Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-06T03:50:08.005Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  22 September 2009

Anita Patterson
Affiliation:
Boston University
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abel, Richard. “The Influence of St.-John Perse on T. S. Eliot.” Contemporary Literature 14.2 (Spring 1973): 213–239.CrossRefGoogle Scholar
Adam, Ian, and Helen, Tiffin, eds. Past the Last Post: Theorizing Post-Colonialism and Post-Modernism. Calgary: University of Calgary Press, 1990.Google Scholar
Adams, Henry. The Education of Henry Adams. New York: Oxford University Press, 1999.
Adams, Henry Novels, Mont St. Michel, The Education. Ed. Samuels, E.. New York: Library of America, 1983.Google Scholar
Adams, Rolstan. “Wilson Harris: The Pre-novel Poet.” Journal of Commonwealth Literature 13.3 (April 1979): 71–85.Google Scholar
Adler, Joyce. “Melville and Harris: Poetic Imaginations Related in Their Response to the Modern World.” In Commonwealth Literature and the Modern World, ed. Hena, Maes-Jelinek. Brussels: Didier, 1976: 33–41.Google Scholar
Aiken, Conrad. “Prefatory Note” to “Anatomy of Melancholy.” 1958. In T. S. Eliot: The Man and His Work, ed. Allen, Tate. New York: Dell, 1966: 196.Google Scholar
Allen, Gay Wilson. American Prosody. New York: Farrar, Straus and Giroux, 1978.Google Scholar
Allyne, Mervyn. “A Linguistic Perspective on the Caribbean.” In Caribbean Contours, ed. Mintz, S. and Price, S.. Baltimore: Johns Hopkins University Press, 1985: 155–179.Google Scholar
Alvarez, A.Visions of Light.” New York Review of Books (May 11, 2000): 27.Google Scholar
Andrews, Kenneth. Trade, Plunder, and Settlement: Maritime Enterprise and the Genesis of the British Empire, 1480–1630. Cambridge: Cambridge University Press, 1984.Google Scholar
Antoine, Régis . Les écrivains français et les Antilles. Paris: Maisonneuve et Larose, 1978.Google Scholar
Anzaldua, Gloria. Borderlands / La Frontera. 2nd edn. San Francisco: Aunt Lute Books, 1999.Google Scholar
Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996.Google Scholar
Aragon, Louis. “Magnitogorsk.” Trans. Langston Hughes. Littérature internationale 4 (1933–1934): 82–83.Google Scholar
Arendt, Hannah. The Human Condition. Chicago: University of Chicago Press, 1958.Google Scholar
Arkell, David. Looking for Laforgue: An Informal Biography. Manchester: Carcanet Press, 1979.Google Scholar
Arnold, James A.Modernism and Negritude: The Poetry and Poetics of Aimé Césaire. Cambridge, MA: Harvard University Press, 1981.Google Scholar
Ashcroft, Bill, Gareth, Griffiths and Helen, Tiffin, eds. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. New York: Routledge Press, 1989.CrossRefGoogle Scholar
Asher, Kenneth. T. S. Eliot and Ideology. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar
Bailyn, Bernard, and Philip Morgan, eds. Strangers Within the Realism: Cultural Margins of the First British Empire. Chapel Hill: University of North Carolina Press, 1991.
Barksdale, Richard. Langston Hughes: The Poet and His Critics. Chicago, IL: American Library Association, 1977.Google Scholar
Basch, Linda, Nina, Glick Schiller and Cristina, Szanton Blanc, eds. Nations Unbound: Transnational Projects, Postcolonial Predicaments, and Deterritorialized Nation-states. New York: Gordon and Breach, 1994.Google Scholar
Baudelaire, Charles. Baudelaire on Poe: Critical Papers. Trans. and ed. , L. and Hyslop, F.. State College, PA: Bald Eagle Press, 1952.Google Scholar
Baudelaire, CharlesCorrespondance. Paris: Gallimard, 1973.Google Scholar
Baudelaire, Charles Les Fleurs du mal. Paris: Gallinard, 1999.
Baudelaire, CharlesThe Flowers of Evil. Trans. James McGowan. Oxford: Oxford University Press, 1993.Google Scholar
Bell, Michael. Literature, Modernism and Myth: Belief and Responsibility in the Twentieth Century. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: Verso, 1985.Google Scholar
Benjamin, Walter Selected Writings. 2 vols. Ed. Jennings, M.. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Berry, Faith. Langston Hughes: Before and Beyond Harlem. Westport, CT: Lawrence Hill, 1983.Google Scholar
Bhabha, Homi. The Location of Culture. London: Routledge, 1994.Google Scholar
Bhabha, Homi “Unsatisfied: Notes on Vernacular Cosmopolitanism.” In Text and Nation: Cross-Disciplinary Essays on Cultural and National Identities, ed. Laura, Garc ia-Moreno and Peter, Pfeiffer. Columbia, SC: Camden House, 1996: 191–207.Google Scholar
Blackmur, R. P.Form and Value in Modern Poetry. New York: Doubleday, 1957.Google Scholar
Blakely, Allison. “Historical Ties Among Suriname, The Netherlands Antilles, Aruba, and the Netherlands.” Callaloo 21.3 (Summer 1998): 472–478.CrossRefGoogle Scholar
Bloom, Harold. A Map of Misreading. Oxford: Oxford University Press, 1975.Google Scholar
Bloom, HaroldPoetry and Repression: Revisionism from Blake to Stevens. New Haven: Yale University Press, 1976.Google Scholar
Bloom, Harold ed. T. S. Eliot's The Waste Land. New York: Chelsea House, 1986.Google Scholar
Breiner, Laurence. An Introduction to West Indian Poetry. Cambridge: Cambridge University Press, 1998.CrossRefGoogle Scholar
Brickhouse, Anna. Transamerican Literary Relations and the Nineteenth-Century Public Sphere. Cambridge: Cambridge University Press, 2004.CrossRefGoogle Scholar
Brooks, Cleanth. Modern Poetry and the Tradition. 1939. Reprint, New York: Oxford University Press, 1965.Google Scholar
Brown, Stewart, ed. The Art of Derek Walcott. Chester Springs, PA: Dufour, 1991.Google Scholar
Buell, Lawrence. “Circling the Spheres: A Dialogue.” American Literature 70 (1998): 465–490.CrossRefGoogle Scholar
Buell, Lawrence ed. Henry Wadsworth Longfellow, Selected Poems. New York: Penguin, 1988.Google Scholar
Burnett, Paula. Derek Walcott: Politics and Poetics. Gainesville: University Press of Florida Press, 2000.
Burnett, Paula “Opening New Doors: A Glimpse of Wilson Harris and Derek Walcott.” In Theatre of the Arts: Wilson Harris and the Caribbean, ed. Hena, Maes-Jelinek and Bénédicte, Ledent. Amsterdam: Rodopi, 2002.Google Scholar
Bush, Ronald. “Nathaniel Hawthorne and T. S. Eliot's American Connection.” Southern Review 21 (October 1985): 924–933.Google Scholar
Bush, RonaldT. S. Eliot: A Study in Character and Style. New York: Oxford University Press, 1984.Google Scholar
Bush, Ronald “T. S. Eliot: Singing the Emerson Blues.” In Emerson: Prospect and Retrospect, ed. Porte, J.. Cambridge, MA: Harvard University Press, 1982: 179–197.Google Scholar
Bush, Ronald ed. T. S. Eliot: The Modernist in History. Cambridge: Cambridge University Press, 1991.Google Scholar
Bush, Ronald, and Elazar, Barkan, eds. Prehistories of the Future: The Primitivist Project and the Culture of Modernism. Stanford: Stanford University Press, 1995.Google Scholar
Cameron, Elizabeth. “Alexis Saint-Léger Léger” [sic]. In The Diplomats, 1919–1939, ed. Gordon, Craig and Felix, Gilbert. Princeton: Princeton University Press, 1953.Google Scholar
Césaire, Aimé. The Collected Poetry. Trans. Clayton Eshleman and Annette Smith. Berkeley: University of California Press, 1983.Google Scholar
Césaire, AiméIntroduction to Negro American Poetry.” Tropiques 3 (October 1941).Google Scholar
Chace, William. The Political Identities of Ezra Pound and T. S. Eliot. Stanford: Stanford University Press, 1973.Google Scholar
Chinitz, David. T. S. Eliot and the Cultural Divide. Chicago: University of Chicago Press, 2003.Google Scholar
Clark, T. J.Farewell to an Idea: Episodes from a History of Modernism. New Haven: Yale University Press, 1999.Google Scholar
Graham, Clarke, ed. Edgar Allan Poe: Critical Assessments. 2 vols. Mountfield, East Sussex: Helm Information, 1991.Google Scholar
Clayton, Douglas. Pierrot in Petrograd: The Commedia dell'Arte/Balagan in Twentieth Century Russian Theatre and Drama. Montreal: McGill-Queen's University Press, 1993.Google Scholar
Clifford, James. Routes: Travel and Translation in the Late Twentieth Century. Cambridge, MA: Harvard University Press, 1997.Google Scholar
Cobb, Martha. Harlem, Haiti, and Havana: A Comparative Critical Study of Langston Hughes, Jacques Roumain, Nicolás Guillén. Washington, DC: Three Continents Press, 1979.Google Scholar
Cobham, Rhonda. “The Texts of Wilson Harris' Eternity to Season.” World Literature Written in English 22 (Spring 1983): 27–38.CrossRefGoogle Scholar
Collie, Michael. Jules Laforgue. London: Athlone Press, 1977.Google Scholar
Cowley, Malcolm. Exile's Return: A Literary Odyssey of the 1920s. New York: Viking, 1956.Google Scholar
Coyle, Michael, ed. Ezra Pound and African American Modernism. Orono, ME: National Poetry Foundation, 2001.Google Scholar
Culler, Jonathan. “Baudelaire and Poe.” Zeitschrift für Französische Sprache 100 (1990): 61–73.Google Scholar
Cutler, Edward. Recovering the New: Transatlantic Roots of Modernism. Hanover, NH: University Press of New England, 2003.Google Scholar
Daly, Vere. The Making of Guyana. London: Macmillan, 1974.Google Scholar
Dash, J. Michael. “Engagement, Exile, and Errance: Some Trends in Haitian Poetry, 1946–1986.” Callaloo 15.3 (Summer 1992): 474–760.CrossRefGoogle Scholar
Dash, J. MichaelThe Other America: Caribbean Literature in a New World Context. Charlottesville: University Press of Virginia, 1998.Google Scholar
Dash, J. MichaelThe World and The Word: French Caribbean Writing in The Twentieth Century.” Callaloo 34 (Winter 1988): 112–130.Google Scholar
Davie, Donald. Ezra Pound: Poet as Sculptor. New York: Oxford University Press, 1964.Google Scholar
de Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. 2nd edn., Minneapolis: University of Minnesota Press, 1983.Google Scholar
Oliveira, Celso. “A Note on Eliot and Baudelaire.” American Literature 55.1 (March 1983): 81–82.CrossRefGoogle Scholar
Deshmukh, Madhuri. “Langston Hughes as Black Pierrot: A Transatlantic Game of Masks.” Langston Hughes Review 18 (Fall 2004).Google Scholar
Dimock, Wai-Chee. Empire for Liberty: Melville and the Poetics of Individualism. Princeton: Princeton University Press, 1989.Google Scholar
Donoghue, Denis. Being Modern Together. Atlanta, GA: Scholars Press, 1991.Google Scholar
Dorsinville, Roger. Jacques Roumain. Paris: Présence Africaine, 1981.Google Scholar
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Noonday Press, 1995.Google Scholar
Drake, Sandra. Wilson Harris and the Modern Tradition. New York: Greenwood Press, 1986.
Drew, Elizabeth. T. S. Eliot: The Design of His Poetry. New York: Charles Scribner's Sons, 1949.Google Scholar
During, Simon. “Waiting for the Post: Some Relations between Modernity, Colonization, and Writing.” Ariel 20.4 (October 1989): 31–61.Google Scholar
Eagleton, Terry. Criticism and Ideology. 1976. Reprint, London: Verso, 1985.Google Scholar
Edwards, Brent. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Eliot, T. S.American Literature.” Athenaeum 4643 (April 25, 1919): 236–237.Google Scholar
Eliot, T. S. “A Brief Introduction to the Method of Paul Valéry.” In Le Serpent by Paul Valéry. Trans. Mark Wardle. London: R. Cobden-Sanderson, 1924: 7–15.Google Scholar
Eliot, T. S.Collected Poems, 1909–1962. New York: Harcourt Brace Jovanovich, 1988.Google Scholar
Eliot, T. S.A Commentary.” Criterion (April 1931): 484.
Eliot, T. S.A Commentary: That Poetry is Made with Words.” New English Weekly 15.2 (27 April 1939): 27–28.Google Scholar
Eliot, T. S.The Complete Poems and Plays,1909–1950. New York: Harcourt Brace, 1952.Google Scholar
Eliot, T. S. “‘A Dream within a Dream’: T. S. Eliot on Edgar Allan Poe.” Listener 29 (February 25, 1943): 243–244.Google Scholar
Eliot, T. S. “Un feuillet unique.” Saint-John Perse: Hommage international des “Cahiers de la Pléiade.”Paris: Boivin, 1950: 18–19.Google Scholar
Eliot, T. S. Foreword to Symbolisme from Poe to Mallarmé: The Growth of a Myth, by Joseph Chiari. London: Rockliff, 1956: v–vi.Google Scholar
Eliot, T. S.The Idea of a Christian Society. 1939. Reprint, with Notes Towards the Definition of Culture, in Christianity and Culture. San Diego: Harcourt Brace Jovanovich, 1977.Google Scholar
Eliot, T. S. “The Influence of Landscape upon the Poet.” Daedalus 89.2 (Spring, 1960): 421–422.
Eliot, T. S. Interview with T. S. Eliot. In George, Plimpton, ed., Writers at Work. New York: Penguin, 1977: 91–110.Google Scholar
Eliot, T. S. Introduction to Ezra Pound: Selected Poems. London: Faber and Faber, 1928.
