The book’s coda addresses an economic and cultural shift in national focus from production toward consumption that took place in response to the theory that the Depression was a “crisis of underconsumption.” According to this logic, capitalism could best be salvaged by stimulating consumer buying power, and thus by bolstering demand for the emerging commodities associated with what Rita Barnard has called the “culture of abundance.” This book thus concludes by proposing that a Depression-era gravitational shift from a producerist model associated with Fordist industrialism toward the mass consumption that would define the postwar period was paralleled by a displacement of the notion of the writer (or poet) as a producer toward one of the writer (or poet) as consumer. This poetics of mass consumerism can be seen in its offing in the Depression-era work of George Oppen and Mina Loy, but it reaches its fullest expression in the postwar poetry of John Ashbery, as well as the work of more recent poets such as Robert Fitterman and Juliana Spahr.