One of the strangest moments in the Miller's Tale is the one in which Absolon, who has been waiting in the dark at Alisoun's window for a long-anticipated kiss, finds himself savoring the taste not of her mouth but of the “hole” she has so unceremoniously proffered. This moment will serve as a useful entry into the intersection between Chaucer's representations of erotic life and his philosophical poetics, and specifically into the way he combines an interest in the instability of hegemonic norms of gender and desire with interests in ethics, agency, and practical reason.

I begin with this moment partly because of its distance from the explicitly philosophical themes that crop up from time to time in Chaucer's poetry: in the place of epistemological subtleties or worries over the freedom of the will, the Miller offers us some dirty sex and a good joke.