Eliot, T. S. Inventions of the March Hare: Poems, 1909–1917. Ed. Christopher, Ricks. New York: Harcourt Brace, 1996.Google Scholar
Eliot, T. S.Note sur Mallarmé et Poe.” Trans. Ramón Fernandez. La Nouvelle Revue Française (November 1, 1926): 524–526.Google Scholar
Eliot, T. S.Notes Towards the Definition of Culture. 1948. Reprint, London: Faber and Faber Ltd., 1962.Google Scholar
Eliot, T. S.On Poetry and Poets. London: Faber and Faber, 1957.Google Scholar
Eliot, T. S.Preface to This American World by Edgar Ansel Mowrer. London: Faber and Gwyer, 1928: ix–xv.Google Scholar
Eliot, T. S.Preface to Transit of Venus: Poems by Harry Crosby. Paris: Black Sun Press, 1931: i–ix.Google Scholar
Eliot, T. S. “Prose and Verse.” In Poetry and Prose: Three Essays by T. S. Eliot, Frederic Manning [and] Richard Aldington. London: The Poetry Bookshop, 1921.Google Scholar
Eliot, T. S.Review of Israfel, by Hervey Allen. Nation and Athenaeum 41 (May 21, 1927): 219.Google Scholar
Eliot, T. S.The Sacred Wood. 2nd edn. London: Methuen, 1928. Reprint, New York: Barnes and Noble, 1960.Google Scholar
Eliot, T. S.A Sceptical Patrician.” Review of The Education of Henry Adams. Athenaeum 4647 (May 23, 1919): 361–362.Google Scholar
Eliot, T. S.Selected Essays. New York: Harcourt, Brace and World, 1950.Google Scholar
Eliot, T. S. Selected Prose of T. S. Eliot. Ed. Kermode, F.. New York: Harvest, 1975.Google Scholar
Eliot, T. S.The Three Provincialities.” 1922. Reprint, Essays in Criticism 1.1 (January 1951): 39–40.Google Scholar
Eliot, T. S.To Criticize the Critic and Other Writings. 1965. Reprint, Lincoln: University of Nebraska Press, 1991.Google Scholar
Eliot, T. S.The Use of Poetry and the Use of Criticism. 1933. Reprint, Cambridge, MA: Harvard University Press, 1964.Google Scholar
Eliot, T. S. The Varieties of Metaphysical Poetry. Ed. Ronald, Schuchard. New York: Harcourt Brace, 1993.Google Scholar
Eliot, T. S.War-paint and Feathers.” Review of An Anthology of Songs and Chants from the Indians of North America. Athenaeum 4668 (October 17, 1919): 1036.Google Scholar
Eliot, T. S. The Waste Land: A Facsimile and Transcript of the Original Drafts. Ed. Valerie, Eliot. New York: Harcourt Brace Jovanovich, 1971.Google Scholar
Eliot, T. S. “Whitman and Tennyson.” Nation and Athenaeum (December 18, 1926).
Ellmann, Richard. James Joyce. New York: Oxford University Press, 1969.Google Scholar
Elmer, Jonathan. Reading at the Social Limit: Affect, Mass Culture, and Edgar Allan Poe. Stanford: Stanford University Press, 1995.Google Scholar
Emanuel, James. Langston Hughes. New York: Twayne, 1967.Google Scholar
Empson, William. Some Versions of Pastoral. London: Chatto and Windus, 1935.Google Scholar
Erkkila, Betsy. “The Poetics of Whiteness: Poe and the Racial Imaginary.” In Romancing the Shadow: Poe and Race, ed. Kennedy, J. and Weissberg, L.. New York: Oxford University Press, 2001: 41–74.Google Scholar
Erkkila, Betsy, and Jay, GrossmanWalt Whitman Among the French: Poet and Myth. Princeton: Princeton University Press, 1980.CrossRefGoogle Scholar
Erkkila, Betsy, and Jay, GrossmanWhitman: The Political Poet. New York: Oxford University Press, 1989.Google Scholar
Erkkila, Betsy, and Jay, Grossman, eds. Breaking Bounds: Whitman and American Cultural Studies. New York: Oxford University Press, 1996.Google Scholar
Fabre, Michel. “Du mouvement nouveau noir à la négritude césairienne.” In Soleil éclaté, ed. Jacqueline, Leiner. Tubingen: Gunther Grass Verlag, 1984: 149–159.Google Scholar
Fabre, MichelFrom Harlem to Paris: Black American Writers in France, 1840–1980. Urbana: University of Illinois Press, 1993.Google Scholar
Fabre, MichelHughes's Literary Reputation in France.” Langston Hughes Review 6.1 (Spring 1987).Google Scholar
Farnsworth, Robert. Melvin Tolson, 1898–1966: Plain Talk and Poetic Prophecy. Columbia: University of Missouri Press, 1984.Google Scholar
Farrell, Walter, and Patricia, Johnson. “Poetic Interpretations of Urban Black Folk Culture: Langston Hughes and the ‘Bebop’ Era.” MELUS 8.3 (1981): 57–72.CrossRefGoogle Scholar
Feidelson, Charles. Symbolism and American Literature. Chicago: University of Chicago Press, 1953.Google Scholar
Fowler, Carolyn. A Knot in the Thread: The Life and Work of Jacques Roumain. Washington, DC: Howard University Press, 1980.Google Scholar
Fowler, CarolynThe Shared Vision of Langston Hughes and Jacques Roumain.” Black American Literature Forum 15.3 (Autumn 1981): 84–88.CrossRefGoogle Scholar
Fowlie, Wallace. “Baudelaire and Eliot: Interpreters of Their Age.” Sewannee Review, ed. Allan Tate, 74.1 (January–March 1966): 293–309.Google Scholar
Gallup, Donald. “Mr. Eliot at the Churchill Club.” Southern Review 21.4 (October, 1985): 969–973.Google Scholar
Gardner, Helen. The Art of T. S. Eliot. New York; E. P. Dutton, 1950.
Gardner, HelenThe Composition of “Four Quartets.”London: Faber and Faber, 1978.Google Scholar
Garrett, Naomi. The Renaissance of Haitian Poetry. Paris: Présence Africaine, 1963.Google Scholar
Gates, Henry Louis. Figures in Black: Words, Signs, and the “Racial” Self. New York: Oxford University Press, 1987.Google Scholar
Gates, Henry Louis Preface to Langston Hughes: Critical Perspectives Past and Present. Ed. Gates, H. L. and Appiah, K. A.. New York: Amistad, 1993.Google Scholar
Gelpi, Albert. A Coherent Splendor: The American Poetic Renaissance, 1910–1950. New York: Cambridge University Press, 1987.Google Scholar
Giddens, Anthony. The Consequences of Modernity. Stanford: Stanford University Press, 1990.Google Scholar
Gikandi, Simon. Writing in Limbo: Modernism and Caribbean Literature. Ithaca: Cornell University Press, 1992.Google Scholar
Giles, Paul. Hart Crane: The Contexts of “The Bridge.”Cambridge: Cambridge University Press, 1986.Google Scholar
Giles, PaulTransatlantic Insurrections: British Culture and the Formation of American Literature. Philadelphia: University of Pennsylvania Press, 2001.CrossRefGoogle Scholar
Giles, PaulVirtual Americas: Transnational Fiction and the Transatlantic Imaginary. Durham, NC: Duke University Press, 2002.CrossRefGoogle Scholar
Gilkes, Michael. Wilson Harris and the Caribbean Novel. London: Longman, 1975.Google Scholar
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press, 1993.Google Scholar
Glissant, Edouard. Caribbean Discourse: Selected Essays. Trans. J. Michael Dash. Charlottesville: University Press of Virginia, 1989.Google Scholar
Glissant, EdouardFaulkner, Mississippi. Chicago: University of Chicago Press, 1996.Google Scholar
Goldin, Liliana, ed. Identities on the Move: Transnational Processes in North America and the Caribbean Basin. Albany, NY: Institute for Mesoamerican Studies, 1999.Google Scholar
Gordon, Lyndall. “The American Eliot and ‘The Dry Salvages.’” In Words in Time: New Essays on Eliot's Four Quartets, ed. Lobb, Edward. Ann Arbor: University of Michigan Press, 1993: 38–51.Google Scholar
Gordon, LyndallEliot's Early Years. London: Oxford University Press, 1977.Google Scholar
Gordon, LyndallT. S. Eliot: An Imperfect Life. New York: Norton, 1998.Google Scholar
Green, Martin, and John, Swan. The Triumph of Pierrot: The Commedia dell'Arte and the Modern Imagination. University Park: Pennsylvania State University Press, 1986.Google Scholar
Greene, Edward. T. S. Eliot et la France. Paris: Boivin, 1951.Google Scholar
Greenspan, E., ed. The Cambridge Companion to Whitman. New York: Cambridge University Press, 1995.
Griffin, Farrah. Who Set You Flowing?New York: Oxford University Press, 1995.CrossRefGoogle Scholar
Grossman, James. Land of Hope. Chicago: University of Chicago Press, 1989.
Guillaume, Alfred J.And Bid Him Translate: Langston Hughes's Translations of Poetry from French.” Langston Hughes Review, 4.2 (Fall 1985): 1–23.Google Scholar
Hale, Thomas. “From Afro-America to Afro-France: The Literary Triangle Trade.” French Review 49.6 (May 1976): 1089–1096.Google Scholar
Hamner, RobertDerek Walcott. New York: Twayne, 1993.Google Scholar
Hamner, Robert ed. Critical Perspectives on Derek Walcott. Boulder, CO: Three Continents Press, 1997.Google Scholar
Handley, George. New World Poetics: Nature and the Adamic Imagination in Whitman, Neruda, and Walcott. Athens: University of Georgia Press, 2007.
Handlin, Oscar, The Uprooted. Boston, MA: Little, Brown, 1952.
Hardy, Thomas. The Complete Poems of Thomas Hardy. Ed. James, Gibson. London: Macmillan London Ltd., 1976.Google Scholar
Hargrove, Nancy Duvall. Landscape as Symbol in the Poetry of T. S. Eliot. Jackson: University Press of Mississippi, 1978.Google Scholar
Harris, Wilson. “Across the Editor's Desk.” Kyk-over-al 35 (October 1986): 3.Google Scholar
Harris, WilsonAdversarial Contexts and Creativity.” New Left Review 154 (November/December 1985): 124–128.Google Scholar
Harris, Wilson “Comedy and Modern Allegory: A Personal View.” In A Shaping of Connections: Commonwealth Literature Studies – Then and Now, ed. Maes-Jelinek, Hena, Holst, Kirsten Petersen and Rutherford, Anna. Aarhus: Dangaroo Press, 1989: 127–140.Google Scholar
Harris, WilsonEternity to Season. London: New Beacon, 1978.Google Scholar
Harris, Wilson Explorations. Ed. Maes-Jelinek, Hena. Aarhus: Dangaroo Press, 1981.Google Scholar
Harris, Wilson “Literacy and Imagination.” In The Literate Imagination: Essays on the Novels of Wilson Harris, ed. Michael, Gilkes. London: Macmillan, 1989.Google Scholar
Harris, Wilson “Oedipus and the Middle Passage.” In Crisis and Creativity in the New Literatures in English, ed. Davis, Geoffrey V. and Maes-Jelinek, Hena. Atlanta, GA: Rodopi, 1999: 9–21.Google Scholar
Harris, Wilson The Radical Imagination: Lectures and Talks by Wilson Harris. Ed. Riach, Alan and Williams, Marte. Liège: University of Liège, 1992.Google Scholar
Harris, WilsonTradition, the Writer, and Society: Critical Essays. London: New Beacon, 1967.Google Scholar
Harris, Wilson The Unfinished Genesis of the Imagination: Selected Essays of Wilson Harris. Ed. Bundy, Andrew. London: Routledge, 1999.Google Scholar
Harris, WilsonThe Womb of Space: The Cross-Cultural Imagination. Westport, CT: Greenwood Press, 1983.Google Scholar
Hay, Eloise Knapp. T. S. Eliot's Negative Way. Cambridge, MA: Harvard University Press, 1982.Google Scholar
Hayes, Kevin, ed. The Cambridge Companion to Edgar Allan Poe. Cambridge: Cambridge University Press, 2002.CrossRefGoogle Scholar
Henry, Albert. Anabase de Saint-John Perse. Paris: Gallimard, 1983.Google Scholar
Hobsbaum, Philip. “Eliot, Whitman, and the American Tradition.” Journal of American Studies 3 (1969): 239–264.CrossRefGoogle Scholar
Hokanson, Robert O'Brien. “Jazzing It Up: The Be-bop Modernism of Langston Hughes.” Mosaic 31.4 (December 1998): 61–82.Google Scholar
Holmes, Anne. Jules Laforgue and Poetic Innovation. Oxford: Clarendon Press, 1993.Google Scholar
Howard, W. J.Shaping a New Voice: The Poetry of Wilson Harris.” Commonwealth Newsletter 9 (January 1976): 26–31.Google Scholar
Hughes, Langston. The American Negro Reference Book. Ed. Davis, John P.. Englewood Cliffs, NJ: Prentice-Hall, 1966.Google Scholar
Hughes, LangstonThe Big Sea. Reprint, New York: Hill and Wang, 1993.Google Scholar
Hughes, Langston The Collected Poems of Langston Hughes. Ed. Rampersad, A.. New York: Knopf, 1994.Google Scholar
Hughes, Langston The Collected Works of Langston Hughes. Vol. ix: Essays on Art, Race, Politics, and World Affairs. Ed. Christopher, Santis. Columbia: University of Missouri Press, 2002.Google Scholar
Hughes, Langston Good Morning, Revolution: Uncollected Writings of Social Protest. Ed. Berry, Faith. New York: Lawrence Hill, 1973.Google Scholar
Hughes, LangstonI Wonder as I Wander. 1956. Reprint, New York: Hill and Wang, 1964.Google Scholar
Hughes, Langston, and Arna Bontemps, eds. The Poetry of the Negro, 1746–1949. Garden City, NY: Doubleday, 1949.
Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, MA: Harvard University Press, 1995.Google Scholar
James, C. L. R.American Civilization. Cambridge: Blackwell, 1993.Google Scholar
James, C. L. R.Mariners, Renegades and Castaways: The Story of Herman Melville and the World We Live In. Reprint, London: Allison and Busby, 1984.Google Scholar
James, Henry. Collected Travel Writings: Great Britain and America. New York: Library of America, 1993.Google Scholar
James, HenryParis Revisited.” Galaxy 24.1 (January 1878).Google Scholar
Jay, Gregory. T. S. Eliot and the Poetics of Literary History. Baton Rouge: Louisiana State University Press, 1983.Google Scholar
Jehlen, Myra, and Michael, Warner, eds. The English Literatures of America, 1500–1800. New York: Routledge, 1997.Google Scholar
Jemie, Onwuchekwa. Langston Hughes: An Introduction to the Poetry. New York: Columbia University Press, 1976.Google Scholar
Johnson, James Weldon. Along This Way. New York: Viking Press, 1933.
Julius, Anthony. T. S. Eliot, Anti-Semitism, and Literary Form. Cambridge: Cambridge University Press, 1995.Google Scholar
Kaplan, Amy. The Anarchy of Empire in the Making of U.S. Culture. Cambridge, MA: Harvard University Press, 2005.Google Scholar
Kenner, Hugh. The Invisible Poet: T. S. Eliot. New York: McDowell, Obolensky, 1959.Google Scholar
Kenner, HughThe Poetry of Ezra Pound. New York: New Directions, 1951.Google Scholar
Kesteloot, Lilyan. Black Writers in French. Trans. Ellen Kennedy. Reprint, Washington, DC: Howard University Press, 1991.Google Scholar
King, Bruce. Derek Walcott: A Caribbean Life. Oxford: Oxford University Press, 2000.Google Scholar
King, BruceNew English Literatures: Cultural Nationalism[s] in a Changing World. New York: St. Martin's Press, 1980.Google Scholar
Klein, Herbert, ed. The Middle Passage: Comparative Studies in the Atlantic Slave Trade. Princeton: Princeton University Press, 1978.CrossRefGoogle Scholar
Knodel, Arthur. Saint-John Perse: A Study of His Poetry. George Square: University Press Edinburgh, 1966.Google Scholar
Knodel, ArthurTowards an Understanding of Anabase.”PMLA 79.3 (June 1964): 329–343.CrossRefGoogle Scholar
Laforgue, Jules. Lettres à un ami (1880–6). Ed. Jean-Aubry, G.. Paris: Mercure de France, 1941.Google Scholar
Laforgue, JulesMélanges posthumes. Reprint, Paris: Ressources, 1979.Google Scholar
Laforgue, JulesMoralités légendaires. Paris: La Collection POL, 1992.Google Scholar
Laforgue, JulesPoems. Trans. Peter Dale. London: Anvil Press, 2007.
Laforgue, Jules Poésies complètes. 2 vols. Ed. Pascal, Pia. Paris: Gallimard, 1979.Google Scholar
Laraque, Maurice. “La rosée de l'espoir.” Rencontre 4.1 (Port-au-Prince, Haiti) (1993).Google Scholar
Lawler, James. “Demons of the Intellect: The Symbolists and Poe.” Critical Inquiry 14.1 (Autumn 1987): 109–110.CrossRefGoogle Scholar
Lawrence, D. H.Studies in Classic American Literature. New York: Thomas Seltzer, 1923.Google Scholar
Leavis, F. R.For Continuity. Cambridge: The Minority Press, 1933.Google Scholar
Lemann, Nicolas. The Promised Land: The Great Black Migration and How It Changed America. New York: Knopf, 1991.Google Scholar
Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Levenson, Michael. A Genealogy of Modernism. Cambridge: Cambridge University Press, 1984.Google Scholar
Levie, Sophie. Commerce, 1924–1932: une revue internationale moderniste. Rome: Fondazione Camillo Caetani, 1989.Google Scholar
Levillain, H., and Sacotte, M., eds. Saint-John Perse: Antillanité et universalité. Paris: Éditions Caribéennes, 1988.Google Scholar
Little, Roger. “T. S. Eliot and Saint-John Perse.” Arlington Quarterly 2.2 (Autumn 1969): 5–17.Google Scholar
Longenbach, James. Modernist Poetics of History: Pound, Eliot, and the Sense of the Past. Princeton: Princeton University Press, 1987.CrossRefGoogle Scholar
Look-Lai, Walton. Indentured Labor, Caribbean Sugar: Chinese and Indian Migrants to the British West Indies, 1838–1918. Baltimore, MD: Johns Hopkins University Press, 2004.Google Scholar
Lubine, Maurice. “Langston Hughes and Haiti.” Trans. Faith Berry. Langston Hughes Review 6.1 (Spring 1987).Google Scholar
MacLeish, Archibald. Preface to Éloges and Other Poemsby St.-John Perse. Trans. Louis Varèse. New York: Norton, 1944.Google Scholar
Maes-Jelinek, Hena. “Natural and Psychological Landscapes.” Journal of Commonwealth Literature 7.1 (1971): 117–120.CrossRefGoogle Scholar
Maes-Jelinek, Hena “‘Numinous Proportions’: Wilson Harris's Alternative to All ‘Posts.’” In Past the Last Post: Theorizing Post-Colonialism and Post-Modernism, ed. Ian, Adam and Helen, Tiffin. Calgary: University of Calgary Press, 1990: 47–64.Google Scholar
Mallarmé, Stéphane. Oeuvres complètes. Paris: Gallimard, 1945.Google Scholar
Mallarmé, StéphanePoésies. Paris: Flammarion, 1989.
Marks, Carol. Farewell, We're Good and Gone. Bloomington: Indiana University Press, 1989.Google Scholar
Martin, Robert. The Homosexual Tradition in American Poetry. Iowa City: University of Iowa Press, 1998.CrossRefGoogle Scholar
Matthiessen, F. O.The Achievement of T. S. Eliot. Boston, MA: Houghton Mifflin, 1935.Google Scholar
Matthiessen, F. O.American Renaissance: Art and Expression in the Age of Emerson and Whitman. London: Oxford University Press, 1941.Google Scholar
Matthiessen, F. O. “The ‘Quartets.’” In Four Quartets: A Casebook, ed. Bernard, Bergonzi. London: Macmilllan, 1969.Google Scholar
McGill, Meredith. “Poe, Literary Nationalism, and Authorial Identity.” In The American Face of Edgar Allan Poe, ed. Rosenheim, S. and Rachman, S.. Baltimore, MD: Johns Hopkins University Press, 1995.Google Scholar
McLuhan, Marshall. “The Aesthetic Moment in Landscape Poetry.” In English Institute Essays, ed. Alan, Downer. New York: Columbia University Press, 1952.Google Scholar
McLuhan, MarshallTennyson and Picturesque Poetry.” Essays in Criticism 1 (July 1951): 262–282.Google Scholar
Mehlman, Jeffrey. Émigré New York: French Intellectuals in Wartime Manhattan, 1940–1944. Baltimore, MD: Johns Hopkins University Press, 2000.Google Scholar
Menand, Louis. American Studies. New York: Farrar, Straus and Giroux, 2002.Google Scholar
Michaels, Walter Benn. Our America: Nativism, Modernism, and Pluralism. Durham, NC: Duke University Press, 1995.Google Scholar
Miller, James. The American Quest for a Supreme Fiction. Chicago: University of Chicago Press, 1979.Google Scholar
Miller, JamesA Critical Guide to Leaves of Grass. Chicago: University of Chicago Press, 1957.Google Scholar
Miller, R. Baxter. The Art and Imagination of Langston Hughes. Lexington: University Press of Kentucky, 1989.Google Scholar
Moody, A. David. “The American Strain.” In The Placing of T. S. Eliot, ed. Brooker, Jewel Spears. Columbia: University of Missouri Press, 1991: 77–89.Google Scholar
Moody, A. DavidThomas Stearns Eliot: Poet. 2nd edn. Cambridge: Cambridge University Press, 1994.Google Scholar
Moody, A. David ed. The Cambridge Companion to T. S. Eliot. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Motherwell, Robert, ed. Dada Painters and Poets. Cambridge, MA: Belknap Press, 2005.Google Scholar
Mullen, Edward J.Langston Hughes in the Hispanic World and Haiti. Hamden, CT: Arcon, 1977.Google Scholar
Murray, Stuart. “Postcoloniality/Modernity: Wilson Harris and Postcolonial Theory.” Review of Contemporary Fiction 17.2 (Summer 1997): 53–58.Google Scholar
Musgrove, Sydney. T. S. Eliot and Walt Whitman. Wellington: New Zealand University Press, 1952.Google Scholar
Nandy, Ashis. The Intimate Enemy: Loss and Recovery of Self under Colonialism. Delhi: Oxford University Press, 1983.Google Scholar
Nelson, C. E.Saint-John Perse and T. S. Eliot.” Western Humanities Review 17.2 (Spring 1963): 163–171.Google Scholar
Nielsen, Aldon Lynn. Reading Race: White American Poets and Racial Discourse in the Twentieth Century. Athens: University of Georgia Press, 1988.Google Scholar
North, Michael. The Dialect of Modernism: Race, Language, and Twentieth-Century Literature. New York: Oxford University Press, 1994.Google Scholar
North, MichaelThe Final Sculpture: Public Monuments and Modern Poets. Ithaca: Cornell University Press, 1985.Google Scholar
Oliver, Paul, ed. Black Music in Britain. Philadelphia: Open University Press, 1990.Google Scholar
Oser, Lee. T. S. Eliot and American Poetry. Columbia: University of Missouri Press, 1998.Google Scholar
Ostrovsky, Erika. Under the Sign of Ambiguity: Saint-John Perse / Alexis Leger. New York: New York University Press, 1985.Google Scholar
Parry, Benita. “The Postcolonial: Conceptual Category or Chimera?Yearbook of English Studies 27 (1997): 3–21.CrossRefGoogle Scholar
Patterson, Anita. “Contingencies of Pleasure and Shame: Jamaican Women's Poetry.” In Feminist Consequences: Theory for the New Century, ed. Bronfen, E. and Kavka, M.. New York: Columbia University Press, 2001: 254–282.CrossRefGoogle Scholar
Patterson, AnitaFrom Emerson to King: Democracy, Race, and the Politics of Protest. New York: Oxford University Press, 1997.Google Scholar
Patterson, AnitaJazz, Realism, and the Modernist Lyric: The Poetry of Langston Hughes.” Modern Language Quarterly 61.4 (December 2000): 651–682.CrossRefGoogle Scholar
Patterson, Anita “Pastoral Poetry and Transculturation: The Contexts of Wilson Harris's ‘Trail’.” Journal of Commonwealth Literature 37.2 (2002): 107–138.
Patterson, Orlando. “Migration in Caribbean Societies: Socioeconomic and Symbolic Resource.” In Human Migration: Patterns and Policies, ed. McNeill, W.. Bloomington: Indiana University Press, 1978.Google Scholar
Peach, Ceri. West Indian Migration to Britain: A Social Geography. London: Oxford University Press, 1968.Google Scholar
Pearce, Roy Harvey. The Continuity of American Poetry. Middletown, CT: Wesleyan University Press, 1987.Google Scholar
Pease, Donald. “Blake, Crane, Whitman, and Modernism: A Poetics of Pure Possibility.” PMLA 96.1 (January 1981): 64–65.CrossRefGoogle Scholar
Pease, DonaldC. L. R. James, Moby-Dick, and the Emergence of Transnational American Studies.” Arizona Quarterly 56.3 (Autumn 2000): 93–123.CrossRefGoogle Scholar
Perse, St.-John. Anabasis. Trans. T. S. Eliot. New York: Harcourt Brace, 1938.
Eliot, T. S. trans. Anabasis: A Poem by St.-J. Perse. Trans. T. S. Eliot. London: Faber and Faber, 1930.Google Scholar
Eliot, T. S. trans. Anabasis: A Poem by St.-J. Perse. Trans. T. S. Eliot. 2nd edn. London: Faber and Faber, 1949.Google Scholar
Eliot, T. S. trans. Anabasis: A Poem by St.-J. Perse. Trans. T. S. Eliot. 3rd edn. London: Faber and Faber, 1959.Google Scholar
Perse, St.-John. Collected Poems. Trans. W. H Auden, Hugh Chisholm, Denis Devlin, T. S. Eliot, Robert Fitzgerald, Wallace Fowlie, Richard Howard and Louis Varèse. Princeton: Princeton University Press, 1971.Google Scholar
Perse, Saint-JohnHonneur à Saint-John Perse. Paris: Gallimard, 1965.Google Scholar
Perse, St.-JohnInterview. Le Figaro littéraire (November 5, 1960).Google Scholar
Perse, St.-John Letters. Trans. and ed. Arthur, Knodel. Princeton: Princeton University Press, 1979.Google Scholar
Perse, St.-John Lettres d'Alexis Leger à Gabriel Frizeau. Ed. Albert, Henry. Brussels: Académie Royale de Belgique, 1993.Google Scholar
Perse, St.-John Oeuvres complètes. Paris: Gallinard, 1982.
