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2 - Defamiliarising the Dungeon: Alexander Berkman’s Prison Memoirs of an Anarchist

Published online by Cambridge University Press:  05 March 2025

Julian Murphet
Affiliation:
University of Adelaide
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Summary

The darkness of despondency gathers day by day; the hand of despair weighs heavier. At night the screeching of a crow across the river ominously voices the black raven keeping vigil in my heart. The windows in the hallway quake and tremble in the furious wind. Bleak and desolate wakes the day – another day, then another –

Weak and apathetic I lie on the bed. Ever further recedes the world of the living. Still day follows night, and life is in the making, but I have no part in the pain and travail. Like a spark from the glowing furnace, flashing through the gloom, and swallowed in the darkness, I have been cast upon the shores of the forgotten. No sound reaches me from the island prison where beats the fervent heart of the Girl, no ray of hope falls across the bars of desolation. But on the threshold of Nirvana life recoils; in the very bowels of torment it cries out to be! Persecution feeds the fires of defiance, and nerves my resolution. Were I an ordinary prisoner, I should not care to suffer all these agonies. To what purpose, with my impossible sentence? But my Anarchist ideals and traditions rise in revolt against the vampire gloating over its prey. No, I shall not disgrace the Cause, I shall not grieve my comrades by weak surrender! I will fight and struggle, and not be daunted by threat or torture.

Alexander Berkman's prose, an energetic English beaten out of vigorous Russian timbres, prefers description to narration; or, more accurately, imparts much of its frustrated narrative momentum to the business of description. One of the reasons for that redistribution of force is simply the disappearance of incident relative to the infinite dilation and empty succession of prison time – sentenced to twenty-two years for the attempted assassination of Henry Clay Frick in 1892, and serving fourteen, Berkman exists in a space essentially out of time. In a situation where, for the most part, nothing happens, the effort to wrest experience from that blank expanse of unmarked temporality falls to a language in which absence thickens, assumes mythic dimensions, while speculative lines are drawn between the inert ‘no part’ being played by the imprisoned subject and distant ‘life’ itself.

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Prison Writing in the Twentieth Century
A Literary Guide
, pp. 28 - 43
Publisher: Edinburgh University Press
Print publication year: 2023

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