us with the most conservative, but perhaps also the most radical of all Romantic representations of Switzerland.