Pinsky, Robert. Democracy, Culture and the Voice of Poetry. Princeton: Princeton University Press, 2002.Google Scholar
Poe, Edgar Allan. Complete Poems. Ed. Mabbott, T. O.. Urbana: University of Illinois Press, 2000.Google Scholar
Poe, Edgar Allan Essays and Reviews. Ed. Thompson, G. R.. New York: Library of America, 1984.Google Scholar
Poirier, Richard. The Renewal of Literature: Emersonian Reflections. New York: Random House, 1987.Google Scholar
Pollard, Charles. New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite. Charlottesville: University Press of Virginia, 2004.Google Scholar
Pollard, CharlesTraveling with Joyce: Derek Walcott's Discrepant Cosmopolitan Modernism.” Twentieth Century Literature 47.2 (2001): 197–216.Google Scholar
Posnock, Ross. Color and Culture: Black Writers and the Making of the Modern Intellectual. Cambridge, MA: Harvard University Press, 1998.Google Scholar
Pound, Ezra. The Letters of Ezra Pound, 1907–1941. Ed. Paige, D.. London: Faber and Faber, 1951.Google Scholar
Pound, Ezra Literary Essays of Ezra Pound. Ed. Eliot, T. S.. Norfolk, CT: New Directions, 1954.Google Scholar
Pound, EzraPolite Essays. Norfolk, CT: New Directions, 1939.Google Scholar
Pound, EzraSelected Poems of Ezra Pound. New York: New Directions, 1957.
Pound, Ezra Selected Prose 1909–1965. Ed. Cookson, W.. London: Faber and Faber, 1973.Google Scholar
Pound, EzraThe Spirit of Romance. Reprint, New York: New Directions, 2005.Google Scholar
Pozzi, MonicaA Conversation with Wilson Harris.” Journal of Caribbean Literatures 2.1–3 (Spring 2000): 260–270.Google Scholar
Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992.CrossRefGoogle Scholar
Proudfoot, M. J.Population Movements in the Caribbean. Port of Spain, Trinidad: Kent House, 1950.Google Scholar
Ramazani, Jahan. The Hybrid Muse: Postcolonial Poetry in English. Chicago: University of Chicago Press, 2001.Google Scholar
Ramazani, JahanPoetry of Mourning: The Modern Elegy from Hardy to Heaney. Chicago: University of Chicago Press, 1994.Google Scholar
Ramazani, Jahan “A Transnational Poetics.” American Literary History 18.2 (Summer 2006): 332–359.
Ramazani, JahanThe Wound of History: Walcott's Omeros and the Postcolonial Poetics of Affliction.” PMLA 112.3 (May 1997): 405–417.CrossRefGoogle Scholar
Ramchand, Kenneth. The West Indian Novel and its Background. New York: Barnes and Noble, 1970.Google Scholar
Rampersad, Arnold. “Future Scholarly Projects on Langston Hughes.” Black American Literature Forum 21.3 (Autumn 1987): 305–316.CrossRefGoogle Scholar
Rampersad, Arnold “Langston Hughes and Approaches to Modernism in the Harlem Renaissance.” In The Harlem Renaissance: Revaluations, ed. Singh, A., Shiver, W. and Brodwin, S.. New York: Garland, 1989: 49–72.Google Scholar
Rampersad, ArnoldThe Life of Langston Hughes. 2 vols. New York: Oxford University Press, 1986.Google Scholar
Ramsey, Warren. Jules Laforgue and the Ironic Inheritance. New York: Oxford University Press, 1953.Google Scholar
Rhodes, S. A.The Cult of Beauty in Charles Baudelaire. New York: Institute of French Studies at Columbia University, 1929.Google Scholar
Richardson, Bonham. The Caribbean in the Wider World 1492–1992. Cambridge: Cambridge University Press, 1992.CrossRefGoogle Scholar
Ricks, Christopher. “À l'envers ou à Anvers?Times Literary Supplement (March 14, 1997).Google Scholar
Ricks, ChristopherT. S. Eliot and Prejudice. Berkeley: University of California Press, 1988.Google Scholar
Rigolot, Carol. Forged Genealogies: Saint-John Perse's Conversations with Culture. Chapel Hill: University of North Carolina Press, 2001.Google Scholar
Riquelme, John Paul. Harmony of Dissonances: T. S. Eliot, Romanticism, and Imagination. Baltimore, MD: Johns Hopkins University Press, 1991.Google Scholar
Rodney, Walter. A History of the Guyanese Working People, 1881–1905. Baltimore, MD: Johns Hopkins University Press, 1981.Google Scholar
Roumain, Jacques. Oeuvres complètes. Ed. Léon-François, Hoffmann. Paris: Collection Archivos, 2003.Google Scholar
Roumain, JacquesWhen the Tom-Tom Beats: Selected Prose & Poems. Trans. Joanne Fungaroli and Ronald Sauer. Washington, DC: Azul, 1995.Google Scholar
Rowe, John Carlos. “Edgar Allan Poe's Imperial Fantasy and the American Frontier.” In Romancing the Shadow: Poe and Race, ed. Kennedy, J. and Weissberg, L.. New York: Oxford University Press, 2001: 75–105.Google Scholar
Rowe, John CarlosLiterary Culture and U.S. Imperialism: From the Revolution to World War Ⅱ. Oxford: Oxford University Press, 2000.Google Scholar
Rowe, John CarlosNineteenth-Century United States Literary Culture and Transnationality.” PMLA 118.1 (January 2003): 78–89.CrossRefGoogle Scholar
Rowe, John Carlos ed. Post-Nationalist American Studies. Berkeley: University of California Press, 2000.CrossRefGoogle Scholar
Said, Edward. Culture and Imperialism. New York: Knopf, 1993.Google Scholar
Said, EdwardRepresenting the Colonized: Anthropology's Interlocutors.” Critical Inquiry 15.2 (1989): 205–225.CrossRefGoogle Scholar
Salmon, André. Créances: 1905–1910. Paris: Gallimard, 1926.Google Scholar
Sassen, Saskia. The Mobility of Labor and Capital. Cambridge: Cambridge University Press, 1988.CrossRefGoogle Scholar
Sayre, Robert. Thoreau and the American Indians. Princeton: Princeton University Press, 1977.Google Scholar
Schiller, Nina Glick. “Transmigrants and Nation-States: Something Old and Something New in the Immigrant Experience.” In The Handbook of International Migration: The American Experience, ed. Charles, Hirshman, Josh Dewind and Philip Kasinitz. New York: Russell Sage Foundation, 1999.Google Scholar
Schuchard, Ronald. “Burbank with a Baedecker, Eliot with a Cigar: American Intellectuals, Anti-Semitism, and the Idea of Culture.” Modernism/Modernity 10.1 (January 2003): 1–56.CrossRefGoogle Scholar
Schuchard, RonaldEliot's Dark Angel: Intersections of Life and Art. New York: Oxford University Press, 1999.Google Scholar
Schwartz, Sanford. The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought. Princeton: Princeton University Press, 1985.Google Scholar
Scruggs, Charles, Sweet Home: Invisible Cities in the Afro-American Novel. Baltimore, MD: Johns Hopkins University Press, 1993.Google Scholar
Searl, Eva. “T. S. Eliot's Four Quartets and Wilson Harris' The Waiting Room.” In Commonwealth Literature and the Modern World, ed. Maes-Jelinek, H.. Brussels: Didier, 1976: 51–59.Google Scholar
Senghor, Léopold Sédar . Liberté. 5 vols. Paris: Éditions du Seuil, 1964.Google Scholar
Sharpe, William Chapman. Unreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams. Baltimore, MD: Johns Hopkins University Press, 1990.Google Scholar
Sigg, Eric. The American T. S. Eliot: A Study of the Early Writings. Cambridge: Cambridge University Press, 1989.CrossRefGoogle Scholar
Singh, Amritjit, and Peter, Schmidt, eds. Postcolonial Theory and the United States: Race, Ethnicity, and Literature. Jackson: University Press of Mississippi, 2000.Google Scholar
Slotkin, Richard. Regeneration Through Violence: The Mythology of the American Frontier, 1600–1860. Middletown, CT: Wesleyan University Press, 1973.Google Scholar
Smith, Grover. T. S. Eliot and the Use of Memory. Lewisburg: Bucknell University Press, 1996.Google Scholar
Smith, GroverT. S. Eliot's Poetry and Plays: A Study in Sources and Meaning. Chicago: University of Chicago Press, 1956.Google Scholar
Smith, Stan. The Origins of Modernism: Eliot, Pound, Yeats and the Rhetorics of Renewal. New York: Harvester, 1994.Google Scholar
Soldo, John. The Tempering of T. S. Eliot. Ann Arbor: UMI Research Press, 1983.Google Scholar
Sollors, Werner. Beyond Ethnicity: Consent and Descent in American Culture. New York: Oxford University Press, 1986.Google Scholar
Sollors, WernerNeitherBlack Nor White Yet Both: Thematic Explorations of Interracial Literature. Cambridge, MA: Harvard University Press, 1997.CrossRefGoogle Scholar
Sollors, Werner ed. The Invention of Ethnicity. New York: Oxford University Press, 1989.Google Scholar
Spender, Stephen. The Struggle of the Modern. London: Hamish Hamilton, 1963.Google Scholar
Symons, Arthur. The Symbolist Movement in Literature. 1908. Revised and enlarged edn. New York: Haskell House, 1971.Google Scholar
Tate, Allen, ed. T. S. Eliot: The Man and His Work. London: Chatto and Windus, 1967.Google Scholar
Terada, Rei. Derek Walcott's Poetry: American Mimicry. Boston: Northeastern University Press, 1992.Google Scholar
Thadal, Marc Roland. Jacques Roumain: l'unité d'une oeuvre. Port-au-Prince, Haiti: Collection Quisqueye, 1997.Google Scholar
Thieme, John. Derek Walcott. Manchester: Manchester University Press, 1999.Google Scholar
Torres-Saillant, Silvio. Caribbean Poetics: Toward an Aesthetic of West Indian Literature. Cambridge: Cambridge University Press, 1997.Google Scholar
Tracy, Steven. Langston Hughes and the Blues. Urbana: University of Illinois Press, 1988.Google Scholar
Trouillot, D'Henock . Dimension et limites de Jacques Roumain. 2nd edn. Port-au-Prince, Haiti: Éditions Faradin, 1981.Google Scholar
Unterecker, John. Voyager: A Life of Hart Crane. New York: Farrar, Straus and Giroux, 1969.Google Scholar
Valéry, Paul. Variété. Vol. ii. Paris: Librairie Gallinard, 1930.
Vendler, Helen. Coming of Age as a Poet. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Vendler, HelenThe Given and the Made: Strategies of Poetic Redefinition. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Walcott, Derek. The Arkansas Testament. New York: Farrar, Straus and Giroux, 1987.Google Scholar
Walcott, DerekThe Caribbean: Culture or Mimicry?Journal of Interamerican Studies and World Affairs 16.1 (February 1974).CrossRefGoogle Scholar
Walcott, DerekCollected Poems, 1948–1984. New York: Farrar, Straus and Giroux, 1986.Google Scholar
Walcott, Derek Conversations with Derek Walcott. Ed. William, Baer. Jackson: University of Mississippi Press, 1996.Google Scholar
Walcott, DerekEpitaph for the Young: Ⅻ Cantos. Barbados: Advocate, 1949.Google Scholar
Walcott, DerekFor All Craftsmen.” Bim 5.19 (December 1953): 166.Google Scholar
Walcott, DerekIn a Green Night. London: Jonathan Cape, 1962.
Walcott, Derek Interview. South Bank Show, ITV. London: January 15, 1989.Google Scholar
Walcott, DerekInterview. Trinidad Express (March 14, 1982).Google Scholar
Walcott, DerekPoems. Kingston, Jamaica: Kingston City Printery, [1951].Google Scholar
Walcott, DerekReflections on Omeros.” South Atlantic Quarterly 29.2 (Spring 1997): 229–246.Google Scholar
Walcott, DerekSea Grapes. London: J. Cape, 1976.
Walcott, DerekTiepolo's Hound. New York: Farrar, Straus, and Giroux, 2000.Google Scholar
Walcott, DerekWhat the Twilight Says. New York: Farrar, Straus and Giroux, 1998.Google Scholar
Watts, Edward. Writing and Postcolonialism in the Early Republic. Charlottesville: University Press of Viriginia, 1998.Google Scholar
Weisbuch, Robert. Atlantic Double-Cross: American Literature and British Influence in the Age of Emerson. Chicago: University of Chicago Press, 1986.Google Scholar
Werner, Craig. “Blues for T. S. Eliot and Langston Hughes: The Afro-Modernist Aesthetic of Harlem Gallery.” Black American Literature Forum 24.3 (Fall 1990): 453–472.Google Scholar
Wetherill, Peter Michael. Charles Baudelaire et la poésie d'Edgar Allan Poe. Paris: A. G. Nizet, 1962.Google Scholar
Wetzel, Andreas. “Poe/Baudelaire: Poetics in Translation.” Cincinnati Romance Review 6 (1987).Google Scholar
Whalen, Terence. Edgar Allan Poe and the Masses: The Political Economy of Literature in Antebellum America. Princeton: Princeton University Press, 1999.Google Scholar
Whitman, Walt. Complete Poetry and Collected Prose. Ed. Kaplan, J.. New York: Library of America, 1982.Google Scholar
Whitman, Walt Leaves of Grass: Comprehensive Reader's Edition. Ed. Blodgett, H. and Bradley, S.. New York: New York University Press, 1965.Google Scholar
Williams, Raymond. The Politics of Modernism: Against the New Conformists. London: Verso, 1989.Google Scholar
Wilson, Edmund. Axel's Castle: A Study in the Imaginative Literature of 1870–1930. New York: Scribner's, 1931.Google Scholar
Winters, Ivor. In Defense of Reason. New York: The Swallows Press, 1947.Google Scholar
Wordsworth, William. The Fourteen-Book Prelude. Ed. Owen, W. J. B.. Ithaca: Cornell University Press.
Wordsworth, William Poems, In Two Volumes, and Other Poems, 1800–1807. Ed. Jared, Curtis. Ithaca: Cornell University Press, 1983.Google Scholar
Young, Howard, ed. T. S. Eliot and Hispanic Modernity, 1924–1993. Denver: Society of Spanish and Spanish-American Studies, 1994.Google Scholar
Abel, Richard. “The Influence of St.-John Perse on T. S. Eliot.” Contemporary Literature 14.2 (Spring 1973): 213–239.CrossRefGoogle Scholar
Adam, Ian, and Helen, Tiffin, eds. Past the Last Post: Theorizing Post-Colonialism and Post-Modernism. Calgary: University of Calgary Press, 1990.Google Scholar
Adams, Henry. The Education of Henry Adams. New York: Oxford University Press, 1999.
