Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-09T05:46:11.845Z Has data issue: false hasContentIssue false

1 - The Politics of Innocence in Theatres of Reality

Published online by Cambridge University Press:  05 December 2015

Get access

Summary

I have spent all my life between yes and no.

—Towfiq Al-Qady, Nothing But Nothing

Innocence, in the sense of complete lack of responsibility, was the mark of their rightlessness as it was the seal of their loss of political status.

—Hannah Arendt, The Origins of Totalitarianism

At the start of the book I referred to one of the many tragedies at sea that have befallen asylum seekers transported on people-smuggling vessels across the heavily-patrolled waters between Indonesia and Australia. As I noted, the five deaths in this particular instance, following a large explosion of fuel on board the asylum seeker vessel SIEV 36, were found at a coronial inquest to be the result of deliberate sabotage by ‘a passenger or passengers’ (Cavanagh 5), that is, one or more of the asylum seekers aboard the boat, in an attempt to ensure that they would not be returned by Australian Navy personnel to Indonesia. Reports in the wake of the 2009 event speculated that the cause of the boat explosion had been deliberate, but before the findings of the 2010 coronial inquest were published, it was all too easy for asylum seeker advocates, including academics, to doubt the veracity of this claim, perhaps assuming it to be part of a general strategy of character assassination akin to that which underpinned the ‘children overboard’ scandal of 2001. But the speculation turned out to be warranted, as well as inconvenient for a politics that implicitly depends upon asylum seeker innocence as a key reason for compassion to be extended to them. Of course, the trouble with pegging asylum seekers’ deservingness of humanitarian protection in Australia to innocence is that it promotes a morality instead of an ethics and that it struggles—indeed, is often unable—to absorb complex motivations, duplicity or recklessness: in the case of the boat explosion, a plea for asylum that turns into a deadly demand.

Type
Chapter
Information
Performing Noncitizenship
Asylum Seekers in Australian Theatre, Film and Activism
, pp. 23 - 60
Publisher: Anthem Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×