Book contents
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Chapter 10 Visualizing Black Identity in Ellison’s Fiction
- Chapter 11 Alternating Currents: Electricity, Humanism, and Resistance
- Chapter 12 Sounds and Signs of Black Womanhood
- Chapter 13 Masculinity
- Chapter 14 Aesthetics of Democracy
- Chapter 15 Black Power and Black Arts
- Chapter 16 Wrestling with the Far Right: Ellison’s Representations of Fascism
- Chapter 17 Southwestern Swing
- Chapter 18 The Self-Fashioned American Blues Identity
- Chapter 19 Ellison’s Durational View of Bebop
- Part III Literary and Critical Contexts
- Part IV Reception and Reputation
- Index
Chapter 17 - Southwestern Swing
from Part II - Historical, Political, and Cultural Contexts
Published online by Cambridge University Press: 14 January 2022
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Chapter 10 Visualizing Black Identity in Ellison’s Fiction
- Chapter 11 Alternating Currents: Electricity, Humanism, and Resistance
- Chapter 12 Sounds and Signs of Black Womanhood
- Chapter 13 Masculinity
- Chapter 14 Aesthetics of Democracy
- Chapter 15 Black Power and Black Arts
- Chapter 16 Wrestling with the Far Right: Ellison’s Representations of Fascism
- Chapter 17 Southwestern Swing
- Chapter 18 The Self-Fashioned American Blues Identity
- Chapter 19 Ellison’s Durational View of Bebop
- Part III Literary and Critical Contexts
- Part IV Reception and Reputation
- Index
Summary
Ellison’s first collection of essays, Shadow and Act, contains several of the most important pieces in the canon of jazz writing, and first and foremost among them are those based on his childhood and adolescence in Oklahoma City. It was there that Ellison was encouraged by many of the men who were to become iconic national figures and have a profound influence on the music: Lester Young, Charlie Christian, Hot Lips Page, and Jimmy Rushing. This chapter will explore not only the way that Ellison captured the particularities of their Southwestern swing, but also how it may have influenced his writing style.
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- Ralph Ellison in Context , pp. 187 - 196Publisher: Cambridge University PressPrint publication year: 2021