Adams, Henry Novels, Mont St. Michel, The Education. Ed. Samuels, E.. New York: Library of America, 1983.Google Scholar
Adams, Rolstan. “Wilson Harris: The Pre-novel Poet.” Journal of Commonwealth Literature 13.3 (April 1979): 71–85.Google Scholar
Adler, Joyce. “Melville and Harris: Poetic Imaginations Related in Their Response to the Modern World.” In Commonwealth Literature and the Modern World, ed. Hena, Maes-Jelinek. Brussels: Didier, 1976: 33–41.Google Scholar
Aiken, Conrad. “Prefatory Note” to “Anatomy of Melancholy.” 1958. In T. S. Eliot: The Man and His Work, ed. Allen, Tate. New York: Dell, 1966: 196.Google Scholar
Allen, Gay Wilson. American Prosody. New York: Farrar, Straus and Giroux, 1978.Google Scholar
Allyne, Mervyn. “A Linguistic Perspective on the Caribbean.” In Caribbean Contours, ed. Mintz, S. and Price, S.. Baltimore: Johns Hopkins University Press, 1985: 155–179.Google Scholar
Alvarez, A.Visions of Light.” New York Review of Books (May 11, 2000): 27.Google Scholar
Andrews, Kenneth. Trade, Plunder, and Settlement: Maritime Enterprise and the Genesis of the British Empire, 1480–1630. Cambridge: Cambridge University Press, 1984.Google Scholar
Antoine, Régis . Les écrivains français et les Antilles. Paris: Maisonneuve et Larose, 1978.Google Scholar
Anzaldua, Gloria. Borderlands / La Frontera. 2nd edn. San Francisco: Aunt Lute Books, 1999.Google Scholar
Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996.Google Scholar
Aragon, Louis. “Magnitogorsk.” Trans. Langston Hughes. Littérature internationale 4 (1933–1934): 82–83.Google Scholar
Arendt, Hannah. The Human Condition. Chicago: University of Chicago Press, 1958.Google Scholar
Arkell, David. Looking for Laforgue: An Informal Biography. Manchester: Carcanet Press, 1979.Google Scholar
Arnold, James A.Modernism and Negritude: The Poetry and Poetics of Aimé Césaire. Cambridge, MA: Harvard University Press, 1981.Google Scholar
Ashcroft, Bill, Gareth, Griffiths and Helen, Tiffin, eds. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. New York: Routledge Press, 1989.CrossRefGoogle Scholar
Asher, Kenneth. T. S. Eliot and Ideology. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar
Bailyn, Bernard, and Philip Morgan, eds. Strangers Within the Realism: Cultural Margins of the First British Empire. Chapel Hill: University of North Carolina Press, 1991.
Barksdale, Richard. Langston Hughes: The Poet and His Critics. Chicago, IL: American Library Association, 1977.Google Scholar
Basch, Linda, Nina, Glick Schiller and Cristina, Szanton Blanc, eds. Nations Unbound: Transnational Projects, Postcolonial Predicaments, and Deterritorialized Nation-states. New York: Gordon and Breach, 1994.Google Scholar
Baudelaire, Charles. Baudelaire on Poe: Critical Papers. Trans. and ed. , L. and Hyslop, F.. State College, PA: Bald Eagle Press, 1952.Google Scholar
Baudelaire, CharlesCorrespondance. Paris: Gallimard, 1973.Google Scholar
Baudelaire, Charles Les Fleurs du mal. Paris: Gallinard, 1999.
Baudelaire, CharlesThe Flowers of Evil. Trans. James McGowan. Oxford: Oxford University Press, 1993.Google Scholar
Bell, Michael. Literature, Modernism and Myth: Belief and Responsibility in the Twentieth Century. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: Verso, 1985.Google Scholar
Benjamin, Walter Selected Writings. 2 vols. Ed. Jennings, M.. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Berry, Faith. Langston Hughes: Before and Beyond Harlem. Westport, CT: Lawrence Hill, 1983.Google Scholar
Bhabha, Homi. The Location of Culture. London: Routledge, 1994.Google Scholar
Bhabha, Homi “Unsatisfied: Notes on Vernacular Cosmopolitanism.” In Text and Nation: Cross-Disciplinary Essays on Cultural and National Identities, ed. Laura, Garc ia-Moreno and Peter, Pfeiffer. Columbia, SC: Camden House, 1996: 191–207.Google Scholar
Blackmur, R. P.Form and Value in Modern Poetry. New York: Doubleday, 1957.Google Scholar
Blakely, Allison. “Historical Ties Among Suriname, The Netherlands Antilles, Aruba, and the Netherlands.” Callaloo 21.3 (Summer 1998): 472–478.CrossRefGoogle Scholar
Bloom, Harold. A Map of Misreading. Oxford: Oxford University Press, 1975.Google Scholar
Bloom, HaroldPoetry and Repression: Revisionism from Blake to Stevens. New Haven: Yale University Press, 1976.Google Scholar
Bloom, Harold ed. T. S. Eliot's The Waste Land. New York: Chelsea House, 1986.Google Scholar
Breiner, Laurence. An Introduction to West Indian Poetry. Cambridge: Cambridge University Press, 1998.CrossRefGoogle Scholar
Brickhouse, Anna. Transamerican Literary Relations and the Nineteenth-Century Public Sphere. Cambridge: Cambridge University Press, 2004.CrossRefGoogle Scholar
Brooks, Cleanth. Modern Poetry and the Tradition. 1939. Reprint, New York: Oxford University Press, 1965.Google Scholar
Brown, Stewart, ed. The Art of Derek Walcott. Chester Springs, PA: Dufour, 1991.Google Scholar
Buell, Lawrence. “Circling the Spheres: A Dialogue.” American Literature 70 (1998): 465–490.CrossRefGoogle Scholar
Buell, Lawrence ed. Henry Wadsworth Longfellow, Selected Poems. New York: Penguin, 1988.Google Scholar
Burnett, Paula. Derek Walcott: Politics and Poetics. Gainesville: University Press of Florida Press, 2000.
Burnett, Paula “Opening New Doors: A Glimpse of Wilson Harris and Derek Walcott.” In Theatre of the Arts: Wilson Harris and the Caribbean, ed. Hena, Maes-Jelinek and Bénédicte, Ledent. Amsterdam: Rodopi, 2002.Google Scholar
Bush, Ronald. “Nathaniel Hawthorne and T. S. Eliot's American Connection.” Southern Review 21 (October 1985): 924–933.Google Scholar
Bush, RonaldT. S. Eliot: A Study in Character and Style. New York: Oxford University Press, 1984.Google Scholar
Bush, Ronald “T. S. Eliot: Singing the Emerson Blues.” In Emerson: Prospect and Retrospect, ed. Porte, J.. Cambridge, MA: Harvard University Press, 1982: 179–197.Google Scholar
Bush, Ronald ed. T. S. Eliot: The Modernist in History. Cambridge: Cambridge University Press, 1991.Google Scholar
Bush, Ronald, and Elazar, Barkan, eds. Prehistories of the Future: The Primitivist Project and the Culture of Modernism. Stanford: Stanford University Press, 1995.Google Scholar
Cameron, Elizabeth. “Alexis Saint-Léger Léger” [sic]. In The Diplomats, 1919–1939, ed. Gordon, Craig and Felix, Gilbert. Princeton: Princeton University Press, 1953.Google Scholar
Césaire, Aimé. The Collected Poetry. Trans. Clayton Eshleman and Annette Smith. Berkeley: University of California Press, 1983.Google Scholar
Césaire, AiméIntroduction to Negro American Poetry.” Tropiques 3 (October 1941).Google Scholar
Chace, William. The Political Identities of Ezra Pound and T. S. Eliot. Stanford: Stanford University Press, 1973.Google Scholar
Chinitz, David. T. S. Eliot and the Cultural Divide. Chicago: University of Chicago Press, 2003.Google Scholar
Clark, T. J.Farewell to an Idea: Episodes from a History of Modernism. New Haven: Yale University Press, 1999.Google Scholar
Graham, Clarke, ed. Edgar Allan Poe: Critical Assessments. 2 vols. Mountfield, East Sussex: Helm Information, 1991.Google Scholar
Clayton, Douglas. Pierrot in Petrograd: The Commedia dell'Arte/Balagan in Twentieth Century Russian Theatre and Drama. Montreal: McGill-Queen's University Press, 1993.Google Scholar
Clifford, James. Routes: Travel and Translation in the Late Twentieth Century. Cambridge, MA: Harvard University Press, 1997.Google Scholar
Cobb, Martha. Harlem, Haiti, and Havana: A Comparative Critical Study of Langston Hughes, Jacques Roumain, Nicolás Guillén. Washington, DC: Three Continents Press, 1979.Google Scholar
Cobham, Rhonda. “The Texts of Wilson Harris' Eternity to Season.” World Literature Written in English 22 (Spring 1983): 27–38.CrossRefGoogle Scholar
Collie, Michael. Jules Laforgue. London: Athlone Press, 1977.Google Scholar
Cowley, Malcolm. Exile's Return: A Literary Odyssey of the 1920s. New York: Viking, 1956.Google Scholar
Coyle, Michael, ed. Ezra Pound and African American Modernism. Orono, ME: National Poetry Foundation, 2001.Google Scholar
Culler, Jonathan. “Baudelaire and Poe.” Zeitschrift für Französische Sprache 100 (1990): 61–73.Google Scholar
Cutler, Edward. Recovering the New: Transatlantic Roots of Modernism. Hanover, NH: University Press of New England, 2003.Google Scholar
Daly, Vere. The Making of Guyana. London: Macmillan, 1974.Google Scholar
Dash, J. Michael. “Engagement, Exile, and Errance: Some Trends in Haitian Poetry, 1946–1986.” Callaloo 15.3 (Summer 1992): 474–760.CrossRefGoogle Scholar
Dash, J. MichaelThe Other America: Caribbean Literature in a New World Context. Charlottesville: University Press of Virginia, 1998.Google Scholar
Dash, J. MichaelThe World and The Word: French Caribbean Writing in The Twentieth Century.” Callaloo 34 (Winter 1988): 112–130.Google Scholar
Davie, Donald. Ezra Pound: Poet as Sculptor. New York: Oxford University Press, 1964.Google Scholar
de Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. 2nd edn., Minneapolis: University of Minnesota Press, 1983.Google Scholar
Oliveira, Celso. “A Note on Eliot and Baudelaire.” American Literature 55.1 (March 1983): 81–82.CrossRefGoogle Scholar
Deshmukh, Madhuri. “Langston Hughes as Black Pierrot: A Transatlantic Game of Masks.” Langston Hughes Review 18 (Fall 2004).Google Scholar
Dimock, Wai-Chee. Empire for Liberty: Melville and the Poetics of Individualism. Princeton: Princeton University Press, 1989.Google Scholar
Donoghue, Denis. Being Modern Together. Atlanta, GA: Scholars Press, 1991.Google Scholar
Dorsinville, Roger. Jacques Roumain. Paris: Présence Africaine, 1981.Google Scholar
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Noonday Press, 1995.Google Scholar
Drake, Sandra. Wilson Harris and the Modern Tradition. New York: Greenwood Press, 1986.
Drew, Elizabeth. T. S. Eliot: The Design of His Poetry. New York: Charles Scribner's Sons, 1949.Google Scholar
During, Simon. “Waiting for the Post: Some Relations between Modernity, Colonization, and Writing.” Ariel 20.4 (October 1989): 31–61.Google Scholar
Eagleton, Terry. Criticism and Ideology. 1976. Reprint, London: Verso, 1985.Google Scholar
Edwards, Brent. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Eliot, T. S.American Literature.” Athenaeum 4643 (April 25, 1919): 236–237.Google Scholar
Eliot, T. S. “A Brief Introduction to the Method of Paul Valéry.” In Le Serpent by Paul Valéry. Trans. Mark Wardle. London: R. Cobden-Sanderson, 1924: 7–15.Google Scholar
Eliot, T. S.Collected Poems, 1909–1962. New York: Harcourt Brace Jovanovich, 1988.Google Scholar
Eliot, T. S.A Commentary.” Criterion (April 1931): 484.
Eliot, T. S.A Commentary: That Poetry is Made with Words.” New English Weekly 15.2 (27 April 1939): 27–28.Google Scholar
Eliot, T. S.The Complete Poems and Plays,1909–1950. New York: Harcourt Brace, 1952.Google Scholar
Eliot, T. S. “‘A Dream within a Dream’: T. S. Eliot on Edgar Allan Poe.” Listener 29 (February 25, 1943): 243–244.Google Scholar
Eliot, T. S. “Un feuillet unique.” Saint-John Perse: Hommage international des “Cahiers de la Pléiade.”Paris: Boivin, 1950: 18–19.Google Scholar
Eliot, T. S. Foreword to Symbolisme from Poe to Mallarmé: The Growth of a Myth, by Joseph Chiari. London: Rockliff, 1956: v–vi.Google Scholar
Eliot, T. S.The Idea of a Christian Society. 1939. Reprint, with Notes Towards the Definition of Culture, in Christianity and Culture. San Diego: Harcourt Brace Jovanovich, 1977.Google Scholar
Eliot, T. S. “The Influence of Landscape upon the Poet.” Daedalus 89.2 (Spring, 1960): 421–422.
Eliot, T. S. Interview with T. S. Eliot. In George, Plimpton, ed., Writers at Work. New York: Penguin, 1977: 91–110.Google Scholar
Eliot, T. S. Introduction to Ezra Pound: Selected Poems. London: Faber and Faber, 1928.
