This chapter examines the rhetoric, temporality, and interactivity of relationships between writers, readers, editors, and publishers of literary magazines and miscellanies, genres that were among the most important print media of the 1820s. Forms and styles of magazine writing became increasingly performative and improvisational as authors adapted to the demands of a periodical rhythm. Especially in Blackwood’s Edinburgh Magazine, this performative quality involves the construction of pseudonymous personae and theatricalized scenes that dramatize the process of producing the magazine and parody the notion of personal identity. Two lesser-known publications extend the impact and implications of this style of journalism: Knight’s Quarterly Magazine (1823–4), a Blackwood’s imitator edited by influential publisher Charles Knight, and John Galt’s The Bachelor’s Wife (1824), a miscellany that stages the processes of editing and reading within a gendered domestic setting.