Book contents
- Frontmatter
- Contents
- List of Illustrations
- Dedication
- Acknowledgements
- Introduction
- ‘Theatre[s] of Cruelty’ and Politics of Performance in the Work of ‘Teatrista’ Eduardo Pavlovsky and Filmmaker Fernando E. Solanas
- De-mythifying the Postmodern ‘Opium of the People’: Theatre and Cinema versus Television
- ‘Metáforas del Fracaso’ or ‘a Family Romance’? Resuscitating Aesthetic Lineages
- Biodramas/Biography/Biopolitics:Projects of ‘Convivencia’ in New Argentine Cinema and Theatre
- Conclusion
- Filmography
- Bibliography
- Index
Index
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- List of Illustrations
- Dedication
- Acknowledgements
- Introduction
- ‘Theatre[s] of Cruelty’ and Politics of Performance in the Work of ‘Teatrista’ Eduardo Pavlovsky and Filmmaker Fernando E. Solanas
- De-mythifying the Postmodern ‘Opium of the People’: Theatre and Cinema versus Television
- ‘Metáforas del Fracaso’ or ‘a Family Romance’? Resuscitating Aesthetic Lineages
- Biodramas/Biography/Biopolitics:Projects of ‘Convivencia’ in New Argentine Cinema and Theatre
- Conclusion
- Filmography
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Politics and Performance in Post-Dictatorship Argentine , pp. 183 - 188Publisher: Boydell & BrewerPrint publication year: 2011