Eliot, T. S. Inventions of the March Hare: Poems, 1909–1917. Ed. Christopher, Ricks. New York: Harcourt Brace, 1996.Google Scholar
Eliot, T. S.Note sur Mallarmé et Poe.” Trans. Ramón Fernandez. La Nouvelle Revue Française (November 1, 1926): 524–526.Google Scholar
Eliot, T. S.Notes Towards the Definition of Culture. 1948. Reprint, London: Faber and Faber Ltd., 1962.Google Scholar
Eliot, T. S.On Poetry and Poets. London: Faber and Faber, 1957.Google Scholar
Eliot, T. S.Preface to This American World by Edgar Ansel Mowrer. London: Faber and Gwyer, 1928: ix–xv.Google Scholar
Eliot, T. S.Preface to Transit of Venus: Poems by Harry Crosby. Paris: Black Sun Press, 1931: i–ix.Google Scholar
Eliot, T. S. “Prose and Verse.” In Poetry and Prose: Three Essays by T. S. Eliot, Frederic Manning [and] Richard Aldington. London: The Poetry Bookshop, 1921.Google Scholar
Eliot, T. S.Review of Israfel, by Hervey Allen. Nation and Athenaeum 41 (May 21, 1927): 219.Google Scholar
Eliot, T. S.The Sacred Wood. 2nd edn. London: Methuen, 1928. Reprint, New York: Barnes and Noble, 1960.Google Scholar
Eliot, T. S.A Sceptical Patrician.” Review of The Education of Henry Adams. Athenaeum 4647 (May 23, 1919): 361–362.Google Scholar
Eliot, T. S.Selected Essays. New York: Harcourt, Brace and World, 1950.Google Scholar
Eliot, T. S. Selected Prose of T. S. Eliot. Ed. Kermode, F.. New York: Harvest, 1975.Google Scholar
Eliot, T. S.The Three Provincialities.” 1922. Reprint, Essays in Criticism 1.1 (January 1951): 39–40.Google Scholar
Eliot, T. S.To Criticize the Critic and Other Writings. 1965. Reprint, Lincoln: University of Nebraska Press, 1991.Google Scholar
Eliot, T. S.The Use of Poetry and the Use of Criticism. 1933. Reprint, Cambridge, MA: Harvard University Press, 1964.Google Scholar
Eliot, T. S. The Varieties of Metaphysical Poetry. Ed. Ronald, Schuchard. New York: Harcourt Brace, 1993.Google Scholar
Eliot, T. S.War-paint and Feathers.” Review of An Anthology of Songs and Chants from the Indians of North America. Athenaeum 4668 (October 17, 1919): 1036.Google Scholar
Eliot, T. S. The Waste Land: A Facsimile and Transcript of the Original Drafts. Ed. Valerie, Eliot. New York: Harcourt Brace Jovanovich, 1971.Google Scholar
Eliot, T. S. “Whitman and Tennyson.” Nation and Athenaeum (December 18, 1926).
Ellmann, Richard. James Joyce. New York: Oxford University Press, 1969.Google Scholar
Elmer, Jonathan. Reading at the Social Limit: Affect, Mass Culture, and Edgar Allan Poe. Stanford: Stanford University Press, 1995.Google Scholar
Emanuel, James. Langston Hughes. New York: Twayne, 1967.Google Scholar
Empson, William. Some Versions of Pastoral. London: Chatto and Windus, 1935.Google Scholar
Erkkila, Betsy. “The Poetics of Whiteness: Poe and the Racial Imaginary.” In Romancing the Shadow: Poe and Race, ed. Kennedy, J. and Weissberg, L.. New York: Oxford University Press, 2001: 41–74.Google Scholar
Erkkila, Betsy, and Jay, GrossmanWalt Whitman Among the French: Poet and Myth. Princeton: Princeton University Press, 1980.CrossRefGoogle Scholar
Erkkila, Betsy, and Jay, GrossmanWhitman: The Political Poet. New York: Oxford University Press, 1989.Google Scholar
Erkkila, Betsy, and Jay, Grossman, eds. Breaking Bounds: Whitman and American Cultural Studies. New York: Oxford University Press, 1996.Google Scholar
Fabre, Michel. “Du mouvement nouveau noir à la négritude césairienne.” In Soleil éclaté, ed. Jacqueline, Leiner. Tubingen: Gunther Grass Verlag, 1984: 149–159.Google Scholar
Fabre, MichelFrom Harlem to Paris: Black American Writers in France, 1840–1980. Urbana: University of Illinois Press, 1993.Google Scholar
Fabre, MichelHughes's Literary Reputation in France.” Langston Hughes Review 6.1 (Spring 1987).Google Scholar
Farnsworth, Robert. Melvin Tolson, 1898–1966: Plain Talk and Poetic Prophecy. Columbia: University of Missouri Press, 1984.Google Scholar
Farrell, Walter, and Patricia, Johnson. “Poetic Interpretations of Urban Black Folk Culture: Langston Hughes and the ‘Bebop’ Era.” MELUS 8.3 (1981): 57–72.CrossRefGoogle Scholar
Feidelson, Charles. Symbolism and American Literature. Chicago: University of Chicago Press, 1953.Google Scholar
Fowler, Carolyn. A Knot in the Thread: The Life and Work of Jacques Roumain. Washington, DC: Howard University Press, 1980.Google Scholar
Fowler, CarolynThe Shared Vision of Langston Hughes and Jacques Roumain.” Black American Literature Forum 15.3 (Autumn 1981): 84–88.CrossRefGoogle Scholar
Fowlie, Wallace. “Baudelaire and Eliot: Interpreters of Their Age.” Sewannee Review, ed. Allan Tate, 74.1 (January–March 1966): 293–309.Google Scholar
Gallup, Donald. “Mr. Eliot at the Churchill Club.” Southern Review 21.4 (October, 1985): 969–973.Google Scholar
Gardner, Helen. The Art of T. S. Eliot. New York; E. P. Dutton, 1950.
Gardner, HelenThe Composition of “Four Quartets.”London: Faber and Faber, 1978.Google Scholar
Garrett, Naomi. The Renaissance of Haitian Poetry. Paris: Présence Africaine, 1963.Google Scholar
Gates, Henry Louis. Figures in Black: Words, Signs, and the “Racial” Self. New York: Oxford University Press, 1987.Google Scholar
Gates, Henry Louis Preface to Langston Hughes: Critical Perspectives Past and Present. Ed. Gates, H. L. and Appiah, K. A.. New York: Amistad, 1993.Google Scholar
Gelpi, Albert. A Coherent Splendor: The American Poetic Renaissance, 1910–1950. New York: Cambridge University Press, 1987.Google Scholar
Giddens, Anthony. The Consequences of Modernity. Stanford: Stanford University Press, 1990.Google Scholar
Gikandi, Simon. Writing in Limbo: Modernism and Caribbean Literature. Ithaca: Cornell University Press, 1992.Google Scholar
Giles, Paul. Hart Crane: The Contexts of “The Bridge.”Cambridge: Cambridge University Press, 1986.Google Scholar
Giles, PaulTransatlantic Insurrections: British Culture and the Formation of American Literature. Philadelphia: University of Pennsylvania Press, 2001.CrossRefGoogle Scholar
Giles, PaulVirtual Americas: Transnational Fiction and the Transatlantic Imaginary. Durham, NC: Duke University Press, 2002.CrossRefGoogle Scholar
Gilkes, Michael. Wilson Harris and the Caribbean Novel. London: Longman, 1975.Google Scholar
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press, 1993.Google Scholar
Glissant, Edouard. Caribbean Discourse: Selected Essays. Trans. J. Michael Dash. Charlottesville: University Press of Virginia, 1989.Google Scholar
Glissant, EdouardFaulkner, Mississippi. Chicago: University of Chicago Press, 1996.Google Scholar
Goldin, Liliana, ed. Identities on the Move: Transnational Processes in North America and the Caribbean Basin. Albany, NY: Institute for Mesoamerican Studies, 1999.Google Scholar
Gordon, Lyndall. “The American Eliot and ‘The Dry Salvages.’” In Words in Time: New Essays on Eliot's Four Quartets, ed. Lobb, Edward. Ann Arbor: University of Michigan Press, 1993: 38–51.Google Scholar
Gordon, LyndallEliot's Early Years. London: Oxford University Press, 1977.Google Scholar
Gordon, LyndallT. S. Eliot: An Imperfect Life. New York: Norton, 1998.Google Scholar
Green, Martin, and John, Swan. The Triumph of Pierrot: The Commedia dell'Arte and the Modern Imagination. University Park: Pennsylvania State University Press, 1986.Google Scholar
Greene, Edward. T. S. Eliot et la France. Paris: Boivin, 1951.Google Scholar
Greenspan, E., ed. The Cambridge Companion to Whitman. New York: Cambridge University Press, 1995.
Griffin, Farrah. Who Set You Flowing?New York: Oxford University Press, 1995.CrossRefGoogle Scholar
Grossman, James. Land of Hope. Chicago: University of Chicago Press, 1989.
Guillaume, Alfred J.And Bid Him Translate: Langston Hughes's Translations of Poetry from French.” Langston Hughes Review, 4.2 (Fall 1985): 1–23.Google Scholar
Hale, Thomas. “From Afro-America to Afro-France: The Literary Triangle Trade.” French Review 49.6 (May 1976): 1089–1096.Google Scholar
Hamner, RobertDerek Walcott. New York: Twayne, 1993.Google Scholar
Hamner, Robert ed. Critical Perspectives on Derek Walcott. Boulder, CO: Three Continents Press, 1997.Google Scholar
Handley, George. New World Poetics: Nature and the Adamic Imagination in Whitman, Neruda, and Walcott. Athens: University of Georgia Press, 2007.
Handlin, Oscar, The Uprooted. Boston, MA: Little, Brown, 1952.
Hardy, Thomas. The Complete Poems of Thomas Hardy. Ed. James, Gibson. London: Macmillan London Ltd., 1976.Google Scholar
Hargrove, Nancy Duvall. Landscape as Symbol in the Poetry of T. S. Eliot. Jackson: University Press of Mississippi, 1978.Google Scholar
Harris, Wilson. “Across the Editor's Desk.” Kyk-over-al 35 (October 1986): 3.Google Scholar
Harris, WilsonAdversarial Contexts and Creativity.” New Left Review 154 (November/December 1985): 124–128.Google Scholar
Harris, Wilson “Comedy and Modern Allegory: A Personal View.” In A Shaping of Connections: Commonwealth Literature Studies – Then and Now, ed. Maes-Jelinek, Hena, Holst, Kirsten Petersen and Rutherford, Anna. Aarhus: Dangaroo Press, 1989: 127–140.Google Scholar
Harris, WilsonEternity to Season. London: New Beacon, 1978.Google Scholar
Harris, Wilson Explorations. Ed. Maes-Jelinek, Hena. Aarhus: Dangaroo Press, 1981.Google Scholar
Harris, Wilson “Literacy and Imagination.” In The Literate Imagination: Essays on the Novels of Wilson Harris, ed. Michael, Gilkes. London: Macmillan, 1989.Google Scholar
Harris, Wilson “Oedipus and the Middle Passage.” In Crisis and Creativity in the New Literatures in English, ed. Davis, Geoffrey V. and Maes-Jelinek, Hena. Atlanta, GA: Rodopi, 1999: 9–21.Google Scholar
Harris, Wilson The Radical Imagination: Lectures and Talks by Wilson Harris. Ed. Riach, Alan and Williams, Marte. Liège: University of Liège, 1992.Google Scholar
Harris, WilsonTradition, the Writer, and Society: Critical Essays. London: New Beacon, 1967.Google Scholar
Harris, Wilson The Unfinished Genesis of the Imagination: Selected Essays of Wilson Harris. Ed. Bundy, Andrew. London: Routledge, 1999.Google Scholar
Harris, WilsonThe Womb of Space: The Cross-Cultural Imagination. Westport, CT: Greenwood Press, 1983.Google Scholar
Hay, Eloise Knapp. T. S. Eliot's Negative Way. Cambridge, MA: Harvard University Press, 1982.Google Scholar
Hayes, Kevin, ed. The Cambridge Companion to Edgar Allan Poe. Cambridge: Cambridge University Press, 2002.CrossRefGoogle Scholar
Henry, Albert. Anabase de Saint-John Perse. Paris: Gallimard, 1983.Google Scholar
Hobsbaum, Philip. “Eliot, Whitman, and the American Tradition.” Journal of American Studies 3 (1969): 239–264.CrossRefGoogle Scholar
Hokanson, Robert O'Brien. “Jazzing It Up: The Be-bop Modernism of Langston Hughes.” Mosaic 31.4 (December 1998): 61–82.Google Scholar
Holmes, Anne. Jules Laforgue and Poetic Innovation. Oxford: Clarendon Press, 1993.Google Scholar
Howard, W. J.Shaping a New Voice: The Poetry of Wilson Harris.” Commonwealth Newsletter 9 (January 1976): 26–31.Google Scholar
Hughes, Langston. The American Negro Reference Book. Ed. Davis, John P.. Englewood Cliffs, NJ: Prentice-Hall, 1966.Google Scholar
Hughes, LangstonThe Big Sea. Reprint, New York: Hill and Wang, 1993.Google Scholar
Hughes, Langston The Collected Poems of Langston Hughes. Ed. Rampersad, A.. New York: Knopf, 1994.Google Scholar
Hughes, Langston The Collected Works of Langston Hughes. Vol. ix: Essays on Art, Race, Politics, and World Affairs. Ed. Christopher, Santis. Columbia: University of Missouri Press, 2002.Google Scholar
Hughes, Langston Good Morning, Revolution: Uncollected Writings of Social Protest. Ed. Berry, Faith. New York: Lawrence Hill, 1973.Google Scholar
Hughes, LangstonI Wonder as I Wander. 1956. Reprint, New York: Hill and Wang, 1964.Google Scholar
Hughes, Langston, and Arna Bontemps, eds. The Poetry of the Negro, 1746–1949. Garden City, NY: Doubleday, 1949.
Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, MA: Harvard University Press, 1995.Google Scholar
James, C. L. R.American Civilization. Cambridge: Blackwell, 1993.Google Scholar
James, C. L. R.Mariners, Renegades and Castaways: The Story of Herman Melville and the World We Live In. Reprint, London: Allison and Busby, 1984.Google Scholar
James, Henry. Collected Travel Writings: Great Britain and America. New York: Library of America, 1993.Google Scholar
James, HenryParis Revisited.” Galaxy 24.1 (January 1878).Google Scholar
Jay, Gregory. T. S. Eliot and the Poetics of Literary History. Baton Rouge: Louisiana State University Press, 1983.Google Scholar
Jehlen, Myra, and Michael, Warner, eds. The English Literatures of America, 1500–1800. New York: Routledge, 1997.Google Scholar
Jemie, Onwuchekwa. Langston Hughes: An Introduction to the Poetry. New York: Columbia University Press, 1976.Google Scholar
Johnson, James Weldon. Along This Way. New York: Viking Press, 1933.
Julius, Anthony. T. S. Eliot, Anti-Semitism, and Literary Form. Cambridge: Cambridge University Press, 1995.Google Scholar
Kaplan, Amy. The Anarchy of Empire in the Making of U.S. Culture. Cambridge, MA: Harvard University Press, 2005.Google Scholar
Kenner, Hugh. The Invisible Poet: T. S. Eliot. New York: McDowell, Obolensky, 1959.Google Scholar
Kenner, HughThe Poetry of Ezra Pound. New York: New Directions, 1951.Google Scholar
Kesteloot, Lilyan. Black Writers in French. Trans. Ellen Kennedy. Reprint, Washington, DC: Howard University Press, 1991.Google Scholar
King, Bruce. Derek Walcott: A Caribbean Life. Oxford: Oxford University Press, 2000.Google Scholar
King, BruceNew English Literatures: Cultural Nationalism[s] in a Changing World. New York: St. Martin's Press, 1980.Google Scholar
Klein, Herbert, ed. The Middle Passage: Comparative Studies in the Atlantic Slave Trade. Princeton: Princeton University Press, 1978.CrossRefGoogle Scholar
Knodel, Arthur. Saint-John Perse: A Study of His Poetry. George Square: University Press Edinburgh, 1966.Google Scholar
Knodel, ArthurTowards an Understanding of Anabase.”PMLA 79.3 (June 1964): 329–343.CrossRefGoogle Scholar
Laforgue, Jules. Lettres à un ami (1880–6). Ed. Jean-Aubry, G.. Paris: Mercure de France, 1941.Google Scholar
Laforgue, JulesMélanges posthumes. Reprint, Paris: Ressources, 1979.Google Scholar
Laforgue, JulesMoralités légendaires. Paris: La Collection POL, 1992.Google Scholar
Laforgue, JulesPoems. Trans. Peter Dale. London: Anvil Press, 2007.
Laforgue, Jules Poésies complètes. 2 vols. Ed. Pascal, Pia. Paris: Gallimard, 1979.Google Scholar
Laraque, Maurice. “La rosée de l'espoir.” Rencontre 4.1 (Port-au-Prince, Haiti) (1993).Google Scholar
Lawler, James. “Demons of the Intellect: The Symbolists and Poe.” Critical Inquiry 14.1 (Autumn 1987): 109–110.CrossRefGoogle Scholar
Lawrence, D. H.Studies in Classic American Literature. New York: Thomas Seltzer, 1923.Google Scholar
Leavis, F. R.For Continuity. Cambridge: The Minority Press, 1933.Google Scholar
Lemann, Nicolas. The Promised Land: The Great Black Migration and How It Changed America. New York: Knopf, 1991.Google Scholar
Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Levenson, Michael. A Genealogy of Modernism. Cambridge: Cambridge University Press, 1984.Google Scholar
Levie, Sophie. Commerce, 1924–1932: une revue internationale moderniste. Rome: Fondazione Camillo Caetani, 1989.Google Scholar
Levillain, H., and Sacotte, M., eds. Saint-John Perse: Antillanité et universalité. Paris: Éditions Caribéennes, 1988.Google Scholar
Little, Roger. “T. S. Eliot and Saint-John Perse.” Arlington Quarterly 2.2 (Autumn 1969): 5–17.Google Scholar
Longenbach, James. Modernist Poetics of History: Pound, Eliot, and the Sense of the Past. Princeton: Princeton University Press, 1987.CrossRefGoogle Scholar
Look-Lai, Walton. Indentured Labor, Caribbean Sugar: Chinese and Indian Migrants to the British West Indies, 1838–1918. Baltimore, MD: Johns Hopkins University Press, 2004.Google Scholar
Lubine, Maurice. “Langston Hughes and Haiti.” Trans. Faith Berry. Langston Hughes Review 6.1 (Spring 1987).Google Scholar
MacLeish, Archibald. Preface to Éloges and Other Poemsby St.-John Perse. Trans. Louis Varèse. New York: Norton, 1944.Google Scholar
Maes-Jelinek, Hena. “Natural and Psychological Landscapes.” Journal of Commonwealth Literature 7.1 (1971): 117–120.CrossRefGoogle Scholar
Maes-Jelinek, Hena “‘Numinous Proportions’: Wilson Harris's Alternative to All ‘Posts.’” In Past the Last Post: Theorizing Post-Colonialism and Post-Modernism, ed. Ian, Adam and Helen, Tiffin. Calgary: University of Calgary Press, 1990: 47–64.Google Scholar
Mallarmé, Stéphane. Oeuvres complètes. Paris: Gallimard, 1945.Google Scholar
Mallarmé, StéphanePoésies. Paris: Flammarion, 1989.
Marks, Carol. Farewell, We're Good and Gone. Bloomington: Indiana University Press, 1989.Google Scholar
Martin, Robert. The Homosexual Tradition in American Poetry. Iowa City: University of Iowa Press, 1998.CrossRefGoogle Scholar
Matthiessen, F. O.The Achievement of T. S. Eliot. Boston, MA: Houghton Mifflin, 1935.Google Scholar
Matthiessen, F. O.American Renaissance: Art and Expression in the Age of Emerson and Whitman. London: Oxford University Press, 1941.Google Scholar
Matthiessen, F. O. “The ‘Quartets.’” In Four Quartets: A Casebook, ed. Bernard, Bergonzi. London: Macmilllan, 1969.Google Scholar
McGill, Meredith. “Poe, Literary Nationalism, and Authorial Identity.” In The American Face of Edgar Allan Poe, ed. Rosenheim, S. and Rachman, S.. Baltimore, MD: Johns Hopkins University Press, 1995.Google Scholar
McLuhan, Marshall. “The Aesthetic Moment in Landscape Poetry.” In English Institute Essays, ed. Alan, Downer. New York: Columbia University Press, 1952.Google Scholar
McLuhan, MarshallTennyson and Picturesque Poetry.” Essays in Criticism 1 (July 1951): 262–282.Google Scholar
Mehlman, Jeffrey. Émigré New York: French Intellectuals in Wartime Manhattan, 1940–1944. Baltimore, MD: Johns Hopkins University Press, 2000.Google Scholar
Menand, Louis. American Studies. New York: Farrar, Straus and Giroux, 2002.Google Scholar
Michaels, Walter Benn. Our America: Nativism, Modernism, and Pluralism. Durham, NC: Duke University Press, 1995.Google Scholar
Miller, James. The American Quest for a Supreme Fiction. Chicago: University of Chicago Press, 1979.Google Scholar
Miller, JamesA Critical Guide to Leaves of Grass. Chicago: University of Chicago Press, 1957.Google Scholar
Miller, R. Baxter. The Art and Imagination of Langston Hughes. Lexington: University Press of Kentucky, 1989.Google Scholar
Moody, A. David. “The American Strain.” In The Placing of T. S. Eliot, ed. Brooker, Jewel Spears. Columbia: University of Missouri Press, 1991: 77–89.Google Scholar
Moody, A. DavidThomas Stearns Eliot: Poet. 2nd edn. Cambridge: Cambridge University Press, 1994.Google Scholar
Moody, A. David ed. The Cambridge Companion to T. S. Eliot. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Motherwell, Robert, ed. Dada Painters and Poets. Cambridge, MA: Belknap Press, 2005.Google Scholar
Mullen, Edward J.Langston Hughes in the Hispanic World and Haiti. Hamden, CT: Arcon, 1977.Google Scholar
Murray, Stuart. “Postcoloniality/Modernity: Wilson Harris and Postcolonial Theory.” Review of Contemporary Fiction 17.2 (Summer 1997): 53–58.Google Scholar
Musgrove, Sydney. T. S. Eliot and Walt Whitman. Wellington: New Zealand University Press, 1952.Google Scholar
Nandy, Ashis. The Intimate Enemy: Loss and Recovery of Self under Colonialism. Delhi: Oxford University Press, 1983.Google Scholar
Nelson, C. E.Saint-John Perse and T. S. Eliot.” Western Humanities Review 17.2 (Spring 1963): 163–171.Google Scholar
Nielsen, Aldon Lynn. Reading Race: White American Poets and Racial Discourse in the Twentieth Century. Athens: University of Georgia Press, 1988.Google Scholar
North, Michael. The Dialect of Modernism: Race, Language, and Twentieth-Century Literature. New York: Oxford University Press, 1994.Google Scholar
North, MichaelThe Final Sculpture: Public Monuments and Modern Poets. Ithaca: Cornell University Press, 1985.Google Scholar
Oliver, Paul, ed. Black Music in Britain. Philadelphia: Open University Press, 1990.Google Scholar
Oser, Lee. T. S. Eliot and American Poetry. Columbia: University of Missouri Press, 1998.Google Scholar
Ostrovsky, Erika. Under the Sign of Ambiguity: Saint-John Perse / Alexis Leger. New York: New York University Press, 1985.Google Scholar
Parry, Benita. “The Postcolonial: Conceptual Category or Chimera?Yearbook of English Studies 27 (1997): 3–21.CrossRefGoogle Scholar
Patterson, Anita. “Contingencies of Pleasure and Shame: Jamaican Women's Poetry.” In Feminist Consequences: Theory for the New Century, ed. Bronfen, E. and Kavka, M.. New York: Columbia University Press, 2001: 254–282.CrossRefGoogle Scholar
Patterson, AnitaFrom Emerson to King: Democracy, Race, and the Politics of Protest. New York: Oxford University Press, 1997.Google Scholar
Patterson, AnitaJazz, Realism, and the Modernist Lyric: The Poetry of Langston Hughes.” Modern Language Quarterly 61.4 (December 2000): 651–682.CrossRefGoogle Scholar
Patterson, Anita “Pastoral Poetry and Transculturation: The Contexts of Wilson Harris's ‘Trail’.” Journal of Commonwealth Literature 37.2 (2002): 107–138.
Patterson, Orlando. “Migration in Caribbean Societies: Socioeconomic and Symbolic Resource.” In Human Migration: Patterns and Policies, ed. McNeill, W.. Bloomington: Indiana University Press, 1978.Google Scholar
Peach, Ceri. West Indian Migration to Britain: A Social Geography. London: Oxford University Press, 1968.Google Scholar
Pearce, Roy Harvey. The Continuity of American Poetry. Middletown, CT: Wesleyan University Press, 1987.Google Scholar
Pease, Donald. “Blake, Crane, Whitman, and Modernism: A Poetics of Pure Possibility.” PMLA 96.1 (January 1981): 64–65.CrossRefGoogle Scholar
Pease, DonaldC. L. R. James, Moby-Dick, and the Emergence of Transnational American Studies.” Arizona Quarterly 56.3 (Autumn 2000): 93–123.CrossRefGoogle Scholar
Perse, St.-John. Anabasis. Trans. T. S. Eliot. New York: Harcourt Brace, 1938.
Eliot, T. S. trans. Anabasis: A Poem by St.-J. Perse. Trans. T. S. Eliot. London: Faber and Faber, 1930.Google Scholar
Eliot, T. S. trans. Anabasis: A Poem by St.-J. Perse. Trans. T. S. Eliot. 2nd edn. London: Faber and Faber, 1949.Google Scholar
Eliot, T. S. trans. Anabasis: A Poem by St.-J. Perse. Trans. T. S. Eliot. 3rd edn. London: Faber and Faber, 1959.Google Scholar
Perse, St.-John. Collected Poems. Trans. W. H Auden, Hugh Chisholm, Denis Devlin, T. S. Eliot, Robert Fitzgerald, Wallace Fowlie, Richard Howard and Louis Varèse. Princeton: Princeton University Press, 1971.Google Scholar
Perse, Saint-JohnHonneur à Saint-John Perse. Paris: Gallimard, 1965.Google Scholar
Perse, St.-JohnInterview. Le Figaro littéraire (November 5, 1960).Google Scholar
Perse, St.-John Letters. Trans. and ed. Arthur, Knodel. Princeton: Princeton University Press, 1979.Google Scholar
Perse, St.-John Lettres d'Alexis Leger à Gabriel Frizeau. Ed. Albert, Henry. Brussels: Académie Royale de Belgique, 1993.Google Scholar
Perse, St.-John Oeuvres complètes. Paris: Gallinard, 1982.
Pinsky, Robert. Democracy, Culture and the Voice of Poetry. Princeton: Princeton University Press, 2002.Google Scholar
Poe, Edgar Allan. Complete Poems. Ed. Mabbott, T. O.. Urbana: University of Illinois Press, 2000.Google Scholar
Poe, Edgar Allan Essays and Reviews. Ed. Thompson, G. R.. New York: Library of America, 1984.Google Scholar
Poirier, Richard. The Renewal of Literature: Emersonian Reflections. New York: Random House, 1987.Google Scholar
Pollard, Charles. New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite. Charlottesville: University Press of Virginia, 2004.Google Scholar
Pollard, CharlesTraveling with Joyce: Derek Walcott's Discrepant Cosmopolitan Modernism.” Twentieth Century Literature 47.2 (2001): 197–216.Google Scholar
Posnock, Ross. Color and Culture: Black Writers and the Making of the Modern Intellectual. Cambridge, MA: Harvard University Press, 1998.Google Scholar
Pound, Ezra. The Letters of Ezra Pound, 1907–1941. Ed. Paige, D.. London: Faber and Faber, 1951.Google Scholar
Pound, Ezra Literary Essays of Ezra Pound. Ed. Eliot, T. S.. Norfolk, CT: New Directions, 1954.Google Scholar
Pound, EzraPolite Essays. Norfolk, CT: New Directions, 1939.Google Scholar
Pound, EzraSelected Poems of Ezra Pound. New York: New Directions, 1957.
