Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Politics and Culture in Germany and Austria Today
- Writing the European Refugee Crisis: Timur Vermes’s Die Hungrigen und die Satten (2018)
- Pluralized Selves and the Postmigrant Sublime: Isolde Charim’s Ich und die Anderen (2018) and Wolfgang Fischer’s STYX (2018)
- “Never an innocent game”: The Center for Political Beauty and “Search for us!”
- Irreconcilable Differences: The Politics of Bad Feelings in Contemporary German Jewish Culture
- Geography, Identity, and Politics in Saša Stanišić’s Vor dem Fest (2014)
- Precarious Narration in Anke Stelling’s Schäfchen im Trockenen (2018)
- Limited Editions: Politics of Liveness at the Berliner Theatertreffen, 2017–19
- The Akın Effect: Fatih Akın’s Cultural-Symbolic Capital and the Postmigrant Theater
- Goodbye, Sonnenallee, Or How Gundermann (2018) Got Lost in the Cinema of Others
- Ruth Beckermann’s Reckoning with Kurt Waldheim: Unzugehörig: Österreicher und Juden nach 1945 (1989) and Waldheims Walzer (2018)
- Burschenschaft Hysteria: Exposing Nationalist Gender Roles in Contemporary Austrian Politics
- Notes on the Contributors
Frontmatter
Published online by Cambridge University Press: 06 April 2021
Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Politics and Culture in Germany and Austria Today
- Writing the European Refugee Crisis: Timur Vermes’s Die Hungrigen und die Satten (2018)
- Pluralized Selves and the Postmigrant Sublime: Isolde Charim’s Ich und die Anderen (2018) and Wolfgang Fischer’s STYX (2018)
- “Never an innocent game”: The Center for Political Beauty and “Search for us!”
- Irreconcilable Differences: The Politics of Bad Feelings in Contemporary German Jewish Culture
- Geography, Identity, and Politics in Saša Stanišić’s Vor dem Fest (2014)
- Precarious Narration in Anke Stelling’s Schäfchen im Trockenen (2018)
- Limited Editions: Politics of Liveness at the Berliner Theatertreffen, 2017–19
- The Akın Effect: Fatih Akın’s Cultural-Symbolic Capital and the Postmigrant Theater
- Goodbye, Sonnenallee, Or How Gundermann (2018) Got Lost in the Cinema of Others
- Ruth Beckermann’s Reckoning with Kurt Waldheim: Unzugehörig: Österreicher und Juden nach 1945 (1989) and Waldheims Walzer (2018)
- Burschenschaft Hysteria: Exposing Nationalist Gender Roles in Contemporary Austrian Politics
- Notes on the Contributors
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- Politics and Culture in Germany and Austria TodayEdinburgh German Yearbook Volume 14, pp. i - ivPublisher: Boydell & BrewerPrint publication year: 2021