This chapter focuses on the romance of Apollonius of Tyre, a late antique text that is perhaps the successor of a lost Hellenistic original. At the very outset of that work—whose Nachleben extends from a fragmentary eleventh-century Old English translation, through Gower’s Confessio Amantis, to the Shakespearean Pericles, Prince of Tyre—circumlocution of the incestuous rape that sets the plot in motion structures the entire narrative around a double bind of desire that cannot be named but is signified in the silences that continually call the reader’s attention to it. Preterition is both repeatedly performed by the characters themselves and governs the entire work as a kind of master narratological trope, akin to the unconscious logic of dreams as understood by Freud and Lacan.