Book contents
- Frontmatter
- Contents
- Conventions for Frequently Cited Works
- Introduction
- 1 Brushing Past Rainbows: Religion and Poetry in the Xu Mi Stele
- 2 Li Bo and Hu Ziyang: Companions of the Way
- 3 The Vicarious Angler: Gao Pian’s Daoist Poetry
- 4 Traces of the Way : The Poetry of “Divine Transcendence” in the Northern Song Anthology Literature’s Finest (Wen cui 文粹)
- 5 A Re-examination of the Second Juan of the Array of the Five Talismans of the Numinous Treasure 太上靈寶五符序
- 6 “True Forms” and “True Faces”: Daoist and Buddhist Discourse on Images
- 7 After the Apocalypse: The Evolving Ethos of the Celestial Master Daoists
- 8 Shangqing Scriptures as Performative Texts
- 9 My Back Pages: The Sūtra in Forty-Two Chapters Revisited
- 10 Taking Stock
- Epilogue: Traversing the Golden Porte—The Problem with Daoist Studies
- Index
8 - Shangqing Scriptures as Performative Texts
Published online by Cambridge University Press: 20 February 2024
- Frontmatter
- Contents
- Conventions for Frequently Cited Works
- Introduction
- 1 Brushing Past Rainbows: Religion and Poetry in the Xu Mi Stele
- 2 Li Bo and Hu Ziyang: Companions of the Way
- 3 The Vicarious Angler: Gao Pian’s Daoist Poetry
- 4 Traces of the Way : The Poetry of “Divine Transcendence” in the Northern Song Anthology Literature’s Finest (Wen cui 文粹)
- 5 A Re-examination of the Second Juan of the Array of the Five Talismans of the Numinous Treasure 太上靈寶五符序
- 6 “True Forms” and “True Faces”: Daoist and Buddhist Discourse on Images
- 7 After the Apocalypse: The Evolving Ethos of the Celestial Master Daoists
- 8 Shangqing Scriptures as Performative Texts
- 9 My Back Pages: The Sūtra in Forty-Two Chapters Revisited
- 10 Taking Stock
- Epilogue: Traversing the Golden Porte—The Problem with Daoist Studies
- Index
Summary
Abstract
Using the Upper Scripture of Purple Texts Inscribed by the Spirits (Huangtian shangqing jingque dijun lingshu ziwen 皇天上清金闕帝君靈書紫文上經) as an example, Campany presents a rhetorical analysis of Shangqing Daoist scriptures. This analysis suggests a new way to see these texts as vehicles or scripts for the performance of an alternative identity as a divinely rejuvenated being or cosmic recluse in the here and now, rather than as promises for future salvation. The chapter fleshes out what that means and what difference it might make in our reading and understanding of these scriptures.
Keywords: Shangqing, Daoist religion, performance, religious role-playing, Actualization
Introduction
Between 364 and 370 CE, deities known as Perfected Ones 真 人 were said to have appeared in visions to the medium Yang Xi 楊羲 and others in what is now southeastern China to give instruction on a wide range of topics. Deigning to descend from a hitherto unknown zone of the heavens called Supreme Purity or Shangqing 上清, they dictated to the recipient, who wrote down their words, or else they arrived bearing written scrolls, some of which they allowed to be copied. The resulting texts were shared with patrons, notably members of the southeastern clan Xu 許. Within a few generations the texts circulated more widely, sometimes imitated and forged by aristocrats seeking the religious and social cachet that simply owning the scriptures could convey. This scriptural profusion prompted the Daoist master Tao Hongjing 陶弘景 around 499 (and another figure named Gu Huan 顧歡 a bit earlier) to cull what he considered the apocryphal from the thirty-odd authentic scriptures that had survived and to compile other documents, including diary-like records of the Perfected Ones’ appearances in visions and dreams. The larger of these compilations that survives was titled Zhen’gao 真誥 or Declarations of the Perfected. All this is of course well known to scholars of Daoist religion, but few of these writings have been carefully studied or translated in non-Asian-language publications. Yet they constitute one of the most fascinating textual dossiers of world religious history.
Here I want to pose the following question: What were Shangqing scriptures for? These texts prescribe a great many practices. The prescriptions certainly do not skimp on detail.
- Type
- Chapter
- Information
- Religion and Poetry in Medieval ChinaThe Way and the Words, pp. 175 - 196Publisher: Amsterdam University PressPrint publication year: 2023