Pound, Ezra Selected Prose 1909–1965. Ed. Cookson, W.. London: Faber and Faber, 1973.Google Scholar
Pound, EzraThe Spirit of Romance. Reprint, New York: New Directions, 2005.Google Scholar
Pozzi, MonicaA Conversation with Wilson Harris.” Journal of Caribbean Literatures 2.1–3 (Spring 2000): 260–270.Google Scholar
Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992.CrossRefGoogle Scholar
Proudfoot, M. J.Population Movements in the Caribbean. Port of Spain, Trinidad: Kent House, 1950.Google Scholar
Ramazani, Jahan. The Hybrid Muse: Postcolonial Poetry in English. Chicago: University of Chicago Press, 2001.Google Scholar
Ramazani, JahanPoetry of Mourning: The Modern Elegy from Hardy to Heaney. Chicago: University of Chicago Press, 1994.Google Scholar
Ramazani, Jahan “A Transnational Poetics.” American Literary History 18.2 (Summer 2006): 332–359.
Ramazani, JahanThe Wound of History: Walcott's Omeros and the Postcolonial Poetics of Affliction.” PMLA 112.3 (May 1997): 405–417.CrossRefGoogle Scholar
Ramchand, Kenneth. The West Indian Novel and its Background. New York: Barnes and Noble, 1970.Google Scholar
Rampersad, Arnold. “Future Scholarly Projects on Langston Hughes.” Black American Literature Forum 21.3 (Autumn 1987): 305–316.CrossRefGoogle Scholar
Rampersad, Arnold “Langston Hughes and Approaches to Modernism in the Harlem Renaissance.” In The Harlem Renaissance: Revaluations, ed. Singh, A., Shiver, W. and Brodwin, S.. New York: Garland, 1989: 49–72.Google Scholar
Rampersad, ArnoldThe Life of Langston Hughes. 2 vols. New York: Oxford University Press, 1986.Google Scholar
Ramsey, Warren. Jules Laforgue and the Ironic Inheritance. New York: Oxford University Press, 1953.Google Scholar
Rhodes, S. A.The Cult of Beauty in Charles Baudelaire. New York: Institute of French Studies at Columbia University, 1929.Google Scholar
Richardson, Bonham. The Caribbean in the Wider World 1492–1992. Cambridge: Cambridge University Press, 1992.CrossRefGoogle Scholar
Ricks, Christopher. “À l'envers ou à Anvers?Times Literary Supplement (March 14, 1997).Google Scholar
Ricks, ChristopherT. S. Eliot and Prejudice. Berkeley: University of California Press, 1988.Google Scholar
Rigolot, Carol. Forged Genealogies: Saint-John Perse's Conversations with Culture. Chapel Hill: University of North Carolina Press, 2001.Google Scholar
Riquelme, John Paul. Harmony of Dissonances: T. S. Eliot, Romanticism, and Imagination. Baltimore, MD: Johns Hopkins University Press, 1991.Google Scholar
Rodney, Walter. A History of the Guyanese Working People, 1881–1905. Baltimore, MD: Johns Hopkins University Press, 1981.Google Scholar
Roumain, Jacques. Oeuvres complètes. Ed. Léon-François, Hoffmann. Paris: Collection Archivos, 2003.Google Scholar
Roumain, JacquesWhen the Tom-Tom Beats: Selected Prose & Poems. Trans. Joanne Fungaroli and Ronald Sauer. Washington, DC: Azul, 1995.Google Scholar
Rowe, John Carlos. “Edgar Allan Poe's Imperial Fantasy and the American Frontier.” In Romancing the Shadow: Poe and Race, ed. Kennedy, J. and Weissberg, L.. New York: Oxford University Press, 2001: 75–105.Google Scholar
Rowe, John CarlosLiterary Culture and U.S. Imperialism: From the Revolution to World War Ⅱ. Oxford: Oxford University Press, 2000.Google Scholar
Rowe, John CarlosNineteenth-Century United States Literary Culture and Transnationality.” PMLA 118.1 (January 2003): 78–89.CrossRefGoogle Scholar
Rowe, John Carlos ed. Post-Nationalist American Studies. Berkeley: University of California Press, 2000.CrossRefGoogle Scholar
Said, Edward. Culture and Imperialism. New York: Knopf, 1993.Google Scholar
Said, EdwardRepresenting the Colonized: Anthropology's Interlocutors.” Critical Inquiry 15.2 (1989): 205–225.CrossRefGoogle Scholar
Salmon, André. Créances: 1905–1910. Paris: Gallimard, 1926.Google Scholar
Sassen, Saskia. The Mobility of Labor and Capital. Cambridge: Cambridge University Press, 1988.CrossRefGoogle Scholar
Sayre, Robert. Thoreau and the American Indians. Princeton: Princeton University Press, 1977.Google Scholar
Schiller, Nina Glick. “Transmigrants and Nation-States: Something Old and Something New in the Immigrant Experience.” In The Handbook of International Migration: The American Experience, ed. Charles, Hirshman, Josh Dewind and Philip Kasinitz. New York: Russell Sage Foundation, 1999.Google Scholar
Schuchard, Ronald. “Burbank with a Baedecker, Eliot with a Cigar: American Intellectuals, Anti-Semitism, and the Idea of Culture.” Modernism/Modernity 10.1 (January 2003): 1–56.CrossRefGoogle Scholar
Schuchard, RonaldEliot's Dark Angel: Intersections of Life and Art. New York: Oxford University Press, 1999.Google Scholar
Schwartz, Sanford. The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought. Princeton: Princeton University Press, 1985.Google Scholar
Scruggs, Charles, Sweet Home: Invisible Cities in the Afro-American Novel. Baltimore, MD: Johns Hopkins University Press, 1993.Google Scholar
Searl, Eva. “T. S. Eliot's Four Quartets and Wilson Harris' The Waiting Room.” In Commonwealth Literature and the Modern World, ed. Maes-Jelinek, H.. Brussels: Didier, 1976: 51–59.Google Scholar
Senghor, Léopold Sédar . Liberté. 5 vols. Paris: Éditions du Seuil, 1964.Google Scholar
Sharpe, William Chapman. Unreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams. Baltimore, MD: Johns Hopkins University Press, 1990.Google Scholar
Sigg, Eric. The American T. S. Eliot: A Study of the Early Writings. Cambridge: Cambridge University Press, 1989.CrossRefGoogle Scholar
Singh, Amritjit, and Peter, Schmidt, eds. Postcolonial Theory and the United States: Race, Ethnicity, and Literature. Jackson: University Press of Mississippi, 2000.Google Scholar
Slotkin, Richard. Regeneration Through Violence: The Mythology of the American Frontier, 1600–1860. Middletown, CT: Wesleyan University Press, 1973.Google Scholar
Smith, Grover. T. S. Eliot and the Use of Memory. Lewisburg: Bucknell University Press, 1996.Google Scholar
Smith, GroverT. S. Eliot's Poetry and Plays: A Study in Sources and Meaning. Chicago: University of Chicago Press, 1956.Google Scholar
Smith, Stan. The Origins of Modernism: Eliot, Pound, Yeats and the Rhetorics of Renewal. New York: Harvester, 1994.Google Scholar
Soldo, John. The Tempering of T. S. Eliot. Ann Arbor: UMI Research Press, 1983.Google Scholar
Sollors, Werner. Beyond Ethnicity: Consent and Descent in American Culture. New York: Oxford University Press, 1986.Google Scholar
Sollors, WernerNeitherBlack Nor White Yet Both: Thematic Explorations of Interracial Literature. Cambridge, MA: Harvard University Press, 1997.CrossRefGoogle Scholar
Sollors, Werner ed. The Invention of Ethnicity. New York: Oxford University Press, 1989.Google Scholar
Spender, Stephen. The Struggle of the Modern. London: Hamish Hamilton, 1963.Google Scholar
Symons, Arthur. The Symbolist Movement in Literature. 1908. Revised and enlarged edn. New York: Haskell House, 1971.Google Scholar
Tate, Allen, ed. T. S. Eliot: The Man and His Work. London: Chatto and Windus, 1967.Google Scholar
Terada, Rei. Derek Walcott's Poetry: American Mimicry. Boston: Northeastern University Press, 1992.Google Scholar
Thadal, Marc Roland. Jacques Roumain: l'unité d'une oeuvre. Port-au-Prince, Haiti: Collection Quisqueye, 1997.Google Scholar
Thieme, John. Derek Walcott. Manchester: Manchester University Press, 1999.Google Scholar
Torres-Saillant, Silvio. Caribbean Poetics: Toward an Aesthetic of West Indian Literature. Cambridge: Cambridge University Press, 1997.Google Scholar
Tracy, Steven. Langston Hughes and the Blues. Urbana: University of Illinois Press, 1988.Google Scholar
Trouillot, D'Henock . Dimension et limites de Jacques Roumain. 2nd edn. Port-au-Prince, Haiti: Éditions Faradin, 1981.Google Scholar
Unterecker, John. Voyager: A Life of Hart Crane. New York: Farrar, Straus and Giroux, 1969.Google Scholar
Valéry, Paul. Variété. Vol. ii. Paris: Librairie Gallinard, 1930.
Vendler, Helen. Coming of Age as a Poet. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Vendler, HelenThe Given and the Made: Strategies of Poetic Redefinition. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Walcott, Derek. The Arkansas Testament. New York: Farrar, Straus and Giroux, 1987.Google Scholar
Walcott, DerekThe Caribbean: Culture or Mimicry?Journal of Interamerican Studies and World Affairs 16.1 (February 1974).CrossRefGoogle Scholar
Walcott, DerekCollected Poems, 1948–1984. New York: Farrar, Straus and Giroux, 1986.Google Scholar
Walcott, Derek Conversations with Derek Walcott. Ed. William, Baer. Jackson: University of Mississippi Press, 1996.Google Scholar
Walcott, DerekEpitaph for the Young: Ⅻ Cantos. Barbados: Advocate, 1949.Google Scholar
Walcott, DerekFor All Craftsmen.” Bim 5.19 (December 1953): 166.Google Scholar
Walcott, DerekIn a Green Night. London: Jonathan Cape, 1962.
Walcott, Derek Interview. South Bank Show, ITV. London: January 15, 1989.Google Scholar
Walcott, DerekInterview. Trinidad Express (March 14, 1982).Google Scholar
Walcott, DerekPoems. Kingston, Jamaica: Kingston City Printery, [1951].Google Scholar
Walcott, DerekReflections on Omeros.” South Atlantic Quarterly 29.2 (Spring 1997): 229–246.Google Scholar
Walcott, DerekSea Grapes. London: J. Cape, 1976.
Walcott, DerekTiepolo's Hound. New York: Farrar, Straus, and Giroux, 2000.Google Scholar
Walcott, DerekWhat the Twilight Says. New York: Farrar, Straus and Giroux, 1998.Google Scholar
Watts, Edward. Writing and Postcolonialism in the Early Republic. Charlottesville: University Press of Viriginia, 1998.Google Scholar
Weisbuch, Robert. Atlantic Double-Cross: American Literature and British Influence in the Age of Emerson. Chicago: University of Chicago Press, 1986.Google Scholar
Werner, Craig. “Blues for T. S. Eliot and Langston Hughes: The Afro-Modernist Aesthetic of Harlem Gallery.” Black American Literature Forum 24.3 (Fall 1990): 453–472.Google Scholar
Wetherill, Peter Michael. Charles Baudelaire et la poésie d'Edgar Allan Poe. Paris: A. G. Nizet, 1962.Google Scholar
Wetzel, Andreas. “Poe/Baudelaire: Poetics in Translation.” Cincinnati Romance Review 6 (1987).Google Scholar
Whalen, Terence. Edgar Allan Poe and the Masses: The Political Economy of Literature in Antebellum America. Princeton: Princeton University Press, 1999.Google Scholar
Whitman, Walt. Complete Poetry and Collected Prose. Ed. Kaplan, J.. New York: Library of America, 1982.Google Scholar
Whitman, Walt Leaves of Grass: Comprehensive Reader's Edition. Ed. Blodgett, H. and Bradley, S.. New York: New York University Press, 1965.Google Scholar
Williams, Raymond. The Politics of Modernism: Against the New Conformists. London: Verso, 1989.Google Scholar
Wilson, Edmund. Axel's Castle: A Study in the Imaginative Literature of 1870–1930. New York: Scribner's, 1931.Google Scholar
Winters, Ivor. In Defense of Reason. New York: The Swallows Press, 1947.Google Scholar
Wordsworth, William. The Fourteen-Book Prelude. Ed. Owen, W. J. B.. Ithaca: Cornell University Press.
Wordsworth, William Poems, In Two Volumes, and Other Poems, 1800–1807. Ed. Jared, Curtis. Ithaca: Cornell University Press, 1983.Google Scholar
Young, Howard, ed. T. S. Eliot and Hispanic Modernity, 1924–1993. Denver: Society of Spanish and Spanish-American Studies, 1994.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Anita Patterson, Boston University
  • Book: Race, American Literature and Transnational Modernisms
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511485619.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Anita Patterson, Boston University
  • Book: Race, American Literature and Transnational Modernisms
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511485619.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Anita Patterson, Boston University
  • Book: Race, American Literature and Transnational Modernisms
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511485619.009
Available formats
×